Bowynn Gods: Sumon

Bowynn Gods: Onaur

Onaur  (Oh-naur)  Winged god of love and passion. Onaur is a lot like his European counterparts Cupid and Eros only a bit older in years. He is the son of Brenda and Dhonan.

     Like his mother Brenda and father, Onaur is a god that cannot induce love on anyone. At first, he did try to do just that, when he was granted his godly station by Anhur. Onaur was so overjoyed by his godly gifts, he took his flute and played in the ears of mortals everywhere, making them fall in love with each other. But this caused much chaos and problems in the world. When word of this got to Brenda, she took away his flute and wings. Brenda then had to force him to undo all the false love he had spread. This taught the young god a lesson that would stick with him for the rest of his immortal life.  Despite the advances of many young girls, Onaur always stayed true stayed unbonded, so that he would not take sides.

     Unlike Onaur’s European counterparts, Onaur is an older god and not a cherub. He is often seen as a teenage buy. And unlike both his Greek and Roman counterparts, he is not winged. He is said to have blonde hair and the bluest of eyes. On his shoulder hangs a bag which he keeps his flute magical flute that he uses to project love. Some claim he also has a magic dust in his bag which induces lust instead of love. Onaur is said to take the disguise of a bird of his choosing, when he is around mortals. Unlike many of the gods of the Akua, Onaur was not one of the gods that sat with the first tribes, as he and his brother Shane were not born at the time. But now, Onaur and Shane spend much time among mortals to make up for his absence.        

     Sacred to Onaur is the flute and magickal herbal blends for love. Flowers like the carnation, lily and rose are just some of the flowers sacred to Onaur, as are their scents and votive images of birds also makes a most divine gift.

Blessed Winter Solstice

Aelles Ky'Kora

Due to a very negative incident that happen this past night, I will not be engaging in any information today. Instead I shall leave you with just images. I still wish you all a very blessed and fun-filled holiday. All good. no bad.

QUESTION & ANSWER: SAMHAIN

QUESTION: Can you explain more about the Samhain Ceremonies Bowynn celebrate?

ANSWER: Again, we do not celebrate Samhain. Samhain is an Irish Keltic and Wiccan holiday. We celebrated the 3 day holiday of Ky'Kora. And "Yes," I will be describing in parts the celebration of the holiday in a few days. Though there are parts I need to leave out for the purpose of preserving Bowynn traditions and culture

Bowynn Gods: Hyu

Hyu  (Hi-you)  Hyu is the God of baking, ovens and bread. He is the “Baker of the Gods.” He is also the god of bread making, mills, harvesting wheat, the grinding of flour, acorn gathering and the patron of bakers. He is the son of Amaetheon and Deanna. His man means “Flour.” Hyu is a master bread maker. He has his own room and kitchen at Alaway, where he makes all the feasts for the divine Akua family each morning and night, particularly the daily first loaf, which is divided up among the gods. He taught the first mortal tribes how to harvest and prepare acorns for bread making. The bread he makes for the holy family is the most sacred. Hyu is also the guardian of mills. His image was always depicted on mill doors and all mills had a small shrine to Hyu. Hand mills are blessed in Hyu’s name.

     The 7 days Hyu spent with the first tribes to teach them the arts of bread making. This was one of the key elements that brought on man’s survival. So grateful were the tribes, that they build a special temple to Hyu in the shape a mill, instead of the typical shape. The altar as well was designed in the shape of a millstone.

     Hyu is depicted as a man of full age, His hair longish and brown, often seen in workman’s clothes of earth tones and a bakers tan tunic. He carries a broom-staff to which is bound his bread-board with red fillets, a color sacred to him. Offerings to Hyu are in the realm of bread, wheat, flour, acorns, and other grains that are made into flour. Special gifts also consist of elaborated carved spoons, brooms, bread-boards, honey and herb cakes. Hyu’s totem is the mouse, the symbol of abundant wealth.

Bowynn Gods: Gondor

Last Image: Kalen and Gondor standing together.

Gondor  (Ghon-door)  Gondor is the Bowynn god of smith crafting, fire and patron god to blacksmiths, goldsmiths and silversmiths. (Metal smiths in general) Particularly, he is the god of blacksmithing; Iron-forging.

     Gondor is the son of Phoenix and Sumon and the brother of Kalen, god of architecture. When it comes to all metal craft, Gondor is the master. But unlike other pantheons, his talents are not limited to just weapons and armor. Gondor makes all the feast ware and cooking utensils of Alaway. He was challenged at a young age to make a pot big enough for the goddess Io to cook all the daily meals of the gods of Alaway. Of course this was impossible. So instead, he forge-crafted a magickal cauldron that would never run out of food till each god had two helpings. Gondor was also commissions but Anhur, king of the gods to craft all of the weapons and armor of the gods. When the first tribes of mankind founded their homes in Europe, Gondor spent seven days with mankind teaching them the arts of smith-crafting. Not only to make weapons to hunt but farm tools.

     Gondor’s home and forge is not in Alaway but instead deep in the woods; A large home where he shares with his wife, brother, and his brother's wife. It was there where Gondor forged the great Seven Swords of the Wildwood, to give to mankind. Sadly, the first kings used them to start war and Gondor took them away and hid them till mankind was ready to find them again.

     Gondor is a fully mature god. Unlike other smithy gods, of other pantheons, Gondor is most handsome with wondrous long hair and strong in stature.  He is rarely seen with a shirt or tunic on. Instead, he wears a leather apron or is bare-chested. A circlet about his head keeps his hair back as he works, and a pair of leather gauntlets protects his hands. Sacred to Gondor are the tools he uses; hammers, forge and tongs. Also, all metal work and charcoal. Bunches of nails are a common gift to Gondor. When Gondor is around humans, he often takes the form of a dog, which is his sacred totem.

The House of Gondor Tablet. Gondor stands in the center of the second row on top of the platform with his brother Kalen and the goddesses Panu and Vella. Around him are his helpers and gods waiting for wares to be made.

A Deeper Look into the God Aetenn

The symbolism surrounding Aetenn reveals profound layers of meaning, tightly entwined with esoteric principles and numerical significance. The ram, a recurring symbol in various mythologies, connects to themes of strength and assertiveness (often associated with the astrological sign Aries), but its horns can also symbolize stability and grounding—attributes that are essential for any protector or guardian. The duality of his nature as a guardian rather than a warrior suggests a transition from aggression (often represented by the warrior archetype) to stewardship, which can be explored through concepts like the Fibonacci sequence; just as this mathematical series illustrates growth and balance, Aetenn embodies the necessity of nurturing potential (the arms and armor of warriors) while safeguarding community.

Aetenn, as the guardian of arms, armor, and forest, embodies a unique synthesis of protection and communal harmony, reflecting deeper philosophical and psychological themes. His role as a protector rather than a warrior suggests an exploration of the concept of "strength through restraint"—the idea that true power lies not just in wielding weapons, but in guarding what is valuable and ensuring the readiness of warriors to engage ethically in their pursuits. This notion connects with the idea of inner peace before external action, highlighting the importance of mindfulness and preparedness.

The forest environment Aetenn inhabits symbolizes life’s complexities and the untamed aspects of nature, suggesting that protection extends beyond martial prowess to encompass nurturing the environment and community bonds. His drumming connection reinforces the theme of communication and rhythm in relationships—both human and nature, further emphasizing the interconnectedness of all beings. The rhythmic beat of drums can symbolize the heartbeat of the Earth itself, emphasizing the importance of maintaining harmony with one’s surroundings.

Additionally, the black berry wreath can be interpreted as a symbol of cycles—birth, death, and renewal—since berries signify nourishment but also decay. This cyclical nature could reflect the life of soldiers, who thrive under protection but also face the threats of mortality and transformation. Aetenn's guardianship over what is most prized underscores the significance of mindful intention in one's desires, serving as a reminder that safeguarding what one values often requires discernment and respect for the greater good.

The black berry leaves, adorned with thorns, contribute a rich layer of esoteric meaning associated with protection through hardship. This paradox reflects alchemical transformations, where something seemingly harmful can protect and empower—much like the journey through the "prima materia" to reach enlightenment. The act of guarding only what one values aligns with the principle of intention found in manifesting one's desires. This notion resonates with the Law of Correspondence in hermetic teachings, implying that one's inner state reflects their external reality.

Furthermore, the drumming aspect connects Aetenn with rhythm and vibration, fundamental elements of sacred geometry and sound healing, resonating with a numerical symbology in sacred chants or mantras that establish communion. The significance of drums as a communication tool echoes the mathematical concept of frequency and waves, where harmony can signify balance in both the physical and spiritual realms. Thus, Aetenn serves as a multifaceted archetype, embodying the necessity of protection, the complexity of nature's cycles, and the essential connection between intention and manifestation in the spiritual fabric of existence.

Exploring Aetenn through a deeper lens, one can uncover fascinating intersections between his symbolism and scientific principles, particularly in ecology, psychology, and the study of sound. As a forest god, Aetenn embodies the principles of ecosystems where interdependence is crucial; his guardianship can be likened to the role of keystone species in sustaining biodiversity. This speaks to the hidden meaning of protecting not just individual aspects of society (like warriors and their weapons) but the entire web of life, emphasizing the importance of ecological balance and resilience.

In psychological terms, Aetenn might represent archetypal concepts that resonate within the collective unconscious. As a protector and guardian, he aligns with the Jungian idea of the "Self" as a harmonious balance of different aspects of the psyche. The caring nature of his duties could suggest the psychological principle of empowerment, where true strength lies in fostering the potential of others rather than exerting control or dominance, reflecting a more nurturing approach to leadership.

Scientifically, the drums associated with Aetenn can be examined through the lens of acoustics and vibration. The rhythmic patterns of drumming are known to influence brainwaves, promoting sensation alteration, introspection, and communal bonding—facilitating group cohesion and shared identity among communities, which is essential in military contexts. This reinforces deep cultural bonds and emphasizes the interconnectivity among its members, paralleling the principles of quantum entanglement in physics—where everything is interconnected at a fundamental level.

Bowynn Gods: Daekk

Daekk  (Dayk)  Daekk is the god of abundance,  wealth, fortune, fame and patron to treasuries, banks, bankers, tradesmen, mints, minters and all other forms of commerce. Daekk is the son of Rhya and Anhur. He is one of the youngest gods of the Akua and in Alaway. His sisters are Tymora and Hemwey.

After taking his station as a god of Alaway, Daekk started to flaunt and abuse his gifts far less than wisely; giving gifts of wealth to only those that pleased him. This upset the great balance of Bia. Most people were poor, hungry and dying because they could not afford care. Yet Daekk still gave only to those who could afford to give to him and who wore rich robes and jewelry, because he was attracted to them. Having seen enough, Anhur, King of the gods at last punished Daekk and turned him into an old blind and deaf immortal. In this way Daekk would still be able to dispense his gifts to mankind without influence of wealth, looks or prejudice. Sadly, this means that sometimes Daekk's gifts of wealth and fortune is somewhat wrongly gifted.

     Another version of this sacred story is that Anhur made Daekk eternally baby him instead. This way he could not be influenced audibly or visually by those that pray to him. Either or version, this sacred story upholds the saying "Judge not a man by his appearance." At the same time, Daekk will take away the wealth of people who abuse it

     Being a babe or old man of Alaway, he is tended to by the goddess Tymora, the goddess of luck and fortune. When not being nursed by the goddess, he is placed in his chamber of wealth in the halls of Alaway where he spends his time playing in his riches and dispensing them to mankind. The chamber is the great treasury of the gods that is always plentiful, the walls decorated in Lapis, Amber, Silver and Gold, rich woods and well adorned roofing. This is Daekk's personal room. His bed also being decorated richly and he is fed on the richest of milk from the sacred herd of the gods. Being of such a young age, Daekk is one of the very few gods that never leaves Alaway.

     In his child-like form, Daek is seen as an infant of no more than a year old, still crawling about on his hands and knees. His hair is of blond locks and his eyes amber in color. He wears little to no clothing and no jewels himself. If he wears anything at all it may be a loincloth or a child's tunic. In his older form, Daekk is seen as a man of fatherhood years, often bearded. Yet still his simply dressed and a blindfold about his eyes and a walking stick. If the older Daekk does leave Alaway he often takes the form of a beggar man or a mouse. Mice being a Bowynn symbol of Wealth. Sacred gifts often given to Daekk come in the form of coins, money, sacks and bundles of grain, incense, milk and mice votives. Images of mice and baby Daekk are often represented on treasure boxes to ensure protection and encourage growth of the contents within. Another special offering to Daekk is that of "false money" or play money. It is often made and on it, prayers are written and then left on the altar, eventually buried. Though this is often to ask for wealth and the act of burying the "false money" with a plant seed is in hope that as the plant grows, so will a person's wealth.

My Personal Prayer to the Ano Taya

O Esteemed Ano Taya, triad of divine sisters who art the weavers of the tapestry of life, I bow before your sacred loom, where threads of destiny intertwine under your vigilant gaze. Nae, guardian of the past, Narna, nurturer of the present, and Nareen, keeper of the future, I humbly beseech you to guide my path and illuminate the choices that lie before me. O Nae, esteemed chronicler of yesterday's tales, grant me wisdom to learn from the stories of those who came before. Let the lessons of the past linger within my heart, guiding my steps away from folly. Narna, vibrant weaver of the now, fill my spirit with the awareness to embrace each moment, weaving joy and compassion into my daily existence. Nareen, visionary of what is yet to come, plant seeds of hope and dreams within my soul, for I seek to forge a future rich with purpose and light. With reverence, I lay before you sacred offerings of candles, white for purity, red for passion, and purple for transcendence—three flames illuminating the way for your divine presence. I present to you three fillets and votive images, symbols of my devotion and recognition of your immense power. May my humble gifts find favor in your eyes and stir the threads of fate in alignment with my heart's desires.

O Kindly Ano Taya, as I traverse the intricate paths of existence, bestow upon me the insight to discern my choices and their impact on the tapestry you weave. May your guidance illuminate the crossroads of my life, helping me navigate the corridors of time with grace. In moments of uncertainty, let me feel your presence, reassuring me that I am part of your grand design. In unity, I honor the shared threads that connect us all, woven together by the hands of the Ano Taya. As I gaze upon the sacred tapestries of the past, I reverently acknowledge the lives interwoven with my own. Let every encounter, every bond, strengthen the fabric of our shared journeys, and inspire compassion within my heart for my fellow beings. O Divine Sisters, protectors of the cycles of fate and time, may your ever-watchful presence guide me in the winding paths of my days. As I gather strength from my origins, cherish the present, and dream for the future, may the beauty of your woven tapestry inspire my soul. Enfold me in your wisdom, assuring me that each thread serves its purpose in this everlasting cycle of life. So shall it be, as the tapestry of existence unfolds under your benevolent hands.

Syember!

Bowynn Gods: Lyanna

Lyanna  (Ly-an-nah)  Lyanna is the Bowynn goddess of music, song and the patroness of musicians. In some aspect she may be one of the Abonna or a Kii of music. Be that the case, she would be the only Abonna or Kii ever named. If so, then she would be the creation of Brand. We do know from sacred text that she was trained in the arts of music by Brand.

     Lyanna's role in the pantheon is still in a bit of a clouded mystery. What is known is that she is a companion to the goddess Aleglea and in Alaway she sits with the other bard-like gods and strums on a "Kiltaen" or her flutes and sings sweet soft songs as the other gods feast and tuck in for the night.

      Lyanna is depicted as a youthful goddess with long flowing hair and small braids held together with ribbons. It is assumed she is a goddess that has not hit maturity yet, as she is never seen wearing a hladd. In hand she always is seen carrying her Kiltaen, which is a Bowynn lute or guitar. Sometimes on her hip is strapped a flute case and flying about her are Whippoorwills.  The Whippoorwills are her totem and she will sometimes take their form when around mortals, inspiring song. And they are her Totem animal. Sacred gifts to Lyanna are fetish images or real flutes, kiltaens and other such musical instruments, written music, flowers and of course incense.