Has anyone else noticed that traits people associate with Shaggy smoking weed could easily be explained with severe anxiety?
Shaggy doesn’t say “like” and talk stuttery because he’s a stoner. He’s unsure of what he’s saying and is constantly tripping over his own thoughts
Shaggy doesn’t always have the munchies. He’s stress eating. He’s just grown an appreciation for food since
Shaggy isn't leaning forward because he’s slouching. That and his wide eyed expression comes from being on constant alert
Shaggy likes mysteries. But his main driving force is his friends. He does have a passion here. But in truth, he doesn’t want to let his friends down. He feels like them and Scooby are the only family he truly has
Shaggy doesn’t do drugs. He just has intense anxiety
If I had to compare Azula to a well-known literary character, it’d be Ophelia from Hamlet. It might seem weird to some people to read that. On the surface of the narrative, Ophelia is very much a passive victim, and Azula would set you on fire if you ever described her that way.
The worst thing to call somebody is crazy. It’s dismissive. “I don’t understand this person. So they’re crazy.” That’s bullshit. These people are not crazy. They strong people. Maybe their environment is a little sick. (source)
Something is rotten in the state of Denmark. (source)
Banishing me was they best thing you did for my life. It put me on the right path. (source)
Nevertheless, there are strong parallels between the two in that they’re both teenaged girls whose mental deterioration is directly connected to their toxic environments and the failure of the adults in their lives to intervene before a major mental health crisis.
Even so, most analysis of these characters take a more individualistic approach, aiming to understand what’s wrong with Azula or Ophelia instead of examining the conditions that lead to the outcomes of these characters. In essence, they ask, “What is her problem?” when a more fruitful question might be, “What’s going on that allows this to happen?”
When Ophelia appears onstage in Act IV, scene V, singing little songs and handing out imaginary flowers, she temporarily upsets the entire power dynamic of the Elsinore court. When I picture that scene, I always imagine Gertrude, Claudius, Laertes, and Horatio sharing a stunned look, all of them thinking the same thing: “We fucked up. We fucked up bad.” It might be the only moment of group self-awareness in the whole play. Not even the grossest old Victorian dinosaur of a critic tries to pretend that Ophelia is making a big deal out of nothing. Her madness and death is plainly the direct result of the alternating tyranny and neglect of the men in her life. She’s proof that adolescent girls don’t just go out of their minds for the fun of it. They’re driven there by people in their lives who should have known better. (source)
You could argue that Ophelia’s fate is a consequence of the rottenness in Denmark. Thus, her decline and death can be read as an indictment of the court at Elsinore. Ophelia clearly needed help from the moment she found out Hamlet killed her father. But where was everyone? What were they doing? Why didn’t someone say or do something?
The same thing can be said about Azula. What befalls Azula at the end of the show is a direct result of the corruption of Fire Nation society. That moment by the bonfire in “The Beach” was a cry for help, but why did no one see it for what it was? Why did no one even attempt to help? Where were the grownups who could have stepped in? True, it would’ve been tricky considering her disposition and social status, but not impossible.
More importantly, what does all of this say about the societies that Ophelia and Azula live in? What’s going on in a society where people so clearly in need of help aren’t getting it? What does that say about who that society deems indispensable and who it deems disposable?
How are we encouraged by the narrative and by audience reactions to notice Ophelia’s vulnerability but not Azula’s? How does this reflect our society’s attitudes towards teenaged girls who are mentally ill? What are some things we can do differently to push back against those attitudes?
I heard someone say that the antidote to chronic consumption is creative contribution, so with that said I'm GOING to write a novel. Hopefully multiple novels. I've had this idea for a while now but I'm officially going to act upon it.
Girlfriend — Yuuta Okkotsu x Reader
You found yourself sitting at the edge of a building. You took a small box and opened it, revealing the several cigarettes sticks inside. You pulled one out of its box as you push it in between your lips. The Tokyo city lights were amazing from above, though you had seen this view many times before. Maybe you’re getting high with yourself without even noticing. A low chuckle escaped your lips as you figured so.
Your ears immediately perked up once you heard footsteps from behind, “…relax, it’s just me” a gentle voice crept out as a tall figure appeared from the dark, Yuuta Okkotsu.
The special graded sorcerer had always something to do with you and it was always something about love. Maybe it was just you trying to deny it. You’d had sex for a few times, went on dates and even had shared the same apartment before.
But you guys were not a thing.
He was a jujutsu sorcerer and worse he was the student under Gojo’s wing. And you? You were a puppet of Kenjaku in fact you know everything little things he had done including him pulling a trick on Itadori’s dad.
Maybe that was one of the reasons why you always had not been accepting his and your feelings to get in the way.
“Are you not going to say anything?” You said firmly, staring at the guy that just settled down next to you without a word. “no, not yet.” he smiled, a genuine one. you scoffed, “the fuck you mean no? I did not come here for nothing.”
Silence fell between you both before Okkotsu turnt to look at you. “I actually..don’t want to seem like I’m using you.” he said as he stared at you flick the cigarettes with your fingers. “Use me? Then what do you wanna do? Propose me? Don’t be an id-”
“Yes..yes. I want to make us an official thing. I want to make you an official thing.” he said, almost seemed like whispering.
At the moment, his face was too close to yours. You can feel his hot breaths against your cheeks, slightly making you feel things you had never experienced before. A rush of blood flowed through your cheeks which caused Okkotsu to laugh.
“Are you seriously blushing at this? c’mon it’s not like we have not even slept together bef-”
“Will you shut up already? Your voice is so loud that people on the ground might even hear.” you said, trying not to break a smile as you push him away.
You loved these kinds of moments. Moments that cannot be shared with anyone. You knew he was serious about his previous commitment yet you were not convinced you agreed too.
“..I just don’t want you to get executed once they found out.” you exhaled before your hands worked their way for another cigarette as it stopped its track once Okkotsu stopped your hand.
He looked at you sincerely, “they won’t find out.. I’m really tired of staying as strangers and you know how much I would like to hold your hand without feeling guilty.” He said before rubbing his palm against the back of your hand gently. He grabbed your soft hand and placed it on his lips, giving it a peck on the veins.
your heart softened at the sight, his face illuminated by the city lights, featuring every details perfectly. His hair messily falling off to his forehead. he was indeed handsome though it may take sometime to actually admit it.
“I promise they won’t. I don’t care if they do, I only need a world with you and me in it.” He grinned as he crooked his head in your neck.
you laughed at his words, “do you even know who you are talking to right now?”
“my girlfriend — obviously.”
“You’re such a hard headed guy.” You smiled softly while rubbing his skull. Though your brain told you to stop your actions, your heart convinced you to trust his words.
And you did.
I lost the request to this but if you’re seeing this, thanks for the brilliant idea xx. Reblogs and comments are always appreciated. Thanks!
Kr slice of life dramas will always be superior, specially shin pd dramas. Family love, friendship, life values, warmth and kindness through small gestures and service....😭
if you take out all the murder, the ending of assassination classroom is reflected in any student-teacher bond. no matter how close they become, there is always a ticking clock on the relationship. you only get one year with that teacher, with that class. the end of the year may as well be the end of the world. everything the students learn brings them closer to the point when they can leave the teacher behind. after graduation, the students will move on to their futures, armed with all the knowledge they've gained, but the teacher can't come with them.
there's a reason every episode's title has the word "time" in it. because the whole show is about the time class e gets to spend together, and the titles are a constant reminder that that time is limited.
the assassination of koro-sensei is class e's graduation. from that moment forward, the teacher, the class, and middle school itself, are no longer a part of their lives. it would seem the message is that nothing lasts forever. the sakura blossoms always fall, children always grow up, and the fun times always end.
yes
wake up, new ship dynamic just dropped
person A: fuck the rich
person B: *is rich* please
Childhood ruined
💥🙌👏
who's your favourite paladin?
This special boy! :D