Me: You’ve Already Used This Exact Turn Of Phrase Two Paragraphs Ago, That’s Too Repetitive

me: you’ve already used this exact turn of phrase two paragraphs ago, that’s too repetitive

me, an intellectual: if I use it three more times it becomes a motif

More Posts from The-writer-muse and Others

3 years ago

Hi! Sorry for the spam, but I've seen your blog for like 10 minutes and I already love it. Wishing you a great day, lots of writing inspiration & claim the stars ^^

oh my gosh thank you so much, this ask honestly made my day! wishing the same to you <3

3 years ago

when a character not in a cool way but in a fully sincere and slightly helpless way is like to understand things i need to be able to identify qualify & organize them i need structure and systems of logic but i also have an incredible capacity for empathy and feel things deeply. literally give me a kiss


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1 year ago

grabbing new writers by the shoulders. it is important to write what you love and to love what you write. if you spend all your time trying to make something other people will approve of you will hate yourself and everything around you. learn at your own pace. you have time. i’m proud of you

3 years ago

is there any flowers/plants that symbolize or relate to discomfort and dissatisfaction? im trying to draw something for an art project and i wanted to draw plants/flowers in it that hold symbolism to them

Hey kookoojellyfish! Most of these mean either directly, but allow potential association because neither discomfort nor dissastifaction exist as single meanings here.

agnus castus – coldness, indifference

aloe – bitterness and pain, bitterness, grief, religious superstition

balsam (red) – impatient resolved, touch me not

bee ophrys – error

belvedere – I declare against you

bindweed (great) – insinuation, importunity

burdock – importunity, touch me not

convolvulus (major) – extinguished hopes

corchorus – impatient of absence

eglantine – I wound to heal, poetry

geranium (fish) – disappointed expectations

henbane – imperfection, fault, for males to attract love from females

hogbean – defect

hortensia – you are cold, carelessness

humble plant – despondency

ice plant – your looks freeze me, rejected addresses

lint – I feel my obligations

love-lies-bleeding – hopeless not heartless, deserted love, desertion

meadow sweet – uselessness

mimosa – sensitiveness, sensitivity

ranunculus (wild) – ingratitude

sorrel (wild) – wit ill-timed

straw (a single, broken) – dissension, rupture of a contract

sweetbrier (european) – I wound to heal, poetry, imagination

tiger-flower – for once may pride befriend me, cruelty

Discomfort could be represented by poisonous plants in art. They don’t mean it, but they most certainly cause it.

– Mod Jana

Disclaimer

This blog is intended as writing advice only. This blog and its mods are not responsible for accidents, injuries or other consequences of using this advice for real world situations or in any way that said advice was not intended.

2 years ago

i love it when characters are package deals, i love duos i love trios i love quartets, i love groups and squads, i love it when you can’t find one without the other(s), i love it when they’re glued at the hip, i love it no matter the context of these dynamics, i lov

3 years ago

Forget the search history, if you really want to know a writer you should check their notes app...a writer's unhibited mind can be a frightening place.

3 years ago

Writing a Unique Fairy Tale Retelling

Credit: https://lindsay-elizabeth.com/how-to-write-a-unique-fairy-tale-retelling/

Intro

Fairy tale retellings are one of my absolute favorite genres to read, so I had to make a post on it! Retelling a story is addressing the original one with your own love letter and homage. A retelling is also a deeply personal experience, because whatever you want to retell is something that you find worth returning to, over and over again.

This post is primarily for fairy tale retellings, but any of these elements can be applied to folklore, mythology and other literary retellings as well!

1. Get to know the original story

We all know the most popular fairy tales well because we’ve been told them so many times in a variety of ways. However, the original stories were penned centuries and even thousands of years ago, so there are a lot of things you’ll probably want to leave behind, like misogyny, racism, and underage/toxic/inappropriate relationships. There are many other interesting story details, though, that you can pick up from the original text that can make your retelling richer and more layered.

Every writer interprets things differently. You never know what detail could spark your imagination and turn out to be something few others have used, so definitely take the time to read the original works. You can find pretty much all of the classic fairy tales for free online since they’re in the public domain (meaning the original copyright has expired).

2. Pay attention to themes

What makes fairy tales timeless and so pervasive in every culture are the underlying themes that we all relate to. They’re the truths that we connect with and instantly recognize on a deeper level. They explore topics like transformation, self-discovery, justice, judgment, class, and love. We’re inspired by the main hero’s will, spirit, and perseverance as they face challenges and ultimately overcome them on their journey to finding true love and happiness.

These are deeply human feelings and experiences, which is why they resonate with people of all generations and backgrounds. Fairy tales (and the best stories in general) make us examine these truths and help us understand them more deeply.

When writing a fairy tale retelling, look for the core of the story that you’re putting a spin on. What human experience is at the heart of it? As long as you have this, you can get as creative as you want with the rest of it!

3. Take note of your favorite elements

Besides the themes, what else do you love about the fairy tale you want to retell? Take some time to examine the story and take notes on what draws you to it over and over again.

If it’s the love story, what is it specifically about the love story that captures your heart more than others? The dynamic between the characters or a particular trope?

Keep pulling back the layers. The more you understand what you’re drawn to about this particular fairy tale, the more creative license you’ll be able to take because you’ll know what needs to stay the same to maintain the core of the story and what you can play with to make it unique.

4. Look at existing retellings

Take some time to go through the books currently available in the fairytale retellings genre to see how other people are playing with these stories and what the common threads are. Some places to check are:

GoodReads Lists of Fairy Tale Retellings

BookBub’s lists like this one of 20 Magical Fairy Tale Retellings for Adults

Amazon’s Best Sellers List for Teen & Young Adult Fairy Tale and Folklore Adaptations

What is missing? What hasn’t been done that you would love to read? Just one twist on the story can be the starting point for something completely fresh and intriguing.

5. Take note of what you like and don’t like

In all of the fairy tale retellings you’ve read and watched, what were your favorite things about them? What did you love about the characters, the scenes, the plots, the dialogue? What inspired you and pulled you into the story? And what didn’t you like? What did you think could’ve been done better? What did you feel was missing? All of these answers could be the first spark and building blocks to your own unique retelling.

6. Read reviews from other readers

Take a peek at the reviews for some of the most popular fairy tale retellings. What did other readers like and dislike about them? You’ll learn a lot about genre expectations here, as well as expectations for each individual fairy tale, and pick up a lot of valuable information you can use when crafting your own.

You never know what could spark your imagination; something someone says they “wishes” had been different in the story or that they never see in fairy tale retellings could be the impetus for a whole new story idea!

Keep in mind, writing is completely subjective, so just because someone else likes or doesn’t like something doesn’t mean you can’t tell the story you want to tell! This is just a way to get different perspectives on the genre and individual fairy tales to get your own creative juices flowing.

7. Take liberties with the plot

Following the original plot (or the most popular adaptation of it) too closely can get boring and predictable because your readers will know what’s coming. This offers a great opportunity to subvert expectations with unexpected twists on them.

8. Ideas for twists

Besides playing with the plot, there are a lot of other ways to put a twist on a fairy tale. To make it really unique, combine multiple twists.

New genre

Different time period and/or location

Gender-swap, role swap, combine roles, change roles

Switch to a different POV

Crossover/mix stories

Prequel or sequel to the original story

3 years ago

My writing advice for new writers

masterlist. main navigation.

@bluebxlle_writer on Instagram

1. Write for yourself

This is the #1 tip I will always give to writers, so you've probably heard me say this a few times. Don't write for others, but write for yourself.

People have different tastes. There will always be some who dislike your book, and some who consider it their favorite. Lots of people hate famous books like Percy Jackson or Six Of Crows, and I'm sure you've disliked a popular book before. So instead of writing a book that others would read, start writing a book that you would read. If you end up liking your book, I can assure you that many others will too.

2. Flesh out characters

When you're excited to write a new WIP, you might delay your character building process and decide to start writing while trying to figure out the characterization on the way. I've done this a couple of times, thinking that it would speed up my writing process, but trust me, it did not. It actually slowed down my writing instead.

If you start writing your wip without at least finishing 80% of your character building process, you'll find yourself getting stuck in scenes, not knowing what your character would say or do, which is very inconvenient.

If you ever get bored of character building and really want to start writing instead, I suggest writing one-shots unrelated to your WIP. By doing this, you don't have to worry about writing your characters out of character, and its actually useful to their characterization process.

3. Experiment!

If you feel like there's something off with your writing, or you're beginning to feel that writing is a chore for you, experiment with different writing techniques. Switch up your genre, time period, plotting method, etc.

For reference, I used to be a pantser who writes plot-driven mystery stories. But now, I'm more comfortable with being a plantser who writes character-driven low fantasy stories! Basically, don't be afraid of change, because it might help you later.

4. Know your ending

In my opinion, the most important thing to consider while writing a story is your ending - not your beginning or middle. You can rewrite your beginning chapters anytime, and you can always figure out your middle chapters later, noone knows how to write the middle of a story anyway.

But if you don't know the ending of your story, you're screwed, buddy. Without knowing how your story ends, you can't write the events that build up to that ending.

You're unsure about your novel's ending at first and decided to throw in a last minute plot twist? That means you've been foreshadowing the wrong ending the whole book, and you gotta rewrite. You don't know how your characters will develop throughout the book? You won't be able to write the journey of their arc throughout the story. Hassling, right? That's why, try not to start writing your WIP without having a possible ending in mind.

5. If you write, you're valid.

Nowadays, the standards of being a writer is that you have to write a full-length novel and be traditionally published. This isn't true, not even the slightest.

You write poetry? You're a writer and valid. You're a screenwriter? Bro, look at the word. ScreenWRITER. valid. You write fanfictions? Valid, and you're not cringey. You have NO idea how much I worship fanfiction writers for writing what canon won't give us. You're writing but don't want to be published? You're still valid. As long as you write, you're valid, because that's the whole point of being a writer.

6. Don't follow every single tip

There's a reason why they're called writing tips, not rules. You're not meant to follow every single one of them, they're only meant to guide you on the way. Some will be useful, some won't, depending on yourself. So please, don't be pressured to follow every writing tip you see.

3 years ago

Writing Cliffhangers

Intro

Credit: https://getproofed.com/writing-tips/5-tips-on-writing-a-cliffhanger-ending-for-your-novel/

Ah, cliffhangers. Writers love them, readers have a love-hate relationship with them. I don’t have any statistics for this, but I would say that generally, all book series have at least one cliffhanger ending. Cliffhangers convince readers to continue a series, often leaving off at a critical point where the characters and world are in peril. However, cliffhanger endings can also come off as gimmicky, or as a cheap marketing ploy to get you to buy the next installment in a series. So how can you write a cliffhanger ending correctly, have it make sense, and have it belong? Here are some tips!

1. To cliffhanger or not to cliffhanger

Not every tale has to end on a moment of tension, so a cliffhanger ending isn’t always right for your story. Ask yourself:

What do other books in your genre do? Are cliffhanger endings common?

How else could I end the story? Would it feel more natural to do so?

What would a cliffhanger ending leave unresolved?

If you’re using a cliffhanger as a gimmick, you risk annoying your readers. And you should never end on a cliffhanger just because you don’t know how else to end your story! Only do it if it fits with the story you’re telling.

2. Type of cliffhanger

A cliffhanger ending can take many forms. Common types include:

Leaving the story in a perilous situation

Creating ambiguity about what happens next

A character revelation that contradicts something we thought we knew

A thought-to-be resolved situation turns out to be unresolved still

All these will create a situation where the reader wants to know more, but make sure to pick an ending that will work with the rest of your story!

3. Your story must be complete

Even if you end on a cliffhanger, your story still needs to feel finished. Simply stopping before the grand finale where the hero confronts the villain won’t work: it will feel incomplete, like you’re just teasing the reader.

Instead, focus on resolving the main conflict (i.e., the thing that has driven the narrative forward) in your story first. After that, you can introduce the cliffhanger ending to set up the next story or create a sense of ambiguity.

4. Set up your cliffhanger ending

While a cliffhanger ending may involve a twist, it shouldn’t come completely out of the blue. Rather, you should plant the seeds throughout your story. For instance, if your story ends on the protagonist discovering a shocking piece of information, you’ll want to leave clues for the reader earlier on.

This might be a passing comment made by a minor character, or a warning that the protagonist ignored to continue their quest. But it should be something seemingly innocuous that takes on a new meaning when its significance is finally revealed, leading to your cliffhanger ending.

5. Hint at the future

Finally, if you’re planning a sequel to your novel, give some hints about where the story might go next. For example, your story might end with the protagonist victorious, only to discover the antagonist was just an agent of an international spy ring. You could end there, with your lead character shocked at their discovery, leaving the rest ambiguous.

But you could also hint at what might come next. Maybe the protagonist swears revenge. Maybe they realize they need to go on the run. Or maybe they discover a conspiracy and set out to reveal it to the world.

You won’t want to overdo this--nobody likes a massive, suspense-destroying infodump at the end of a story. But hinting at the future is a great way to engage the reader’s imagination and set up the next installment of your story!

3 years ago

My take on controversy

Introduction

Do not send hate or harassment to any of the other creators who have made posts like these or to anyone involved in this issue. That makes everything worse.

Remember that this entire post is my opinion. You can disagree with it, but I do not tolerate hate and disrespect in my comments. I will delete it. I want this post to be a safe place for discussion, but I don’t want people to blatantly insult and demean others just to make a point.

I’m going to preface this post by saying I think this entire drama is ridiculous and harmful. Read on to see why.

Originality

One of the things I’ve seen pointed out most often is that people often take inspiration from each other to the point that “we are all the same.” I would like to twist this and say that this is precisely why our community is so endearing. (Note: I am not including copiers in this. Copying other people is not the same as inspiration.)

Yes, a lot of people post Twitter themes. Yes, a lot of people have Tumblr posts. Yes, a lot of people utilize the tip/textpost format. All of this and more is true. But instead of seeing it as repetitive, I see it as a cycle of inspiration and creativity. No one person uses their post-making strategies like you. Nobody words their posts quite like you do.

The things that make us the same are the things that make us different. 

And I, for one, think that’s beautiful.

Content

Perhaps the biggest controversial statement I’ve seen so far is that posting writing tips is “basic.” I agree with this to an extent; people frequently post similar tips and ideas. But everyone always has something to add from their own unique perspective. The bones of writing advice may remain the same, but its appearance depends on who gives it. 

The word “basic” has been thrown around a lot.  "Basic” has the demeaning connotation of you not being good enough. But people pour their passion into what they post. The content you’re calling “basic” is what people want to do and what they like to do. Don’t shame them for that.

Basic is not bad. If you are “basic,” then yes, there are absolutely others like you in the writing community. But that does not mean you are worth any less. Likewise, you’re not “special” for posting different types of content. People are different and they post different things. Don't shame people because they don't align with your standards. We are all creators. There is no such thing as being inferior or superior to someone else.

Maybe you don’t want to see writing tips all the time. That’s fine! There are accounts out there that don’t post only writing content. Just don’t pressure others to change what they post because you’re tired of it. In the same vein, you can absolutely encourage people to post their unpopular opinions. However, you risk implying that people who don’t are “boring,” or, again, “basic.”

Controversy

I am not a person who likes controversy. In fact, I usually avoid it at all costs because it usually creates chaos and disharmony. Case in point.

Remember that there’s a difference between being blunt and being harmful, even unintentionally. What you can tolerate may be a lot different from what others can tolerate, and what you read as critical may read as demeaning to someone else. Understand that not everyone thinks the same way.

I absolutely encourage you to post unpopular opinions. I want you to speak up for what you want to say. I want you to express yourself. I want you to do what makes you comfortable. I want you to be able to do all of these, but not at the cost of someone else’s freedom and comfort.

I agree that you shouldn’t have to tiptoe around on eggshells when you share your unpopular opinions. The point of unpopular opinions is to provoke discussion, not to prevent it. Yet this entire drama is making people go silent because they are afraid that they are not good enough, or that they are doing something wrong. Check yourself continuously to make sure that you don’t come across as implying that someone is “wrong” or on the “wrong side” for not agreeing with you. 

I’ve seen people say that the original posters of these controversial opinions are telling "the truth.” However, there is no such thing as “the truth,” which is a generic blanket statement that fails to consider nuances. There are many different, smaller truths, and all of them often contradict each other. Just take a look at this post.

Takeaway

This entire controversy is creating too much toxicity. People are being hurt. People are losing motivation. People are thinking they aren't a real writer/creator or that they're not good enough. Every single one of you, no matter what you believe, deserves to feel worthy and wanted, and you are.

The writing community is meant to be a safe place to do what you love. I want it to remain safe. I want it to stay supportive. And most of all, I want it to understand.

In case no one has told you today: People enjoy seeing what you post and what you create. People appreciate your presence. People love what you do. Do not believe anyone who says or implies otherwise.

Post what you want to post and consume the content you want to see. Do what you are comfortable with, and do what you can to make others comfortable. 

This shouldn’t be so hard to understand.

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