The Andrew description is so so similar to the Ralph one. Fair hair and tanned skin obviously but there are so many details, he's even wearing grey like the school uniform. A proper post will follow but in the meantime omG
she took my empire of dirt in the divorce
I think we're too harsh on medieval painters because this is legitimately what some poodle mixes look like
If Alastair has made up with Jem, does that mean Jem will start visiting the Carstairs in COT whenever a Silent Brother is needed to check on Sona? Will he keep Alastair company? Will they eventually get to talk and Jem tells him all the things Elias should've told him years and years ago? Will they talk about Alastair and his role in caring for his new sibling and mother? Will they talk about Alastair in his younger years when he hated to bully but did it anyway and now doesn't know how to fix it? Will they talk about all the pain surrounding his father and his father's death?
Will Jem ask him about music? Or will Jem finally just let Alastair have someone - a friend - who he can gush to about being excited to have a new sibling? Someone to list off names to: all the names he thinks would be lovely for a boy and then all the names he thinks would be lovely for a girl and if Jem doesn't know what some mean or where they come from, Alastair translates them and they argue about which would fit better đ§ I will sell my soul for this đ
Odysseus: What do you think?
Achilles: I wasn't listening but I strongly disagree with Agamemnon.
I like Grace but I'm thinking that leaving her alone to testify to Charlotte was very bad actually. I know James didn't really have an option at the time but, still, I'm just very worried about it.
TC tag game Thank you for the questions and for tagging me @renaultphile Rules: Answer the questions and tag other TC fans
"He would not fucking say that" only they did and it's canon. When/who?
I donât think Iâve read it enough to have a sense of something like this. I really disliked Laurieâs scenes with Adrian though. So itâs not so much âhe wouldnât say thatâ as âI would prefer to ignore the fact that he said/did that.'
2. Did they kiss in the study? Yes/no + why you are 100% correct about this.
I think they did. The first time I read it, I didn't really wonder if something had happened, only what had happened: I didnât know if theyâd only kissed or done anything more. Later, it seemed to be confirmed by Ralphâs letter that theyâd not done âanything more,â I just assumed it was a kiss, and I donât really think the dialogue following the ellipses makes much sense without anything having happened. âNow you see what I mean, Spud. It would never have done, would it? Well, goodbye.â What could Laurie have seen if there was nothing besides a hug or handshake or something? What would never have done? Why ask him to âcome hereâ at all?
3. Mandatory question about Ralph's alleged tattoos.
I really donât think heâd have any, but if he did I think it'd probably be something nautical.
4. 53 vs 59 edition: quote a line or paragraph that is better in the edition you like the least.
I donât know which of them I read and I definitely havenât read another addition, so I canât answer this. Apparently, the earlier one had more detail and dialogue, so if I havenât Iâd love to read it
5. Which TC character would feel right at home here on tumblr dot com?
Sandy, I think he'd be great on here.
6. Tag yourself at Alec's birthday party.
Laurie reading a book or Laurie just at the beginning, sitting around awkwardly, listening to peopleâs conversations and wondering how on earth he ended up there.
7. Post a TC meme
The first I ever saw (on the Mary Renault tag) and still the funniest to me, I think because I understand it perfectly
8. Easy to talk about who deserved better. Who deserved worse?
Straike, I hate him with a fiery passion. The man had a dog put down, not because he was sick or anything but simply because he couldnât be bothered to care for him. Vicar? Ridiculous.
9. You can break the fourth wall (at any point in the novel) and say a single sentence to our protagonist, Laurie Odell. What do you say?
'This is not Ancient Greece, stop being weird,' at the exact moment Andrew is telling him his traumatic life-story and Laurie is preoccupied worrying about Dave. Also related to the question, but not really asked for: if I could Iâd also tell Andrew he doesnât have to feel ashamed of how he feels about Laurie. Well, more accurately, Iâd give him a modern copy of âQuaker Faith & Practiceâ and have the relevant passages highlighted, so I know he wonât miss them. It makes me very sad for both Andrew and Dave that their whole lives could've been very different (and much happier) if they were born four or five generations later.
9. What's a question you have about TC? One you haven't found an answer for yet.
I can't think of any, besides wondering how Mary Renault could've written it because it's so good. I love the use of subtext, the way she describes emotions you've felt before but never would've been able to put into words on your own. In terms of characters and story, I do have a random question about Bunny: was it supposed to be implied that he was a perpetrator of sexual assault? I got that idea when I was reading the car scene between him and Laurie but I was unsure.
I don't know who to tag! I think all of the Charioteer accounts I know have already been tagged, but if anyone hasn't and wants to, I'd love to read your response!
"I would whisper to some shadow made of moonlight, "Am I beautiful? It is for you alone. Say that you love me, for without you I cannot live." It was true, at least, that youth cannot live without hope."
-- The Persian Boy, Mary Renault
Hello! OK this is more an ask about a question, but you know you on the tag game when you mentioned Bunny and what happened in the car, you made me think. I'm not sure if there was actual contact, I tended to think of it as Bunny 'trying it on', but when I re-read it, it's clear Laurie is genuinely scared, and perhaps he suddenly realises he has no real idea who this guy is but he's also trying to make light of it. And then the little internal monologue is so pompous I find it hard to be sympathetic with him! But anyway, I wondered what you thought about it?
Hey! Thanks for this ask! I was debating making a post where I talked about it because it really confused me but you beat me to it with this question! When I went back to reread that scene, I didnât expect to be so confused. I definitely agree that Laurieâs got some huge pompous lines in this one, but that wasnât really the part that captured my attention or confused me. I was expecting the lines because I remembered reading them the first time. What I didnât remember was getting the sense that Bunny was a real threat to Laurie. I think this is because I didn't realise how impossible the situation was?
The part that really made me think twice about Bunny and the car scene was this:
âSomething primitive stirred in Laurie, as in a solitary man beset by the creatures of a swamp or forest âOh, no,â he said. âI shouldnât take that tone, if I were you.â This, thought Laurie, is what he doesnât tell everyone. The practiced inflection had held many chapters of inadvertent autobiography. âYou know,â he said, âRalphâs going to wake up before long and ring the hospital to see I got back all right. If I havenât, what do you expect me to do tomorrow? Back up your story?ââ
The line that caught my eye here was 'The practiced inflection had held many chapters of inadvertent autobiography.' I don't know why it did, but based on the situation as a whole, it kind of seemed to imply to me that Bunny was someone who coerced others?
So, if you think about it: here we have Bunny who puts Laurie in an impossible situation. Laurie is physically disabled, and needs to be conveyed to the hospital. They're out in the middle of the night, in the middle of nowhere when Bunny makes advances and is rebuffed. Angry at this, he tries to throw Laurie out of the car. Again, they're in the middle of nowhere, in the dark, and Laurie cannot walk. At this point in the story, he can barely be on his leg for an hour or two (at most) without his pain flaring up. So, there is no way Laurie can leave that car and get to the hospital safely. Only Bunny can get him there; he is entirely dependent on him. This is the situation he finds himself in. Bunny knows this, and after Laurie refuses to leave, responds saying: "I shouldn't take that tone, if I were you.' These words make clear that he knows Laurie is at his mercy, and is also warning him to be more agreeable. And it's not even just the words apparently, because Laurie says: "The practiced inflection had held many chapters of inadvertent autobiography." In other words, this tone of warning is itself practiced and reveals something about the one using it; based on everything above, I assumed it revealed that Bunny had done this all before, i.e. put othersâwho may not have had a Ralph to threaten him withâin similar impossible situations where the only way out would be responding favourably to his sexual advances.
I don't know if I'm reaching or reading too much into it, but this was what I got when I read it. I hope this made at least some sense. What do you think? And of course, thank you for the ask!
Nancy Sinatra- Â How Does That Grab You Darlinâ
So I wanted to ask you a bit more about Bunny and Ralph and their âdomestic mĂ©nageâ! I find it weird too. Itâs never really clear, they seem to speak in code, then there is the separate kettles thing, that freaked me out when I noticed it, and that weird âBunnyâs goneâ except that he hasnât, and then Ralph âDo you feel like believing that?â  What do you think is going on thereâŠâŠ.
Honestly, I have no idea! I was very meh the first time I read about their relationship (before the car scene, of course) because I was convinced that Laurie was just blowing it all out of proportion. It seemed to me to be a casual relationship: stuff like the separate kettles, Ralph having his own apartment (even though Bunny lives downstairs), etc. all formed this idea in my mind that they were just messing around and weren't anything really serious. Now, I donât think thatâs true anymore but Iâm no more clear on the intricacies of their relationship than I was before. Ralph certainly doesnât seem to respect Bunny and Alec seems to agree that heâs not suited to him (which Laurie reiterates through his constant questioning of how Ralph can stand him). But other than that, Iâve no idea what is going on.
I think a major reason I thought their relationship was weird is because of the fact that all the information we get of it comes from Laurie, who himself feels that way but doesnât know enough about the situation to provide an answer as to why Ralph would be in it in the first place; he doesnât know most of the story, is only there at the end, adores one-half of the equation while despising the otherâŠand heâs the only one we can follow along with! It doesnât help that most of his observations only serve to reintroduce/reinforce the same two questions constantly in his mind: 'why is Ralph with someone like this?' and âhow can Ralph stand him?â And that's all we get as readers! It's just Bunny being odd or painfully tone-deaf (the comments about Bim) or actually evil (the car scene+what he does to Andrew) and Laurie looking at Ralph, who he adores and has been dreaming about for years, going: 'but why though?â
I donât have many other thoughts but I would love to hear more (real, unlike mine) theories! Iâm really in the dark about Bunny generally; I feel thereâs lots of stuff I didnât pick up on regarding his character because I was too busy focusing on Laurie and Ralph. Oh, and as far as the âcan you really believe that?â comment, I assume itâs just that Ralph is used to such things being disbelieved. Laurie himself has a moment where he thinks they might get back together so long as no one intervenes to keep them away from one another in 48 hours (I think so anyway, I might be misremembering what he said). But anyway, thank you for the ask! I'm sorry I don't have much more to say!
Just a blog for whatever I'm interested in at any given time. 23.
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