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We went sketching again at local children’s hospitals, this time with TS4 playing through the CCTV. 
Thank you (and R.I.P.) Adam Burke for this amazing initiative! 🙏

Allright Luca fandom, it’s time for the history behind this now famous panel & why it’s out-of -picture. Because I’ve seen wild theories on here, as there should be, that’s why I love Tumblr.

Here’s Mckenna Harris’ caring redraw:

Here’s my original from a couple versions earlier, notice how I only did a goofy reaction shot, and how she went full on HUG, of all story artists on the film, she loved these boys the most, and it shows!

These were part of a longer bit where we had plenty of shots, them speeding down those terraces towards town, exchanging dialogue. -But the dialogue kinda stopped the flow of the energy we had started at the tower. 

-Also it’s dramatically more interesting to see humans in town react to sea monsters on a bicycle, then just the 2 alone on the terraces  (where there are less spectators)

-A 3rd problem is the line ‘and you thought me how to’; it’s one-the-nose and stating the obvious. We were shown over & over throughout the movie how Alberto gave Luca a push. No need to ram it in there. As always: Show, Don’t Tell.

-Another pro to the cut is that any Alberto/Luca love budget saved in the rest of the race could be spent in Parting Ways, at the train station. You don’t want the movie to end on the hill; you want to let the sweetness all out at the end, because it’ll feel all the more earned.

So on the cutting floor it went. ✂️

Sima auntie appreciation post

Opening sequence for the 'Bigfoot Junior' feature (nWave Studios, Brussels) This particular sequence was initially not included in the script and those are always very fun to do. (especially because I got to do the edit, temporary sound etc) This is version #8 (of 12)

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Inspector Ainsley Lowbeer fanart from The Peripheral

just a sweet little scene I saw at the train station the other day...