I Was Scared Of Pretty Girls And Starting Conversations

𝐑𝐞𝐝 𝐭𝐯 𝐟𝐚𝐥𝐥 𝐦𝐨𝐨𝐝𝐛𝐨𝐚𝐫𝐝 𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐞𝐝 𝐛𝐲 🌕 𝐚𝐧𝐨𝐧

the way selena keeps coming out and no one bats an eye. she’s in a bed full of women singing “I'ma date who I wanna/stay out late if I wanna/I'ma do what I wanna **winks**. you do that girl, good for you!

To those who insist Taylor is referring to herself when she says "argumentative antithetical dream girl"…. in what universe would she be so egotistical as to proclaim herself a dream girl, especially when: 1. She already clearly referred to her muse just three lines earlier when she said "dreams of your hair and your stare and sense of belief"

2. She already clearly referred to herself as "an asshole outlaw" in the previous verse

this is so funny iykyk

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Eras tour thoughts, part 3: Burning the Lover house

So, after my Anti-Hero/Matilda theory, here's another brain dump of thoughts on style choices for the Eras tour, now that the first leg has officially finished and we are on the international leg of the tour. Warning, this is bit of an essay...

This part is about maybe the most glaring visual choice of the whole tour, one that pretty much every swiftie has picked up on: The burning of the Lover house. I've seen a lot of confusion in the fandom about this and some theories about how this could represent 'burning down' her old work as she releases the re-recordings or making space for new albums because the house is full if every room represents an era.

In terms of gaylor theories I've only seen one and that is THIS one by @keepingsecretstokeepyoutk (I hope you don't mind me borrowing your theory for this post). It's a brilliant theory that burning the house is another step on the road to coming out and I'd like to extend this with a few observations on my own.

Firstly, I'd agree that the midnights cover image of Taylor holding the lighter was definitely a sign that something was going to get burned before the tour even started. Even with the midnights songs themselves, if we think of it as a journey of stepping into the daylight, the songs on this album are definitely pretty gay and only one song with he/him pronouns. But back to the lover house...

True to my TRUE Lover

So the lover house to me has always represented her public relationships, it's not where her real lover lives and that is for two reasons:

The OG lover house is in a snow globe (see lover mv) so it is to be displayed/looked at but not to be actually lived in. And

Maybe most importantly, the house doesn't have a kitchen. In all of Taylor's music the centre of her domestic life/the place where her lover is, has always been the kitchen. Dancing in the refrigerator light / barefoot in the kitchen/ you're in the kitchen humming, and so many more. Not to mention that her actual love story literally started with the line 'your kitchen or mine...' So yeah, the absence of a kitchen in the lover house has always been pretty telling to me, that this is the 'love's for show' house and her true lover is somewhere else.

What happens to the house during the Eras tour?

So not surprisingly, the house first appears during the lover era set which is the opening act of the tour. Notably though, it isn't furnished and 'lived in' anymore like it was in the lover mv, it's empty and the lovers have very clearly moved out. It's also not night time anymore, it's now daytime and the sun is shining in through the windows:

The only person we see in it, is Taylor in a yellow dress in the pink bedroom where she climbs into the big mirror and disappears. The first 'burning' then occurs at the end of the set, during the transition to fearless era. The last song of the set is the Archer, during which golden arrows fly around on the stage that form a ball of light that explores into a cascade of sparkling rain that sets the house on fire.

It doesn't really burn like a normal house fire though, it just stands in the rain of sparks, looking almost peaceful and golden. So much so, that she added a massive smoke effect to drive home the message that the house really is burning. Look how much smoke there is:

So at the end of the lover era, the contents of the house and a few of the walls have burned, but the house is still pretty much intact. It can be repaired. And that's pretty spot on for the actual lover era, which was meant to be her coming out era, but ended up just being a nice gentle golden (aka pastels and rainbows) fire that left some damage to her straight image but could ultimately be repaired and the public bearding continued. Keep that in mind, because we now don't see the house again until way later in the show.

1989 - Now it really burns

During the 1989 set (which is the second to last in the show) there is a ton of fire imagery, starting with the flame in the hand and the bed on fire during Wildest dreams and then finally, during Bad Blood, the final song, we see the house again looking a bit charred. Now, this is where things get interesting. We see Taylor walking in wearing Karlie's 2014 VSFS outfit, full strut and including the flick of the cape as she sits down at the vanity. She then flicks a match at the floor and the rooms lights up in blue flames.

So despite this being Taylor, I think the outfit and the strut make it pretty clear that this is Karlie who is lighting the house on fire again. And I think now in hindsight we can safely assume that this was foreshadowing Karlie showing up and setting in motion the events that follow. Even in the last few weeks since Karlie's appearance at the LA show, the fandom has been pretty much on fire over it, no matter what side of the fence you're on. And this time it's not a gentle sparkly rain, it's a blazing inferno, blue first, then it turns orange (or whatever colour normal fire is) before the house eventually collapses in a smoking heap and is gone for good.

video credit: ryan pily on YouTube

So...are we nearing daylight?

My interpretation is, that the blue flames indicate that 1989 TV will have a significant impact on this journey, and the different cover images that we have seen so far have confirmed that for me. They are all imitations of original 1989 era polaroids, but taken outside in broad daylight with seagulls flying freely and Taylor's face smiling on full display. They are also the first re-release covers that have the album title and Taylor's Version written on them so she wants her name on these, which feels significant. Now, I don't think that this will be the 'coming out era' or anything, I still think we are 12-18 months away from the end of this whole process, but I think Karlie showing up was a big shift in the story and I hope we'll be seeing a lot more of her and a lot less of any 'boyfriends'. But let's not forget that the general swiftie fandom still have a long way to go from 'she's straight and has only ever dated men' to 'she's been madly in love with the same woman for the last 10 years'. The house finally collapsing suggest to me that we are done with the bearding narrative, and tbh Taylor seems over it. She's been the happiest ever on this tour and didn't even attempt to look sad over her supposed breakup with Joe... I'm trying to collect my thoughts on how the remaining two re-release albums will further this journey, but it's all a jumble at this point. I wouldn't be surprised if tour visuals for the Asia/Australia/Europe leg of the tour change as time goes on to reveal more as we get closer to rep and debut re-release. And personally, I think that once the tour and all re-releases are done, we will get TS11 and that will be the gayest album yet, songs with she/her pronouns and all. 🤞😉

If you've made it all the way to here - Thank you indeed, you are a star!

(pictures and gifs not mine)

btw... pop it lock it polka dot it country-fy then hip hop put your hawk in the sky move side to side jump to the left stick it glide zig-zag cross the floor shuffle in diagonal when the drum hits hands on your hips one footed 180 twist and then a zig-zag step slide lean it left clap three times shake it out head to toe throw it altogether that's how we roll. if anyone even fucking cares these days