Michael Nesmith 11th May 2014
54 mins ·
Someone sent a nice bottle of champagne to the band in Napa. I don’t drink usually and not enough to know what is considered a great or a mediocre spirit beverage. I ask people who do know.
Someone who knew tasted it said the champagne was “Excellent! Very, very good”. She spoke from an understanding of the difference between one and two “very’s”.
The band quite enjoyed it. I drank a sip in support and appreciation of the band and the gift. It was a thoughtful gift.
The idea was offered that one of the great rewards – reciprocations – is to be in extraordinary and fine company – to be among lovely and beautiful things, engaged in endeavors that are satisfying and pleasing, because we provide a similar high quality of goods and services. Because we belong there.
The champagne came from someone who loved the show. The band plays exceptionally well and deserved that recognition. They are all high-value musicians and players because of the way they play: precisely, positively, and beautifully.
Usually as a society and civilization we exchange money – but the symbol of money is only in support of the quality of those things we choose to live with and for and only valuable when it is exchanged for those high pursuits. Civilization and Society.
I spent the day in Warcraft yesterday with some friends in our Guilds – Videoranch Guild for Alliance and Welach for the Horde. We battled other teams and collected artifacts and frolicked and joked and romped in the Virtual World. World of Warcraft, for those who don’t know, is a game that builds a society based on team play in a mythical land of dungeons and dragons, and cities and societies.
WOW is nothing at all like VR3D, a virtual world I have built, which has no game play, no cities, dungeons or dragons. No weapons, or combat, or quests.
VR3D is a virtual world that exists purely to share experiences. One of the components that makes that happen is a live video feed that is embedded in the 3D world and streams different content – from teaching, to concerts, and conversations.
It is open to the public but is not active all the time. and only works on a few computers. So it is not as robust or persistent as WOW. There is still much development that is going on in VR3D. Right now it only functions in my studio and lab. One of my WOW team mates has a video show in there on weekends for a few hours. Doontube.
VR3D is still nascent but the seeds are planted and the roots are digging themselves deeper even as I write. WOW and VR3D and many of the other Massively Multiplayer Online games share the same goal. To gather people together to expand what we can share with each other. Like very, very good champagnes.
Besides being at work on VR3D, playing on our Guild teams in WOW, I am also preparing for the Monkees tour that starts on the 18th with rehearsals in Nashville.
An exciting tour.
More to share, more to see, more to give, more to receive.
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^^
80’s/90’s peter was when he truely queened out, and i respect that. no more texan men holding him back ✊
they truly were just doing whatever
The Monkees and The Beatles being friends is something that can be so personal
During the Headquarters recording sessions, 1967.
Peter Tork: “When I broke up with The Monkees, I left because I couldn’t get those guys back into the studio to do the same kind of thing that we’d done on our third album, which was Micky on drums, Michael on guitar, me on piano, our producer on bass, Davy Jones playing rhythm sections, and then hiring the occasional string player or something like that. Micky said, ‘You can’t go back.’ He thought he was Thomas Wolfe. And Davy said, ‘I don’t wanna be banging a tambourine day in, day out. You guys, it takes you 54 takes to get your parts down, I’ve got my part down first take. Just bang a tambourine. I’m sick of banging a tambourine, Peter, I hope you don’t mind.’ ‘Okay, Davy.’ And so we went into this mixed mode. But I wanted the guys to be a real, live group. I had this Pinocchio/Geppetto complex, you know. And when they wouldn’t go for it, I really — it burned me out. And there I was being burnt out because things wouldn’t happen my way, and it was a case of His Majesty The Baby, trying to, you know, have his own way. If I had had the good sense God gave me, I might have noticed that I was having my own personal way, that is, in the sense that I wanted for myself was happening. I could be in the studio playing bass or guitar or piano on every single cut The Monkees did from then on if I wanted to, but that wasn’t enough for me, I wanted things for other people to do, otherwise I wanted to produce and direct and write the script for the whole shebang.” Q: “Why did you want everyone to be playing? Because you thought it was more honest? Or was there another reason?” PT: “I thought it was more honest, I thought it was a bigger deal, I wanted a real live group, I thought that this was the way things were done; I was a victim of the same illusions that other people were criticizing us for shattering in their lives. In other words, ‘You’re not a — you don’t just do this all by yourselves, you’re not an organic group, you don’t this, you don’t that, and how could you, you’ve broken my heart.’ As if, you know, as if we’ve broken their heart, as if it wasn’t the shattering of false illusions. If you hang on to false illusions, of course your heart’s gonna get broken.” Q: “Did you try to organize the band to maybe rebel against —” PT: “Mh-hm.” Q: “— the producer.” PT: “Well, we did organize the band, and we did get — rebel against Don Kirshner, but it was Mike and me wanting to — each for reasons of our own — and Micky and Davy went along. And then we did the thing, and then everybody said, ‘Well, that’s enough of that, thanks very much.’ And I went, ‘No, no, no, you’ve got to do it the way we planned, the way I had in mind for us to do,’ you know. The fact that everybody went along with what looked like my plan obscured my vision of the fact that everybody was doing what it was they thought they had to do for reasons of their own. And when their reasons changed, and their behavior changed, and my plan didn’t change, I went after them screaming to try to mend my shattered illusions. What a jerk.” - NPR, 1983
“I’m so fond of Headquarters because that was the one we actually got to play on, that was our album, that was the garage band that we actually became playing its debut album. And we had a good time and I thought we put some good records together, and I thought — it stands up. It’s a little thin, but what the heck. So were we at the time. (laughs)” - Peter Tork, GOLD 104.5, 1999
I came across this photo of Micky Dolenz I had never seen before. Love his shirt!
Cats blog: @centric-misto• Minor | he/him | 🏳️⚧️🏳️🌈 Trans Gay Man •
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