This is what happens when you mash together a revenge quest, a slasher movie, a buddy road trip, a bildungsroman, a fantasy epic, and a shaggy dog story and set it in medieval times. Because there aren’t many Irish Arthurian texts, whether Bhalbhuaidh, the protagonist, is meant to be Gawain or Galahad is controversial. His name and titles could point to either and his life situation seems more like Gawain’s, but I will refer to him Galahad because I find the idea of a Galahad AU where he’s pagan and gallivants around with a prince who was turned into a giant dog and lost all qualms about murder along the way entertaining. It starts when Arthur, who inexplicably holds the title of King of the World, convenes a hunt in the Dangerous Forest on the Plain of Wonders and the mysterious Knight of the Lantern does what any antagonistic knight worth his salt would do: gatecrash and ask for violence. It gets less normal very rapidly from there. Abhlach the druidess is at least as awesome as she is wicked, Galahad may or may not have a magical music-making sword, and the fact that there’s an Island of Naked Monks is never given any explanation because it’s only mentioned in passing when the dog tells Galahad he killed them all.
Yeah, it’s a fun read.
Here’s a link to the translation I read:
Veronica Whall’s stained glass depiction of Galahad ascending, with Bors, the Grail Maiden, and eight angels, from King Arthur’s Great Halls at Tintagel
Veronica Whall’s depiction of Galahad ascending, from King Arthur’s Great Halls at Tintagel
I hadn’t noticed that, but I think that you’re right and that that was the artist’s way of reminding us it’s made of Percival’s sister’s hair. Neat. Or not neat. There’s a lot to be said of hair belts as a fashion choice and most of it is negative, but you can’t say it’s not bold.
The Grail Heroine leading Galahad to the ship, where Percival and Bors wait
Stained glass by Veronica Whall for King Arthur’s Great Halls at Tintagel
The Grail Heroine leading Galahad to the ship, where Percival and Bors wait
Stained glass by Veronica Whall for King Arthur’s Great Halls at Tintagel
(From Magic and the Supernatural in Medieval English Romance by Corinne J. Saunder)
(Link to a previous post here) So, to list some of it down:
Amethyst - prevents drunkeness
Emerald - inceases intelligence, gives prophetic powers, refreshes eyes and also act as mirrors
Amber - used in medicine
Jet - drives away snakes, detects possessed people and virginity
Asbestos - gives poison resistance
Memphitis - anasthetic
Selenite - affected by the phases of the Moon
Diamond - protects against poison, witchcraft and fear
Astrion - prevents wounds in battle
Onyx - induces sorrow and debate,
Topaz - allows water flow
Chalcedony - prevents hallucination
Opal - grants Invisibility
Maybe I should be asking why poisoning is so common there that Kay feels the need (and has the means) to provide poison-proof cups which can feel anger, or how the silver is on fire, and I am now, but the first question which came to my mind was, "What is in the blue stew?" Blueberries? No, that would be indigo or just plain purple. I can't think of any means of dyeing food blue which they would have had in the Middle Ages. Was there some lost technique? Is that one of Kay's powers? If anyone has insight on this one, be it scholarly or humorous, please let me know.
I really appreciate that the Alliterative Morte Arthure is giving Kay a solid 45 lines to go full batshit mad scientist on his feast preparations, featuring
Peacocks, plovers, pork, porcupine, herons, swans, beef, wild boar, barnacle goose, young hawks in bread, cranes, curlews, rabbits
By my rough count, approximately eight different kinds of wine
On-fire blue stews ("wavy with azure sauce all over, they appeared to be flaming")
More fire: "pheasants adorned in flaming silver"
Poison-proof gold cups: ("So that if any poison should go secretly under them [in the cup],/The bright gold would burst all to pieces with anger,/Or else the poison should lose its power because of the virtue of the precious stones")
Wait a minute, I might have read a short story like that. If I can’t find it, I’m writing one. If I can find it, I’m still probably writing one.
Fun fact: the musician who sang “Puberty Love” in Attack of the Killer Tomatoes was inducted into the Rock and Roll Hall of Fame.
Of course, he’s also the drummer for Pearl Jam, but it’s less entertaining when you put it that way.
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In which I ramble about poetry, Arthuriana, aroace stuff, etc. In theory. In practice, it's almost all Arthuriana.
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