this is your periodic reminder that for all the artifacts and errors and "tells" one could possibly list, the only reliable way to actually determine if an image is ai generated is to investigate the source. it is becoming increasingly common for "fake classical paintings" to circulate around curative aesthetic blogs, and everyone should be using this as an opportunity to not only exercise their investigative skills but also appreciate art more in general. you're all checking out the artists you reblog, right? 🫣
so what are some signs to look for? let's use this very good example.
what a lovely late-impressionist piece blended with evocative leyendecker-esque themes! why haven't you ever heard of this artist before? surely tumblr would be all over an artist like this. who is justin brown?
your two options from here are to do a search for the name, or a reverse image search. i prefer reverse image searching, particularly when it comes to a common name like "justin brown". so what does that net?
Immediately, without looking at any text, something is wrong: it barely exists. an actual historical piece would turn up numerous results from websites individually discussing the piece, but no such discussions are taking place. Looking at the text, though, does show the source-- and at least in this case, the creator was honest about their medium.
But let's also look at the "exact matches", in case a source doesn't make itself apparent in the initial sidebar results like this.
This section will often tell you post dates of images, and here it can be seen that the very first iteration of the image was posted 15 days ago. It did not exist online prior to that.
Seeing how long an unsourced image has been floating around is a skill applicable to more than just generative images! See a cool image of an artifact or other intriguing item with a vivid caption? Reverse search it! If all the results are paired with that caption and only go back a few months, you might just have viral facebook spam.
Sometimes generative creators are dishonest about their medium and do not tag it like in the example, so that's when establishing "jpeg provenance" becomes important. While it can be a little trickier to determine if someone is using generative images and not admitting to it if they aren't trying to pass it off as a classic, something to consider is the age of their account and the frequency with which they post. Here are some account red flags:
-Did they only start posting art after 2022, or if they did before, did their style/skill level WILDLY change? Not gradual improvement-- I'm talking amateur graphite portraits straight into complex digital renders. Everyone starts somewhere, newness is not a red flag alone; it's newness combined with existing in a vacuum away from any community.
-Do they post fully-finished paintings several times a week? -Do many of these paintings seem iterative of a similar theme or subject matter ("three well-dressed young men face each other under shade and dappled sunlight")?
-Does their style change in inconsistent ways? An artist that can swap between painting like Drew Struzan and Hokusai should be pretty well known, right? Why is no one hyping this guy?!
-Do they have social media besides the source instagram? If so, what are they posting about? Are there any WIPs? Doodles? Interactions with other artists? Gallery dates? 3am self-doubt posts? Or is it all self-promo? Crypto? Seemingly nothing art-related at all for someone pushing out 3 weekly paintings?
Basically, if it's important to you to omit this stuff when you curate, please don't just smash reblog if the source doesn't seem to be the OP themselves. Seeking out sources was important even before this became an issue, now it is more than ever.
peace n love
Art Help
I redid this list because broken links 💀
General Tips
Stretch your fingers and hands
Art is for fun
Never too late to start/improve
Using a tablet
Editing software: pictures & video
Moodboard resources
Comic pacing
Watercolor
Coloring
Color Theory (not children's hospital)
Resources: coloring things a different color
Gold
Dark Skin undertones
Dark Skin in pastel art
POC Blush tones
Eyes colors
Human Anatomy
POSE REFERENCES
Wizard Battle poses
Shoulders
Tips for practicing anatomy
Proportional Limbs
Skeletons
Hair Directions
Afro, 4C hair
Clothing
Long skirts
Traditional Chinese Hanfu (clothing reference)
CLOTHING REFERENCE
Sewing information
Animals
Horse -> Dragon
Snouts: dogs, cats, wolves, fox
Foot, paw, hoof
More
Drawing references sources
Art tutorial Masterlist
Another art tutorial Masterlist
Inspiration: father recreates son's art
Inspiration: Lights
ART BOOKS
Plants/flowers: North America, Hawaii, Patagonia
So I’ve started making a webcomic. Where should I put it?
Real good question! There’s a lot of options out there these days, and you can choose the best one for you and your comic based on what seems to suit the most!
Keep reading
Started to play AFK Journey. I thought these two should interact somehow. Maybe be friends or something
One of my favorite things about all the comic Lokis is that they're so individual and yet so deeply linked. Kid Loki likes bacon, Kid Loki is wiped from existence. His replacement not only keeps his love for bacon but actually nurtures that love for bacon until he's learning to cook full meals on his own and making dinner for his friend. Young Avengers Loki engineers the trademark Loki Magic Cell Reception spell. SKALD Loki, three comic runs and two ego-deaths later, gets pouty in Immortal Thor when his brother doesn't appreciate the magic cell reception they gave him as a present. Kid Loki wears a helmet with little wings on the side copying Thor's helmet. When AOA Loki is in the middle of his AXIS arc, meaning the bad in him has been turned good and he's acting as a hero, he gets a new crown WITH LITTLE WINGS ON THE SIDE REMINISCENT OF KID LOKI'S CROWN
all the times Loki quotes himself from another life, I won't even get started on that
GUYS. KID LOKI LIVED IN FRANCE. KID LOKI WAS FRENCH. HE PROBABLY HAD A FRENCH ACCENT. HIS NAME WAS SERRURE BEFORE IT WAS LOKI. FRNECH DO YOU HEAR ME AND THEN HE DIES AND THEN MOTHERDAMNING AGENT OF ASGARD LOKI HAS THE BALLS TO STAND ON A ROOFTOP LIPREADING FRENCH FOR HIS LITTLE AGENT OF ASGARD HEIST MISSION ALL LOKIS AFTER KID LOKI KNOW FRENCH BECAUSE KID LOKI KNEW FRENCH DO YOU UNDERSTAND ME
godofstories loki identifying as genderfluid until she's mashed up with grunge bastard peach fuzz boy KingOfJotunheim and the resulting concoction is whatever the loving hell SKALD is. neither of their gender identities won over the other, do you know what I mean one of them didn't cancel out SKALD is both and all of them very considerate of them
(yeah godofstories!Loki and SKALD Loki don't count as the same person in my mind because godofstories! had to physically and mentally merge with KingOfJotunheim Loki from That Other comic in order to create SKALD Loki, right)
there's something about how the moment after the merge takes place, SKALD Loki smiles and their teeth have the same gap tooth as godofstories! and they wear the glasses and silly Tshirts that KingOfJotunheim liked to wear there's something about that like
Loki is the culmination of all of their past lives and past identities and past experiences and even if they never ever stop changing and becoming they will always be close to who they used to be and I think that's worth slamming my head into a wall for
A little something to celebrate the new year
Some Izutsumi Fanart (based on various cat pictures)
Somewhat on the vibe of "your glorious revolution doesn't exist," I want to talk to you all, especially the young folks, about effective anarchism.
Spoiler alert, it's not blowing stuff up or arson.
I am considered the most anarchical person of all among my friends. Granted, most of my experience has been wreaking anarchy against the systems present in my high school and college, but the principles are the same.
Practical anarchy is not the big, flashy, romanticizable thing people online make it out to be. It's more about the long haul - digging in your teeth and just being a menace that no one can really get rid of.
Everyone's "Why vote when you can firebomb a Walmart" posts (that they don't follow through on) are just not pratical because this is a surveillance society. With CCTV and DNA testing and cell phone cameras and GPS tracking, if you do something big like that, you are GOING to be caught; then that is the end of your anarchical career. And, keep in mind that you might get caught while you're setting up this big event - it's a crime to blow up a Walmart and also a crime to conspire to blow up a Walmart, so your career in anarchy might end before it begins, and then you are permanently out of the game. No matter what causes you were working for that inspired you to do something big and violent that you thought would get someone's attention, you now can't help at all ever again in your entire life. What you did will be a passing headline on the news, and then everything will go back to exactly what it was because big, acute actions can't compare in effectiveness to small, constant actions (just being a thorn in the side of the system, poking and poking, but unable to be dislodged).
This is just the practical side of it too: think about the risk of hurting innocents if you really advocate for doing things like that. You think blowing up a Walmart would really make a dent in that big of a corporation? But if you intentionally or unintentionally kill a bunch of Walmart shoppers, that's going to devastate families that had nothing to do with whatever your cause is.
So all that big talk about violence and destruction: not practical, not effective, not ethical.
The only way I've started to change oppressive systems around me is by justing chipping away from within the confines of the rules of these systems, and/or only stepping just outside them (never breaking rules in a big way that could have allowed said system to easily and "justifiably" get rid of me).
So if you're going to be an anarchist, you need to consider:
Having the longest career in anarchism possible (i.e. being careful enough and judicious with your actions so that you don't get expelled from the system you wish to fight).
And then for any given anarchical plan:
2. Potential consequences.
3. Insurance.
I'll give you an example. I had serious beef with the culture of my college's science department. Students were constantly overworked, and if they expressed their misery outloud or reached out to any of their professors about their struggles, they got apathetic responses if not direct insults to their abilities or dedication. I had too many similar disparaging interactions with professors in one week, and I realized a lot of the responses I was getting were just the result of professors not really knowing how they sounded when they said certain things to students (ex: If someone says they're struggling with a course, don't IMMEDIATELY respond with "change your major," - you can give that as an option, but if you make it your first suggestion, the implication to the student is that if they're having any trouble with the course, they're not good enough for the program).
So I wrote up a flier of examples of good and bad ways to respond to students having anxiety with explanations and distributed it to every professor in the department. Everyone who knew about this perceived it as a great personal risk - that I would get in some kind of unspecified trouble or piss off an important professor, so before embarking on this project, I considered...
Potential consequences: I couldn't really think of any specific college or department rules I could be violating. People postered and handed out fliers in the department all the time. What I was doing fell pretty clearly under freedom of speech. I just shoved the fliers under professors' doors, so I didn't trespass in anyone's office. Worst I could think is that individual professors would get mad at me and make my life difficult, or I'd simply be told to stop fliering in the department.
Insurance: Just in case there were any consequences that I didn't think of and to insure me against the ones I had thought of, I didn't put my name on the flier. It was typed in Word, something everyone had access to. I came in to do it after professors had all left for the day but before I needed to use my ID to get into the building (no electronic record of me being there). I took the elevator to the first floor offices because the stairs require ID swipe after 5pm, but the elevators do not. I found out the building had no cameras by asking about it on the grounds that something of mine had been stolen a few weeks prior. I shoved the flier under the doors of dark offices and left it outside offices with lights on (so that no one would come out and spot me). And here's one of the most important pieces of insurance: I put up a few of the fliers on public bulletin boards in the building. This was important so that if I slipped up and said something that conveyed that I had knowledge of the content of the flier, I would have an excuse for that, i.e., I read it on the bulletin board before class this morning.
And then I did the thing. And surprisingly, it was incredibly well-received by professors. A few who knew that the flier must have been mine (because of previous, similar anarchical actions rumored to be associated with me) told me that everyone was RELIEVED that they finally had an instruction manual from the student perspective on what the hell they're supposed to say when one of their students is panicking. It sparked a real change in the vibe of the department and student experience. Had it instead pissed people off, I would have simply said I could not claim authorship of the flier but had read it and thought it contained good ideas then gone on creating more anarchy while angry people grasped at the zero straws I had left them to pin the action on me.
That's an example of a single action I took that was part of a much longer (~3 years) campaign of mine to change the culture of my department. Everytime I did something in that campaign, I made that consequences vs. insurance calculation to make sure they couldn't expell me from the program, the department, or the school before I succeeded.
Let's FUCKING GOOO
I cannot believe that I have been working on this title for so long, nor the incredible connections and friends I have made because of it and along the way. Thank you all SO MUCH for reading!!
This artwork will soon be available as a print in the DotL Hivemill store!
Read the entire comic, all ten years of it, here on its website!
Eternal Lurker, finally here - they/them - art only account : @synth-art - 🔵blueskye account : synthab.bsky.social
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