Just wanted to ask, please forgive me if you've already answred this, what program do you use? Your art fucks HARD and like. I was looking at your art of the two moths over the city they die in and I was hit with the wave of "oh that looks really fucking fun actually." Like i know my art program can't do some of those effects and like, I'd love to try fucking about with them.
hi there, thank you! all my art is done in procreate and paint tool sai
because you mentioned that drawing in particular i thought it would be fun to break it down and show ppl what exactly went into each part of it so check this out
sketch & lineart - the brushes come from georgbrush.club and the urban sketcher is my most commonly used lineart brush, it has a nice irregular shape. the square brush is nice for big blocky sketches.
the cityscape was REALLY hard but basically I got a photo of the skyline of florence, traced some basic building shapes, then bullshitted the rest using the vertical symmetry/mirror tool to cut down on the amount of work (so i only had to sketch one half of the city). then for lineart I turned off vertical symmetry, turned on the two-point perspective tool, and got this:
the rose windows were made using the radial symmetry tool.
I didn't like it being so flat, so I used the liquify tool to make a kind of fish-eye effect (limited success tbh). I liked how it looked but the buildings in front needed something to cover them up to make the liquification less obvious...
first pass colours. I felt they were very washed out, aside from the sun which i loved. I use the spectra brush (default procreate) for skyscapes a lot, I love the texture. Although the clouds were filled in using the lasso selection tool, I softened the edges using the square pencil again and added texture using true grit sampler grainy brushes. The translucency effect comes from my setting the brush as an eraser. The sun rays come from the radial symmetry tool.
Blocking in the moths' colours was done with the urban sketcher again.
Something people may not have noticed is the labyrinth hidden in the sky! yeah I had a bunch of versions where it was more obvious but I found that it clashed a bit and was too busy, so I made it subtle. But yes. I searched for "royalty free labyrinth" and picked one.
The toner grit brush is one you've seen before if you've looked at any art on tumblr lately (this is such a popular brush) and it's from the true grit fast grit set. The pointillism brush is from the true grit free sampler pack, like my grain brushes.
I added shadows to the moths, increased saturation overall, and changed the clouds to a translucent blue (you can even see in the sun where I forgot to block in the sun itself because the clouds over it used to be opaque lol). Moon rays were drawn using the radial symmetry tool but this time with rotational symmetry off. I also moved the moon down closer to the moths because I felt that it was a bit far away, and this served to visually divide the drawing into three equal parts, so I chose to lean into that and divide the sky colours too, to show passing time, or an endless moment - morning, evening, night, etc.
And then the oroborous, I tried a few different effects on it because I wanted it to be very clearly separate from the main scene - I settled on a dot matrix newsprint texture, using procreate's onboard tool, and some heavy chromatic aberration. This is because the oroborous isn't real, it's purely symbolic and the moths' demise started when they became photographers so I liked the print media aspect there as well. The story itself is about grief without closure, cyclical violence, and sunk cost fallacy, while everyone explores an endless labyrinth, so an oroborous fits I think
what makes art fun to me is thinking up ways I can tell a story using just a single image. and sure a lot of it will be lost to an audience who isn't familiar with the characters or backstory but i want to leave enough in there that even complete strangers to my work will be able to construct a narrative about what's happening here, rather than it just being a cool image. that's my goal.
Finally I exported it to sai on my pc to give it a once-over. this is really important because the retina display on an ipad is oversaturated on purpose, to make everything look amazing and vibrant. but what this means is that on other screens, your work might look washed out. it's especially bad at displaying yellows! so i look at it in sai on my pc and i make minor adjustments, in this case I actually added another multiply layer on the moths and an overlay on their non-shadowed parts to increase the contrast there.
finally if you've read this far, I played a little trick with the caption of the drawing. yeah, THEY die... but only one of those moths is a theythem pronoun haver... the other has to survive. he isn't given a choice in the matter.
Let's FUCKING GOOO
I cannot believe that I have been working on this title for so long, nor the incredible connections and friends I have made because of it and along the way. Thank you all SO MUCH for reading!!
This artwork will soon be available as a print in the DotL Hivemill store!
Read the entire comic, all ten years of it, here on its website!
#my favorite blorbo, in case you couldn't tell
Some of my favourite gender-fluid Loki moments to get the bad Disney taste outta my mouth.
Enjoy
Bonus squirrel girl
Somewhat on the vibe of "your glorious revolution doesn't exist," I want to talk to you all, especially the young folks, about effective anarchism.
Spoiler alert, it's not blowing stuff up or arson.
I am considered the most anarchical person of all among my friends. Granted, most of my experience has been wreaking anarchy against the systems present in my high school and college, but the principles are the same.
Practical anarchy is not the big, flashy, romanticizable thing people online make it out to be. It's more about the long haul - digging in your teeth and just being a menace that no one can really get rid of.
Everyone's "Why vote when you can firebomb a Walmart" posts (that they don't follow through on) are just not pratical because this is a surveillance society. With CCTV and DNA testing and cell phone cameras and GPS tracking, if you do something big like that, you are GOING to be caught; then that is the end of your anarchical career. And, keep in mind that you might get caught while you're setting up this big event - it's a crime to blow up a Walmart and also a crime to conspire to blow up a Walmart, so your career in anarchy might end before it begins, and then you are permanently out of the game. No matter what causes you were working for that inspired you to do something big and violent that you thought would get someone's attention, you now can't help at all ever again in your entire life. What you did will be a passing headline on the news, and then everything will go back to exactly what it was because big, acute actions can't compare in effectiveness to small, constant actions (just being a thorn in the side of the system, poking and poking, but unable to be dislodged).
This is just the practical side of it too: think about the risk of hurting innocents if you really advocate for doing things like that. You think blowing up a Walmart would really make a dent in that big of a corporation? But if you intentionally or unintentionally kill a bunch of Walmart shoppers, that's going to devastate families that had nothing to do with whatever your cause is.
So all that big talk about violence and destruction: not practical, not effective, not ethical.
The only way I've started to change oppressive systems around me is by justing chipping away from within the confines of the rules of these systems, and/or only stepping just outside them (never breaking rules in a big way that could have allowed said system to easily and "justifiably" get rid of me).
So if you're going to be an anarchist, you need to consider:
Having the longest career in anarchism possible (i.e. being careful enough and judicious with your actions so that you don't get expelled from the system you wish to fight).
And then for any given anarchical plan:
2. Potential consequences.
3. Insurance.
I'll give you an example. I had serious beef with the culture of my college's science department. Students were constantly overworked, and if they expressed their misery outloud or reached out to any of their professors about their struggles, they got apathetic responses if not direct insults to their abilities or dedication. I had too many similar disparaging interactions with professors in one week, and I realized a lot of the responses I was getting were just the result of professors not really knowing how they sounded when they said certain things to students (ex: If someone says they're struggling with a course, don't IMMEDIATELY respond with "change your major," - you can give that as an option, but if you make it your first suggestion, the implication to the student is that if they're having any trouble with the course, they're not good enough for the program).
So I wrote up a flier of examples of good and bad ways to respond to students having anxiety with explanations and distributed it to every professor in the department. Everyone who knew about this perceived it as a great personal risk - that I would get in some kind of unspecified trouble or piss off an important professor, so before embarking on this project, I considered...
Potential consequences: I couldn't really think of any specific college or department rules I could be violating. People postered and handed out fliers in the department all the time. What I was doing fell pretty clearly under freedom of speech. I just shoved the fliers under professors' doors, so I didn't trespass in anyone's office. Worst I could think is that individual professors would get mad at me and make my life difficult, or I'd simply be told to stop fliering in the department.
Insurance: Just in case there were any consequences that I didn't think of and to insure me against the ones I had thought of, I didn't put my name on the flier. It was typed in Word, something everyone had access to. I came in to do it after professors had all left for the day but before I needed to use my ID to get into the building (no electronic record of me being there). I took the elevator to the first floor offices because the stairs require ID swipe after 5pm, but the elevators do not. I found out the building had no cameras by asking about it on the grounds that something of mine had been stolen a few weeks prior. I shoved the flier under the doors of dark offices and left it outside offices with lights on (so that no one would come out and spot me). And here's one of the most important pieces of insurance: I put up a few of the fliers on public bulletin boards in the building. This was important so that if I slipped up and said something that conveyed that I had knowledge of the content of the flier, I would have an excuse for that, i.e., I read it on the bulletin board before class this morning.
And then I did the thing. And surprisingly, it was incredibly well-received by professors. A few who knew that the flier must have been mine (because of previous, similar anarchical actions rumored to be associated with me) told me that everyone was RELIEVED that they finally had an instruction manual from the student perspective on what the hell they're supposed to say when one of their students is panicking. It sparked a real change in the vibe of the department and student experience. Had it instead pissed people off, I would have simply said I could not claim authorship of the flier but had read it and thought it contained good ideas then gone on creating more anarchy while angry people grasped at the zero straws I had left them to pin the action on me.
That's an example of a single action I took that was part of a much longer (~3 years) campaign of mine to change the culture of my department. Everytime I did something in that campaign, I made that consequences vs. insurance calculation to make sure they couldn't expell me from the program, the department, or the school before I succeeded.
Church of Whale Fall
Got the last ones πππ
A limited amount of my sticker sets is now available for purchase!
Get them HERE!
Go into your settings, click on your blog name, scroll down and enable "prevent third-party sharing". I'm gonna be honest, I question how much/if this even prevents any AI bullshit, but do it just in case anyway.
Edit: On Mobile it's the Settings Gear, Visibility, Prevent third-party sharing.
You have to turn that on for all your blogs separately.
I've got a new obsession I hope you guys are ready
There something gets wrong
New edit !!
I put a lot of work into this one and tried some new things !
Art Help
I redid this list because broken links π
General Tips
Stretch your fingers and hands
Art is for fun
Never too late to start/improve
Using a tablet
Editing software: pictures & video
Moodboard resources
Comic pacing
Watercolor
Coloring
Color Theory (not children's hospital)
Resources: coloring things a different color
Gold
Dark Skin undertones
Dark Skin in pastel art
POC Blush tones
Eyes colors
Human Anatomy
POSE REFERENCES
Wizard Battle poses
Shoulders
Tips for practicing anatomy
Proportional Limbs
Skeletons
Hair Directions
Afro, 4C hair
Clothing
Long skirts
Traditional Chinese Hanfu (clothing reference)
CLOTHING REFERENCE
Sewing information
Animals
Horse -> Dragon
Snouts: dogs, cats, wolves, fox
Foot, paw, hoof
More
Drawing references sources
Art tutorial Masterlist
Another art tutorial Masterlist
Inspiration: father recreates son's art
Inspiration: Lights
ART BOOKS
Plants/flowers: North America, Hawaii, Patagonia
Eternal Lurker, finally here - they/them - art only account : @synth-art - π΅blueskye account : synthab.bsky.social
154 posts