i just have to disagree with anon about ayhtdws and wonderland being the saddest songs out of 1989. ootw at the grammy museum personally crushed me. that’s when you realize the song stripped bare from its heavy production, is actually a very sad song about somehow sensing that this love you held was doomed from the start. trying to protect something you hold so dear and that could break at any moment due to its fragility and then it finally breaking because outside forces ultimately won and you had to give up what you were fighting for because it was too hard. it makes me so sad :(
Sorry about the haylor in your asks but if it is atleast partly inspired by him that means that there must've been more to it than we knew. Like I still can't believe AYHTDWS was the saddest song she could come up with in 1989. I think that she locked her sad songs in vault because she wanted a fun pop album. Especially after people dragging her for red aka heartbreak album in that era. Even wonderland (arguably the saddest one in 1989) is bonus that didn't get much attention. Man I can't wait for 1989 tv
from what we've heard of his side, there was definitely strong emotion, and the fact that she addressed that situation on midnights (and potentially folkmore) at all lends itself to the idea that there could be more beneath the surface there. we know they went back and forth for quite a while. as you mentioned, something i feel is important to recognize about 1989 era is that she was projecting a polished, perfected image on purpose. she had exposed real devastating heartbreak before and been dragged through the mud for it, as far as the media goes, and the response to red back then was quite different than it is now, and we also know about her then making that conscious decision to pivot - into pop, into a "cohesive" sound, into sort of glossing depth on the album in order to seem more...assured and effervescent. she suppressed her romanticism and she attempted to hide how she was struggling. i know i've mentioned that era was really hard for me and i stepped back for a few reasons, but it's more clear now how she was grappling with a lot of difficult things. this is totally subjective, but i've always thought the most emotionally vulnerable song on the record was this love (or at least it's tied with clean), and it's telling it was originally a poem written earlier. she tried to shed that signature heart on her sleeve (even in interviews, 1989 taylor was often at her most cynical), and the sadness and struggles and pressure she locked up tight. it's still good writing, it's fundamentally a perfect pop album, but it's at a bit more of a remove, layered with the slick production, and more weighted with anxiety than sadness. and you're right, some of that was to keep it fun - if you strip AYHTDWS or IWYW or OOTW or I Know Places or Wonderland down to bare acoustics, they'd sound a LOT more sad. i am very curious if the 1989 vault has any of the more vulnerable writing, or if she didn't really lean into that aspect of her pen at the time because of what she was focused on creating. we don't know anything about the songs that could be there, i don't think? it'll be so cool to hear what she held back from that time, and interesting if it illuminates/redefines any of the album the way Red TV did!
So it goes tells the story of the 2014 Victoria Secret After Party: ''All eyes were on Harry and Taylor when they turned up. [...] The drinks were flowing until 3am, when they snuck out of a rear exit five minutes apart to avoid being pictured together." In context of the 2015 timeline 1989 (I know places established they wanted their relationship to go private) and 1D’s Four (with Stockholm Syndrome) had just been released. They were photographed the after party:
This was a pivotal night:
this outfit from that VS Show is also at 3 mins in I don’t wanna live forever (and cardigan refers to this sequin smile) and
In Only Angel Harry says he doesn't have eyes for the VS angels “She's an angel, My-my-my only angel”
So it goes has only been played live 8 times and not yet on the Eras tour. The last time it was played was in the last Rep show in Tokyo, (9:38) with 2 other rare songs for the Rep Tour: I Know Places and Wildest Dreams. Harry Styles was in Japan that month and wrote Little Freak before he left Tokyo.
It was most likely recorded in September 2016 with Shellback in Sweden along with other reputation tracks. Shellback had the melody and Taylor addd lyrics:
Fun fact: Taylor's only lyrics "so it goes" are in Haylor songs, the very first night, So it goes, Style and You are in Love.
[Verse 1] See you in the dark All eyes on you, my magician All eyes on us You make everyone disappear, and Cut me into pieces Gold cage, hostage to my feelings Back against the wall Trippin', trip-trippin' when you're gone
The first verse sets the scene, similar to the articles Harry and Taylor are the focus of many, drawn to each other and wanting to keep their connection secret.
In Hoax, Taylor has a similar lyric to magician "Your sleight of hand"
'Gold cage, hostage to my feelings' refers to being trapped by love. Similar to Stockholm Syndrome, which was released only 2 weeks before the VS party, Taylor is trapped in a gold/gilded cage (a luxurious prison) by love.
[Pre-Chorus] 'Cause we break down a little But when you get me alone, it's so simple 'Cause, baby, I know what you know We can feel it [Chorus] And all the pieces fall right into place Getting caught up in a moment Lipstick on your face So it goes I'm yours to keep And I'm yours to lose You know I'm not a bad girl, but I Do bad things with you So it goes
So it goes is a lyric in Style. In the chorus Taylor lets us know that when they are away from others they have great chemistry. She also refers to lipstick, referred to in many 1989 songs. Taylor is described as a 'bad/good girl often, she talks about it in Miss Americana and also in:
Style: And I got that good girl faith and a tight little skirt
Question...?; Good girl, sad boy
Only Angel: That she's gonna be an angel, just you wait and see, When it turns out she's a devil in between the sheets
[Verse 2] Met you in a bar All eyes on me, your illusionist All eyes on us I make all your gray days clear And wear you like a necklace I'm so chill, but you make me jealous But I got your heart Skippin', skip-skippin' when I'm gone
The afterparty was in Basement bar. The illusionist/magician references are enjoying knowing that she and her muse will leave together without others knowing. 'Make all grey days clear' tells us the muse is British.
[Bridge] You did a number on me But, honestly, baby, who's counting? I did a number on you But, honestly, baby, who's counting? You did a number on me But, honestly, baby, who's counting? Who's counting? (One, two, three)
The bridge tells us more about her relationship with her muse, they have a history, have hurt each other before and are wanting to move on. Though she says she is letting it go she is also keeping score. At this point the events of Red, 1989 and most of the one direction songs about TS had transpired between them.
i’m so serious the way she talks about love in 1989 being imperfect but blazingly beautiful and having to navigate life before, during, and after that because yeah how do you go back to ‘normal’ life after something so worthwhile all while trying to navigate a world full of so many societal pressures as a young adult on your own and how because of those pressures and outside loneliness the world was black and white and dull and so that love was like a meteor and colorful and big and bright
Speak Now (2010). Taylor Swift There is a time for silence. There is a time waiting your turn. But if you know how you feel, and you so clearly know what you need to say, you’ll know it. I don’t think you should wait. I think you should speak now.
harries and swifties are very similar that’s why they always have discourse because they fight like siblings to me lol. if we could form an alliance we would be so powerful because the way we love our fav is very similar too and we have nearly the same aesthetic. both our favs love art, poetry, books and have similar music taste and style and that rubs off on their fans too! there’s actually a huge overlap between the two fanbases irl, so i’m manifesting harries and swifties alliance in 2023 on social media too
I feel like the Swifties and Harry Styles fans go hand in hand. They’re as likely to wear a boa as they are to dress in an entire album aesthetic. Like usually when we like one, we like the other; because it’s an entire community and I love it. It’s made up of goofy people, hopeless romantics, people who advocate being themselves. It’s a kind and colourful community where you’re sure to find like-minded people, who will sing and scream unapologetically at the top of their lungs like their life depends on it.
And I strongly believe these fans are the formers directioners now all grown up, with the same fantasies they had as teenagers, but a firmer idea of who they want and don’t want to be.
haylor being a thing again in 1989 era 2.0 but it’s the “wrong” haylor is actually so on brand for them 😭🫠
Harry Styles’ mum just tweeted a buzzfeed article filled with pictures of harrys head on taylors body that is so funny what the fuck lmao
reddit. com/r/TaylorSwift/comments/16igrdk/fall_out_boys_pete_wentz_on_taylor_swift_really/
"Taylor is the only artist that I’ve met or interacted with in recent times who creates exactly the art of who she is, but does it on such a mass level. So that’s breathtaking to watch from the sidelines. The way people traded bracelets, I don’t know what the beginning of it was, but you felt that everywhere. We felt that, I saw that in the crowd on our tour. I don’t know Taylor well, but I think she’s doing exactly what she wants and creating exactly the art that she wants to create. And doing that, on such a level, is really awe-inspiring to watch. It makes you want to make the biggest, weirdest version of our thing and put that out there.”
!!!
i truly do think that this is why her music speaks to her audience in the way that it does, because it's so authentically her. taylor's personality, vulnerability, emotions, perspective are all very alive in her writing and that touches people. this is interesting because i'd say that pete's writing has always been a raw, expressive reflection of himself too - and that inspired taylor, after all! - but it can be harder to see that in yourself or to recognize that genuineness when you feel more like you're pulling yourself apart. there's very much an energy that resonates in both of their work, and even though they don't personally know each other that well, the mutual professional respect and admiration is such a cool thing to see. it must be so wild and fulfilling to her to now be an inspiration to the very artists she herself found that in when she was starting out
Some Haylor Tracks at 1989 (x/x)
Backstage at the Capital Fm Jingle Bell Ball 8 December in London. (link) Capital Fm article. In the interview before the show the band is asked Cats or Dogs, Harry says love the cats with a proud look to someone off screen.
You can see Taylor on the side during One Thing (0:51). She left before WMYB, Harry was looking for where she went throughout.