I Love How At The Start Of Hxh Gon Was Like: I’m Going To Use My Animal Instinct And Fishing Pole To

This is eerily close to Australian lad culture and now I'm very afraid.

So for all those who want to know some of the UK lad culture, here is your list!

dfs sale bake off cheeky nandos w/ the lads BANTER freddos prices! (Every1 remembers when they were 10p) dick and dom the government no likey, no lighty u wanna go m8 i’ll bash ye fokin ‘ead in swear on me mum the stig (it follows a ‘they say'x2) eurovision sOGGY BOTTOMS Buttery biscuity base 👌👌👌 on instagram pictures when [X] thinks your girl is bare piff but shes YOUR girl innit it was just a bit of banter OI U FUCKING KNOB ladbible fb page lynx body spray (basically Axe) Peng m8! shouting whhheeeyyyy when someone falls over Lads on tour

when he squeezes your butt in public

The one thing I love about Teen Wolf is how it subverts a lot of expectations and tropes of teen television. Particularly the male gaze. I'm not gonna lie and say that there's no sexualised women, because Lydia is the epitome of sex appeal, but more often than not it isn't intended to draw the male gaze in 'subtle' ways that degrade the women and disempower them. sex is an open topic and the women are usually the one's in power when it comes to sexual activities; Scott always lets Allison take the lead when it comes to physical activities, and he is always making sure that he is never putting her into situations she doesn't want to. It's rare to see a teenage show where female teenagers are so in control of issues of sex, and Teen Wolf does it well. Furthermore, the female gaze is far more powerful in this show. From the beginning Scott has been seen with his shirt off any time he's not at school, so has Derek and Jackson. The female gaze is so strong in this show that it's both surprising and mildly delightful. It's rare for girls to see themselves in positions of power with sex, and to see themselves not overtly sexualised in television. Teen Wold may be terribly cliche and over dramatic, but it does well in empowering females and tackling the fact that sex is a norm that should be equal in power and consent, at least to me.

This is brilliant.

if big hero 6 had a gag reel

Hiro: Tadashi is gone! *he slams his fist so hard on Baymax he pops a hole on his chest* ...T-that wasn't supposed to happen...

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Tadashi: Someone has to help! *runs but trips on the first few steps* D-darn, and I looked kinda cool running off like that...

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Fred: ...D-Dad? *loud fart noise*

Stan: ...*gets up and leaves the set without saying a word*

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Fred: Welcome to mi casa! That's Spanish for my house! Oh wait, was I supposed to get that wrong...?

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Tadashi: I'm not giving up on you. *grabs Hiro by the legs and tries to lift him but accidentally bumps his head on the floor and then on the bedpost*

Hiro: Times like this I wish I was the older brother in this movie so I can do that to you too.

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Yokai: *when confronting Krei, his mask won't lift up* H-hey, I think this thing is stuck--h-help? I think we got a real setback here!

Krei: *mutters to someone offscreen* He doesn't know I tampered with his mask, don't tell him.

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Gogo: *runs Wasabi's car directly in the path of the camera*

Director: ...There goes a hundred thousand dollars off my paycheck again.

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Wasabi: We can't go up against that guy! We're--ummm--

Gogo: How hard is it to forget one word? Nerd!

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Yokai: *after a montage of him tripping off of his platform of microbots countless of times* I am getting too old for this...

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Baymax: *while Fred is singing Fred's Angels, he starts beatboxing*

Hiro: Okay, I didn't teach you that... *looks at everyone*

Everyone: *bursts into laughter*

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Gogo: *throws her disc, it hits the camera instead*

Director: Goddamn it, not again!

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Hiro: *falls off the moped as they were getting away from Yama*

Yama: *helps Hiro up* Whoa, that was one heck of a fall--you okay?

Hiro: ...are we filming Tadashi's death scene yet? *is dazed*

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Aunt Cass: Are you two okay?

Hiro and Tadashi: Yes, Auntie.

Aunt Cass: *pinches both their ears* Then what the f--- were you thinking--

Hiro: You can't swear in a Disney movie, Auntie.

Tadashi: See? He told her.

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Hiro: *throws Mochi up the stairs, glass breaking and other things breaking are heard*

Baymax: You missed, Hiro.

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Callaghan: I want my daughter back.

Krei: *on the side, making faces as he mimics Cal*

Callaghan: *looks at him, covers his face with microbots, and then chuckles about it* Not this time, Krei.

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Cass: Stress eating! *chokes on donut* G-great, that's more stress that I don't need--cut! Cut!

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Baymax: *in the middle of their fight with Yokai at Krei Tech* L-low batteryyyyyyy--

Yokai: Uh-oh, someone didn't charge their nursebot before filming...

Hiro: Could you not.

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Fred: School mascot by day, but by night-- *flips around, accidentally lets go of his sign and it flies into the camera, destroying it*

Director: GOD CAN WE NOT DO THIS AGAIN?

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Tadashi: Hiro-- *signals for him to follow him to his lab, but forgets to open door and hits it facefirst*

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Honey: *on the side, applying makeup to Baymax's face*

Baymax: I fail to see how makeup will make me a better healthcare companion.

Honey: Don't resist it; it brings out the roundness in your face.

Hiro: You know that'll all be ruined once we get to the fight scenes, right?

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Baymax: On a scale of one to ten, how would you rate your pain? *displays Hiro's internet history on his chest rather than the chart* Oh no...

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Callaghan: But you should know that Mr. Krei has cut corners and ignore sound science--

Krei: *on the side, mimicking Cal's words while making a face*

Callaghan: *makes a bewildered face at him*

Krei: Oh, I thought we weren't filming.

Hiro: Why do these two have a higher paycheck than I do again?

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Tadashi: Someone has to help!

*before he could run in, a sudden storm suddenly rages down on the entire set*

Hiro: I guess you're not gonna die today, huh, bro?

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Baymax: Tadashi is here. *points to Tadashi on the director's chair; everyone laughs*

Hiro: *laughs into the camera* And you thought we would kill him off, did you?

Wait! Fuck! I was so wrong!! Damn it. (I'll just use the scene to fuel my devout pansexual Sinbad headcannons)

Artemyra, a city run entirely by females, has a red light district.

You know what that means???

BEAUTIFUL BIRD LESBIANS THAT CAN AND WILL CRUSH ANY MAN!!!

A collection of badly misspelled names from Starbucks 

I am 100% convinced that Hiro is a hardcore FOB fan and no one can convince me otherwise

Imagine whoever finds Tadashi gets super flustered by his state of undress, but they have to somehow get him back to their base. Then they have the task of cleaning and bandages his wounds before they could even THINK about putting clothes on him. And to make the fireproof suit, they'd probably have to take EXACT measurements of Tadashi's body so that they can make it perfectly. The poor dear wouldn't be able to look Tadashi in the eyes.

I wonder why no one is discussing the fact that if Tadashi does become Sunfire and transforms the first time, his clothes will burn into ashes and he’ll be completely naked until he gets a fireproof suit.

Honestly Griffin McElroy and the boys' acting has totally destroyed me with this latest episode. The implications of the end scenes are so messed up and I really hope we see them come into play later on, but they also give us a lot of insight into what's happened in the other arcs. Taako was already messed up from believing he had killed all those people in the last episode of his cooking show, but Barry's death would've made his guilt weigh down so much more. When he was running away from the ruins of his show, all he would've been thinking about was how much bad luck and death he brought to the world. To him Barry's death was impersonal as he didn't remember him, but the sight of a man falling to his death in front of him was the first coherent memory, the only one that was real in this world and not the filled in ones from Lucretia. So the deaths of all those people from his cooking would've made him remember that man falling to his death in front of him, and the weight of his still warm wand in his hand, the smoking tip pointed at the figure dropping away from him with a pained smile on his face. Lucretia may have thought she was setting Taako up with a happy life of stardom, but the whole time he was weighed down with the guilt of murdering a stranger for some unknown reason. And when he saw Barry in the first arc, there would've been a sensation of fear and guilt weighing on him, despite him not knowing why. Fisher would've blurred the face of the man he killed in order to block his old memories, but the sight of Barry's face still dredged up horror, fear and longing. Longing for a man he once saw as a brother, but who he now associates with the feeling of metaphorical blood on his hands and an empty place next to him. And Merle, every time he saw Davenport in the Bureau, would hear a soft choking echo of a man desperately asking who Merle was. Who he was. Davenport's very utterance of his own name initially brings a swell of emotion that blocks off Merle's airways, ears ringing with a desperate cry of "I'm Davenport!" But Fisher's power quiet end the whispers every time, and Merle is left with a hollow feeling that once crept up on him every time he sat at his beach at dusk, mind tricking him into seeing six figures dancing along the shore, chasing one another with happy shrieks as they hadn't done in so long. Merle doesn't feel guilt like Taako did. Does. But he feels a hollow sensation in his chest where it used to be filled to the brim with joy and love. Worst of all was Magnus, who knew what Lucretia had done before his mind was wiped. Each time he saw the Director, there would be an initial sense of betrayal, a world less scream of despair billowing up inside him, begging her to stop! Didn't she know what would happen? It would all end, they wouldn't be together anymore, Lucretia don't let us go, don't leave me alone Lucretia p l e a s e. The sight of the voidfish, beautiful and ethereal, would soothe the turmoil of emotions inside him, bringing him a sense of warmth and comfort. If only for a little while. Magnus was a happy sort of guy, but there were days when he felt like his skin didn't fit, that the creaks in his bones shouldn't be there. That his time with Julia, his beloved wife, didn't seem real, none of this did. And he would look into the sky with longing, feeling a sensation of the ground beneath him gently rocking, a cool breeze ruffling his hair as the heavens spread out beneath him. And each one felt sorrow when they saw the harsh lines at the corner of the Director's mouth (she should be smiling, she should be happy, we have to protect her), and crinkles at the corners of her tired eyes (little bookworm, so strong and clever, she needs some rest, she always does). But they also felt overwhelming joy when she smiled and laughed, her tired and old visage melting away to reveal a fresh-faced girl who loved to explore the work around her (our journal keeper, our friend, our little Lucretia). But then the power of the voidfish would crash over them, and they would absently smile back at the woman who loved them more than anything in the world, who had to hold herself back from cracking goofs and hugging them tightly. Who gazed into their aging faces and only found emptiness looking back.