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Subí que te llevo – 1980

Dir. Rubén W. Cavalloti

Sandro & Mariquita Valenzuela

La película estrenada el 21 de agosto de 1980 fue la vuelta de Rubén Werther Cavalloti a la silla de director, sobre el guion de Salvador Valverde Calvo seria el último largometraje de Sandro que se interpreta a si mismo y a su hermano Miguel. Nuestro protagonista persigue el amor de Mariana, interpretada por Mariquita Valenzuela. quien vive con su anticuado tío. Para disimular y poder ser aceptado en la familia, el cantante se disfraza y se hace pasar por su hermano gemelo recién llegado al país.

Cenicienta, Romeo y Julieta y el príncipe y el mendigo se ponen de acuerdo para darnos una perfecta historia de amor y canciones.

El plan es sencillo, que su hermano convenza al tío de Mariana, en la piel de Darío Vittori, que Sandro es un buen tipo y ganar el corazón de la joven.

The film released on August 21, 1980 was the return of Rubén Werther Cavalloti to the director's chair, with the script by Salvador Valverde Calvo it would be the last feature film by Sandro who plays himself and his brother Miguel. Our protagonist pursues the love of Mariana, played by Mariquita Valenzuela, who lives with his old-fashioned uncle. To hide and be accepted into the family, the singer disguises himself and pretends to be his twin brother who has just arrived in the country.

Cinderella, Romeo and Juliet and The Prince and the Pauper agree to give us a perfect love story and songs.

The plan is simple, for his brother to convince Mariana's uncle who hates singers and musicians, in the shoes of Darío Vittori, that Sandro is a good guy and win Mariana's heart.

As teens/as adults

HISTORY MEME | seven relationships: the second triumvirate

Invested with new powers [as consul], the young Caesar canceled the dispositions that had declared Antony and Lepidus public enemies and continued on the path of unity of the Caesarian party. The strategy he had set up immediately after the events in Modena gave excellent results. Already in the spring of 43, he had made use of Antonian soldiers dispersed in the battle of Modena and of officers of his adversary such as Publius Ventidius to send to Antony veiled proposals for reconciliation. The dictator’s heir had then written to both Asinius Pollio and Lepidus and the governor of Gallia Narbonensis had played an effective role of mediation with Antony. Between June and July Antony and Lepidus undertook to guarantee the young Caesar their willingness to make an agreement. In the autumn of 43 the pact was formalized. In September Octavian left Rome to meet his future colleagues on a peninsula at the confluence of the Reno and Lavinio rivers, between Modena and Bologna. The discussion, which lasted for two days, led to important decisions. It was decided that a new five-year institution would be established, which would appoint magistrates and reorganize the State devastated by long civil wars: the three would become triumviri rei publicae constituendae. The provinces were subject to a redistribution: Antony received Cisalpine and Comata Gaul, with sixteen legions; Lepidus Narbonensis Gaul and Hispania, with ten legions; the young Caesar Africa, Sicily, Sardinia and Corsica, with seventeen legions; Italy would remain common territory. […] Octavian and Antony with part of Lepidus’ army would then wage war in the East against the Caesaricides. — Cristofoli, Galimberti, Rohr Vio, Dalla repubblica al principato: politica e potere in Roma antica