Part VI
not holding/breaking eye contact
fidgeting
crossing their arms
trying to cover up their body
making themself seem smaller
playing with their hands
hiding their hands in their pockets
holding their head down
blushing
clearing their throat
biting their nails
biting their lips
nervous laughter
stuttering
stiffening up
hard line around the lips
frozen stare
narrowing of the eyes
turning their head to the side
quickening heartbeat
turning red
making themself bigger, ready to fight
gentle and soft smile
relaxed facial features
softening of their eyes
openly showing how they feel
leaning towards the other one
nodding along, not directly interjecting, but encouraging
deep breaths inbetween
gentle touches to comfort
big smile/grinning
laying head slightly to the side
moving one shoulder up
pursing their lips while smiling
very open body language
leaning back
Part I + Part II + Part III + Part IV + Part V
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Names you can choose for your characters. Taken from the little signs in a botanical garden. So they are names of plants.
Adoxa
Potentilla
Fraxinus
Stellaria
Valeriana
Iris
Tulipa
Syringa
Danthonia
Avena
Silene
Irsine
Amaranthus
Barbarea
Cleome
Nigella
Erica
Arbutus
Malva
Calluna
Viola
Phyllis
Majorana
Salvia
Morina
Petunia
Calliandra
Veronica
Gilia
Juniper
More names!
is “villain” the best word to use in a scene description or a dialogue prompt between characters?
since I came across this poll and gave my little opinion on the matter there, I thought I would make a separate post about it too.
now what I’m not gonna do is tell my fellow writers what to do or what not to do. however, if I may, I hope you’ll allow me to give you my advice.
writers — especially those who write about superheroes, fantasy, etc — you may have used the word “villain” in your works before, and you may have thought nothing of the word itself; I mean, it fits best, right? a bad guy in a story where characters have superpowers is a villain.
I mean that’s the word for it. because for us, these are fictional works about fictional characters.
but…
for those characters in your work, the world you created for them are real for them. I mean… your characters don’t know they are fictional characters in a fictional world, correct? (unless you specifically write a story in which the characters know they’re fictional characters in a fictional world).
therefore you might want to ask yourself how realistic it is for these characters — who have no idea they are fictional characters and think they are real people — to call bad people “villains”
how realistic it is for us — real people — to call real-life criminals “villains”
what are the chances of us reading the news with the headline “two villains caught and in custody after a robbery attempt”?
the word “villain” just… doesn’t sound realistic in real world.
ask yourself how realistic you want your stories to be, as a writer who created a world in which the characters don’t know they are fictional.
how realistic it is for your characters (who think they are real people) to say, “there’s a villain around. we have to go.”
for your characters, they aren’t fictional characters, they are real. and these fictional worlds are real for them. if we’re not calling real-life criminals villains because they are real people to us. would your characters call someone who were real to them villains because they were bad?
now ask yourself how realistic you want your stories to be, as a writer — of course, a story where characters have superpowers or the one where characters live in a fantasy world aren’t so “realistic” for us, but if, as a writer, you want your readers to feel as though they live in that world you created while they read your work, you might not want to subtly remind them they’re reading a fictional work by directly referring to the bad guys as “villains”.
the key to professionally writing a story is that you make your readers forget they are reading a fictional story.
the key to professionally writing a story is that you make your readers feel as though they actually live in that world you create and are a part of that story.
there’s a reason most (if not all) superhero movies we see don’t include a scene where the hero refers to the bad guy as “a villain”. and that reason is that, for these characters, what happens in the movie is real to them. and also because the studios want their audience — us — to feel as though we actually live in that world. they don’t want to keep reminding us that “hey, this is a movie, it’s not real” by having the hero call the bad guy villain.
reminder: the world you create are real for those characters, and it should feel real for your readers to.
words to use instead of “villain”
murderer
monster
bad people / bad person
killer
son of a bitch
dick
cunt
dickhead
convicted
abuser
prick
dangerous (person / people)
predator
rapist
violent (person / people / man)
manipulator
traitor
unreliable
liar
troublemaker
troubled
unstable
corrupted
psychopath
capable of horrible, violent things
Villain was alone.
Villain was alone, yet, that did not justify them.
To trap another.
They touched Hero's skin as carefully as one would cradle a child, afraid of bringing harm, careful, adoring.
Soft as their hands trailed through their hair, playing with the strands, braiding it, brushing it, adorning it with any ornament they considered beautiful enough to be twisted or pin on their head.
Soft their voice was too when they spoke, when they read to the other, when they told them words of comfort, of encouragement, when they told them words of love.
Their gaze was soft too, always kind, always gleaming when their eyes met in the middle of a room, when they stayed fixed on the other's stare and both gave each other a playful smile.
Hero was alone too.
Hero was alone and, perhaps, that did justify them.
To allow themselves to be captured
Villain was so very good at tenderness Hero felt like crying with every kindness they offered on a silverplate
And perhaps, for a moment, they could pretend they had met at a party, at a café, perhaps in the park one day walking their dogs.
Pretend their first date had been in an italian restaurant, a sushi one perhaps, somewhere pretty with candles illuminating each other's faces. Pretend blood had never been caused by the other's hand, pretend they had never seen each other injured more than by a small cut of a knife cooking, the cut of a paper as they read a book.
Hero could fool themselves, that had been part of their life since birth, lies and façades, play pretend and simulate a life they would never have, but everyone expected of them.
They were beautiful, graceful, skilled. They would make a fine spouse someday to someone greater, someone with more power, they were easy on the eyes, obedient, trained to not be a burden.
“Can you cut my hair?”
Comfortable was the silence broken, and their shoulders tensed for ruining the moment for such a stupid request.
But Villain allowed it, helping them cut the back, but letting Hero do all the rest, to butcher it as they wanted.
Villain allowed many things others would not, their parents, their organisation, their ex partners, and, after a while, Hero felt more free trapped beside them than they ever did away.
“I’m not proud of myself,” they said once at the dinner table, earning a confused glance from their companion “I’ve been letting desire cloud my judgement lately.”
Villain lifted a brow.
“And is that worth shame?”
“I’ve been told it is,” Hero answered, raising their eyes.
“And what is this desire you speak about?”
“For life not to hurt.”
The clink of the cutlery echoed through the room, an interested stare looking right back at them, urging them to continue.
“For me to be wanted, loved, perhaps.”
“Perhaps?”
“Perhaps.”
They shook their head “But none of that is something I’m supposed to want.”
“But that’s not relevant, is it?” Villain answered “We established that, in this situation, I could do anything with you and there would be little you could do against it.”
Villain took a bite of their food.
“Perhaps what I want it’s to fulfil your desire,” they said “so one day you can forget it brings you shame.”
Hero never looked for a way out after that.
_
Masterlist
This is gonna be by far my hardest semester at uni so far, works may not be as frequent :(
"Yeah, and it's super cute and silly until the spunky little sidekick dies because they think they're grown up enough to handle the job I've spent the last 20 years struggling with. Not. Happening."
"Come on! Everyone needs a spunky little sidekick!"
"Yeah, and it's super cute and silly until the spunky little sidekick dies because they think they're grown up enough to handle the job I've spent the last 20 years doing. Not. Happening."
Dude, if it takes you a month, you're writing fast. Especially if it's supposed to be, or at least resemble, a novel. Take your time. Have fun. Patience is the best way to write a story. AI takes that away, taking with it too the psychedelic nature of true human writing.
it may take me a month to put out a chapter but at least im not using ai to write it.
it may take me a month to put out a chapter but at least im not using ai to write it.
it may take me a month to put out a chapter but at least im not using ai to write it.
it may take me a month to put out a chapter but at least im not using ai to write it.
it may take me a month to put out a chapter but at least im not using ai to write it.
IT MAY TAKE ME A MONTH TO PUT OUT A CHAPTER BUT AT LEAST IM NOT USING AI TO WRITE IT
"You can't believe that you will actually make a difference. You're just one person."
"And a snowflake is just one. And a pebble is just one. But a pebble thrown leads to a rock, a stone, a boulder. A snowflake can easily be the difference between a snow mound and an avalanche. Y'see, it's not about one. One is often too little. It's about one more. One more rock, one more snowflake, one more drop, one more person.
"You don't believe you can actually make a difference. You're one person."
"The funny thing is that when just one person starts to act, you find a whole lot more than one person who feels the same way. Maybe I don't get anything done myself. Maybe I'm wasting my time. But I'm willing to try."
When I wanted to be heard most I was told not to speak.
I imagine elves would think that humans are pretty masculine no matter their gender like the way we think elves look feminine and dainty no matter their gender.
So imagine an elf guy who assumes that humans like to be told how big and strong they are just cus they're usually more muscular than elves. He ends up flirting with a pretty feminine looking woman the same way you would a masculine man like,
"Oh wow~ Your so stroong~ "
He touches her arm, which is not at all muscular by human standards,
"Do you work out?"
And the woman's just like “...😐 Are u making fun of me?“
And the poor elf guy is trying to figure out where he went wrong 😭😭 He just thought all humans liked being complemented on their comparatively more masculine body types.😭
Love when someone new finds my blog and goes through like thirty of my posts, liking them all and then follows me. Like hell yeah, that wasn’t a spur of the moment decision, it was after seeing enough of my stuff to make an actual judgement about me.
flower language has always been an intense source of disappointment for me
like, they all mean really generic things like “love” or “forever” or “i’m sorry”
i thought you could combine flowers
like you could just send someone a bouquet and from the combination of hibiscus and posies and tulips they’d understand “the rebel leader is dead, rendezvous at the docks at 8, bring the dog, you will need lighter fluid and a large tomato”
Age: 18 | he/him I'm gonna write this so I don't have to say it every two stories: If you want to reblog my stories or prompts, feel free. If you want to add to them, feel free to. Everything I write here is basically written with the implied non-commercial copyright. As long as you properly credit me, have fun with these stories.
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