You Will Not Use AI To Get Ideas For Your Story. You Will Lie On The Floor And Have Wretched Visions

Day 31: Bonus Day

Cape

“Your suit must include a cape,” cut the Designer dryly. “If you’re a Hero, you have to wear a cape.”

Hero squirmed uncomfortably:

“But- didn’t the Edna Mode School of Thought say-”

The end of this sentence died on their lips as Designer glared at them, waving dangerously with their scissors gliding in their hand:

“I know what they say. Do you fly?”

“N-no?”

“Then most of the risks are averted. All clothes have dangers, if you put it like that. You can trip on a scarf or on new shoes too.”

“But capes do nothing.”

“Excuse me? The propaganda has come too far!”

Designer rubbed their forehead:

“Look, if you’re cut from help and backup, trust me, you’ll be grateful for the extra fabric. You can carry things or a person with it. You can rip it apart for bandages. It can be used as a shock blanket or a way to protect anonymity. ”

“I-I didn’t think about that-”

“Exactly.”

Designer stepped forward and poked at their forehead:

“So you’re gonna walk out to the world with your shiny new suit, you’re going to heroically cover a citizen in need with your crazy useful cape, and you’re going to look damn good doing it. Understood?”

“Y-Yes, Designer.”

"Don't be ungrateful to the Cape and its wonders. Or it will end you."

*

Aaand that makes 10 snippets. Thanks for the event @augusnippets, it's been fun !

Back to the Hero x Villain Masterlist

Whump/Horror Masterlist

hot artists don't gatekeep

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.

flower language has always been an intense source of disappointment for me

like, they all mean really generic things like “love” or “forever” or “i’m sorry” 

i thought you could combine flowers

like you could just send someone a bouquet and from the combination of hibiscus and posies and tulips they’d understand “the rebel leader is dead, rendezvous at the docks at 8, bring the dog, you will need lighter fluid and  a large tomato”

decided to put these in a bit of a chronological order as i can’t help but form a story behind the scenes. it’s a storyteller’s habit. and yeah i do have an idea i would genuinely like to explore with gail simone as a crossover comic. 

i don’t want to be the writer for this. but at the same time i always found diving into these things and exploring the character chemistry was the best way to get an artistic feeling for it.

this is also how i usually develop my own stories.

anyhow, while many think this is me drawing some shipping, in fact this a proof of concept for an adventure story  featuring lara and diana. Gail simone at some point asked if they would kiss and i gave it some genuine thought. i am a character first kind of a writer, myself, so i contemplated this. then i decided, yes, probably.

after all, romantic subplots have been the bread and butter of adventure writing since its inception and i always liked that aspect of adventure stories.

 i hope this puts some things in context from my end XD

and while there will probably be a few more of these, there will be no nsfw pics. after all, camera pans away from indiana jones in those moments as well  XD

okay… there may be a chance of a kiss… but that’s about it. 

have you guys done that “what kind of reader are you” quiz and if so what did you get

characters on the run

always so tired. driving for hours and hours in whatever shitty beater they find or steal, downing caffeine and too many five-hour energy shots pickpocketed from some gas station

sleeping cramped up in some bus or train seat, slumped over in a transit terminal, hoodie pulled up tight in the hopes of not being recognized

nodding off but jerking awake every single time, exhausted but hardwired to be paranoid even with caretaker's gentle touch and quiet reassurances trying to get them to rest

so much time spent running or fighting they eventually just crash. stoic characters slumped and snoozing, trying to keep watch and instead getting some much needed rest

lurching awake in a cold sweat, gasping and trembling, bandages wrapped tight up and down their torso

"we're safe here. i promise."

"it's okay-- it was just a dream, i didn't hear anything..."

shot or stabbed while trying to lose a chase. limping through crowds, desperately acting causal, traces of blood left on everything they touch

collapsing and drawing a scene, strangers asking questions and touching all over. having to slip away from concerned bystanders before actual help (or trouble) arrives

washing off in some shitty public bathroom and leaving behind a horror show of bloodied paper towels and smeared fingers all over porcelain, too out of it and in a rush to actually bother cleaning up

character bleeding out and semiconscious and caretaker doesn't know what to do, has nowhere to go. desperately trying to drag them along as the threat gets closer and closer, or hiding and waiting and begging for them to wake up

when it's too dangerous to go to a hospital. makeshift first aid in the back of some car, breaking into a vet clinic after hours, slumped over in a dank alleyway or dirty bathroom. shaking fingers and dim lighting and nowhere comfortable to recover

all of the places to lie low are sketchy as hell. trap houses, back rooms, dive bars, strip clubs, late night joints where passing acquaintances are somehow okay with shady strangers crashing on their couch. always surrounded by a bad crowd and caught up in seedy shit

wearing the same clothes which get increasingly fucked up. fabric lost to makeshift bandages or tourniquets, blood stains and sweat, the same hoodie passed between characters getting worn and sentimental

long sleeves, oversized clothes, shitty makeup, hoods and sunglasses and hats, anything to hide their identity and all of the bruises and cuts

barely any money to their name. having to choose between filling up on gas or eating, counting remnants of change, stealing food or dine and dashing out of necessity. barely scrapping by and working any job on the low, just oh so easy to take advantage of

getting sick, but it's not like they get a break from running. feverishly wandering around, catching concerned looks from strangers, never getting the chance to rest properly so they just get worse and worse

getting so desperate they eventually call for help. trembling and hunched over in a phone booth, nervously knocking on caretaker's door, so rundown and pitiful of course they wouldn't be turned away, where the fuck have they been?

Angels Prompts

Angels are not the cute, fluffy creatures the world likes to see them as. They are powerful warriors and are not here to coddle humans.

The wings of an angel are high maintenance and so almost every angel has a companion who helps them out with keeping their wings ready and beautiful.

Sometimes angels like watching over their humans laying in bed. Those destructive little creatures look so peaceful when they are asleep.

All angels are supposed to be siblings. And they do have a family dynamic between them - a very toxic one.

They have been on earth for millennia. Nothing can shock them anymore. Or so they thought.

An angel's wings are powerful, made for flying and fighting. But they are also incredibly soft and wonderful to be surrounded by.

Loving humans as an angel also means watching a lot of them die.

The angels are wandering the world looking like regular people. But if you watch more carefully, it's actually pretty easy to spot one.

They have a job to fulfill, giving to them millennias ago, and almost nothing could get them to abandon that job.

If you like my blog and want to support me, you can buy me a coffee or become a member! 🥰

how do you write a liar?

How to Write Liars Believably

Language

The motive of every goal is the make the lie seem plausible while taking blame off the speaker, so liars will often project what they say to a third party: "Katie said that..."

Referring to third parties as "they" rather than he or she

In the case of a deliberate lie prepped beforehand, there will be an overuse of specific names (rather than pronouns) as the speaker tries to get the details right.

Overuse of non-committal words like "something may have happened"

Masking or obscuring facts like "to the best of my knowledge" and “it is extremely unlikely," etc.

Avoiding answers to specific, pressing questions

Voice

There's isn't a set tone/speed/style of speaking, but your character's speech patten will differ from his normal one.

People tend to speak faster when they're nervous and are not used to lying.

Body Language

Covering their mouth

Constantly touching their nose

fidgeting, squirming or breaking eye contact

turning away, blinking faster, or clutching a comfort object like a cushion as they speak

nostril flaring, rapid shallow breathing or slow deep breaths, lip biting, contracting, sitting on your hands, or drumming your fingers. 

Highly-trained liars have mastered the art of compensation by freezing their bodies and looking at you straight in the eye.

Trained liars can also be experts in the art of looking relaxed. They sit back, put their feet up on the table and hands behind their head.

For deliberate lies, the character may even carefully control his body language, as though his is actually putting on a show

The Four Types of Liars

Deceitful: those who lie to others about facts

2. Delusional: those who lie to themselves about facts

3. Duplicitious: those who lie to others about their values

Lying about values can be even more corrosive to relationships than lying about facts. 

4. Demoralized: those who lie to themselves about their values

Additional Notes

Genuine smiles or laughs are hard to fake

Exaggerations of words (that would normally not be emphasized) or exaggerated body language

Many savvy detectives ask suspects to tell the story in reverse or non-linear fashion to expose a lie. They often ask unexpected, or seemingly irrelevant questions to throw suspects off track. 

Writing extreme emotions

How to convey specific feelings in an in-character way

—Body language

How do they behave? Are they jumping around and cheering, or do they quietly shake their fist in rage as they stare through the other people? Depending on the character, one can mean a lot more than another. For example, a quiet, shy character getting worked up means a lot more to the audience because we get to see a new side to them

—Breathing

Obviously everyone breathes. But irregular breathing patterns (especially when they’re noticed by someone who’s not the MC) can tell a lot about what their reaction is. Are they losing their breath from laughing to the point where they begin to laugh and cry? Or is the world spinning around them as they begin to hyperventilate, going lightheaded and feeling overwhelmed?

—How they interact with their location

Are they throwing things, staring straight through all of the beautiful scenery, or are the bright colors blinding them? The more public and busy the location is, the less they may feel inclined to really act out, or maybe part of it is that they’re so emotional that they don’t care. Just try to keep the setting in mind for any dramatic, emotional scenes.

—Other people’s reactions

Consider how much the outburst is out-of-character when thinking about reactions. Do people run to console the anti-hero when they break down into tears, or do they stand there awkwardly not knowing what to do? Or, does this happen so often that others know exactly what to say and do, or are they so tired that they stand in the corner, defeated?

—Remember to stay in character

If you want this scene to stand out, you need to remember the characters themselves. Everybody gets emotional and breaks down, and when you can make it true to the character, you will make it real to the audience

This

But I actually went back to the other WIP.

I have so many WIPs, I don't really have to stop writing. I just never know which one to start with.

Does anybody else ever get writing fatigue from your current WIP, so you just... start another one to refresh yourself?

Cause I just did.

Again.

I need help.