Contessa/Eidolon Where Eidolon Is Hyperparanoid The Entire Time Because What If Her Path To Victory Really

Inktober Day 4

Sauron just keeps on aggressively proposing…

Suddenly faced with the possibility of Amy picking up the Carnage symbiote. Or maybe that's just Bonesaw. Either way, everyone loses.

Hmm.

Odd question, which one fits better for Taylor and Victoria: fighting Batman Rogues Gallery or Spider-Man Rogue Gallery (and why?)

Jack Slash goes full barber only to accidentally summon Barbatorem. The two have a standoff, it doesn't end well.

the only thing to complete jack slash's aesthetic would be scissors

Taylor also has insane Cheated energy. "Let's see how many minds we can stack" is certainly her kind of plan. I wonder if this makes Contessa/Cauldron the Narrator...

Slay The Princess

STARRING:

Taylor Hebert as THE CONTRARIAN

Amy Dallon as THE HUNTED

Lisa Wilbourn as THE SKEPTIC

Scion as THE HERO

Eden as THE PRINCESS

Musings on Haladriel/Saurondriel after the season finale fight. I thought the fight itself was excellent! This more clearly matched my expectations for how Sauron and Galadriel would interact after the reveal. Adrenaline filled combat, with unresolved tensions that could be cut with a sword. Clark and Vickers were both amazing and despite the expected direction, I found myself at the edge of my seat!

Sauron clearly has a peculiar relationship with pain, as he described to Celebrimbor. His closest model for intimacy, Morgoth, made him see pain as a game, to prove whose will is greater. In that context, it's interesting how the closest emotional bonds he is shown to have are with those who push through the pain, and continue to defy him.

Both Galadriel and Celebrimbor score victories in their "contest of wills", Galadriel through turning him down again, and Celebrimbor resisting until his death. All this to say, Sauron has a type, and playing hard to get seems to work on him!

I don't think Sauron hurting Galadriel in that sense means he is unable to love her or it was purely deception. People can hurt the ones they love all the time, after all. :) What struck out to me was that after Galadriel is wounded, he doesn't try to stab her hand or otherwise take away Nenya by force. Even through their game, even though he is twisted, he wants Galadriel to choose him, to hand over her ring of her own free will. And that both leads to her escape and is agonizingly sweet!

If Amy actually did this she would instantly become one of my favorite characters. Insanely good take right here.

Now, being a healer cape is extremely exhausting, just, in general. Mentally, and also physically, because I am not in great shape, and I suspect I never will be. And, uh, being a healer that can heal pretty much anything (except brain stuff), it pretty much quadruples the pressure. You ask me how I cope?

Well, I, personally, sneak around town and turn people into vampires.

But Panacea, you say. That's unethical! And vampires are evil!

And I say you are a fucking moron. One, vampires are entirely sapient creatures, so they are inherently morally neutral. Two, have you seen Brockton Bay? This city has shape-shifting metallic nazis, dragon gangsters and Brandish. What do the normal people have? Nothing, exactly. Regeneration, speed, no aging, cool fangs and ability to climb walls like a gecko for some mild rash in the sunlight is a fucking bargain. And people shouldn't be entering people's homes uninvited anyway, that's just good manners. And a precaution against assholes.

i don't understand why it's even a question whether sauron was reaching for galadriel or nenya.

i think it's obvious that sauron's desire to possess nenya is a metaphor for his desire to have galadriel. nenya = galadriel.

if nenya just represented a ring and all sauron wanted was that ring, he would have snatched that thing away from galadriel the moment he saw it, and he had many opportunities to take it away. he wanted galadriel to give him nenya herself, bc that meant her giving in to him as well.

he was so desperate and teary while asking galadriel to give him nenya after stabbing her bc he hurt her far worse than he wanted to, trying to bring her to the point where she would give in, but she kept resisting and i believe he just didn't want to keep on hurting her. yet he would continue until she willingly gave him what he wanted. that is why he was so relieved and the most overjoyed we have seen him when he thought she finally believed he wanted to heal the middle-earth (+her) and was about to give him nenya (=herself).

the whole thing was so obviously a psychological game sprinkled with morgoth tactics sauron played on galadriel in a desperate hope of breaking her defenses down till she willingly gave herself to him.

and he changed the position of his hand to reach for her wrist, that way he would have been able to pull her back. if he had just reached for the ring, he would have tried to reach from below of her hand (where his hand was already positioned) to open her palm and quickly snatch the ring.

This really comes to play in a fun way later, after talking to Mystra. Gale will justify being given ultimate power by saying something to the effect of, "you know me to be a moral and reasonable person, right?" The very same Gale who you can convince to do atrocities and break the rules of magic with.

This is such a fun aspect of Gale that is not often talked about. He is polite, even caring towards the struggle of others, but his moral center is aligned with your character in such interesting ways. The ways that he mirrors the player characters morality makes him a real joy on both good and evil playthroughs!

now I'm curious...who is Gale morally imitating?

I know you haven't played the game so I'll write this through that lens, but I think he imitates the player! More so than the other companions, he is willing to go along with what you suggest including some pretty morally abhorrent choices (which he pushes back against... but he doesn't leave unlike two of the more explicitly good characters). He voices support for seeking power even when it's through pretty questionable means. I have often said he's more nice than good and part of that is if he develops a close relationship with the player, he'll go along with their version of morality, the prioritizes the people close to him far more than any broader moral obligations... this can be beautiful like wanting to stay with you if you become an illithid brain eating monster but also beautiful because you know he'd definitely help you source the brains to eat. he'd find a way to justify it for sure

Also, the way that Danny is seen as a bad parant are the sort of things people are used to seeing as byproducts of the genre Worm takes place in. He fundamentally lacks control over Taylor, to such an extent that he can't stop her from sneaking out to rob banks or fight in a gang war.

He shares these traits with a lot of parant figures in media, who are often not portraited as moral failures. People are rarely mad at Aunt May for negligence over Peter Parker, after all.

When it comes to him confronting Taylor, he is pretty much out of options. The readers also know Taylor actually holds all the power in their relationship, even if she doesn't want to use it. Thus him wanting her to really tell him what's going on, and stopping her from leaving unitil she does, isn't seen in such a bad light.

Danny is written as a flawed person, but we know from both his and Taylor's thoughts, that they care about each other. Danny's flaws both allow the story to happen and create interesting conflict for Taylor, without framing him as a bad person. As a story parent, I would say he is alright.

can you fucking believe there are people who voted that danny is a good parent in that one poll a while back

This kind of in-universe material would probably work really well in getting across the sort of piece-meal way a lot of superhero media works best in. You could tether it in the reactions of people and the world and have the feeling of there being a larger history in the background of the character, without having to go through the enormous backlog of comic-book history.

Superman is the character this would be the smoothest to pull off with, due to his global influence in-world, and wide-spread imaginery in real life. But it could likely work with others too. A documentary showing the effects of Batman on Gotham, or the evolving public perspection of the Hulk would be so cool to watch too.

The news montage sequence from Batman Vs Superman remains, to this day, one of my favorite three minutes of superhero fiction