You Always Find Simon In The Same Spot—sitting On His Couch With A Mug Of Tea In One Hand, The TV On

everytime i hear someone call depression and anxiety ‘destigmatized mental illnesses’ i wonder how they react when they find out someone has spent weeks or months in bed or struggles to shower or eat

john price and his divorced vibes ring true in my heart and notes app once again. cw. slight suicide ideation.

“it’s me or there.”

that’s when it ended. four words, four years, give or take. snuffed out in the aftermath of a hospital visit that wouldn’t have been concerning if john were younger. if he didn’t have you.

he’s seen the cyst of it. the bloated, inflamed beginnings of a divide. the graves that anxiety digs under your eyes. the tears when he returns home- not from joy but from relief.

(maybe that’s always what it’s been- just assumed they were the same. it took looking at your signature on separation papers to make him realize just how wrong he was).

but tonight, you aren’t crying. not now- not in front of him. he can tell you practiced, by the ridged way you sit under the lamplight he had helped you fix last month, hands crossed over the dining room table (oak from the backyard). eyes that build a wall between your body and the woman he married.

“don’t make me choose.” is what he said, which didn’t sound like a real answer to him.

but there was only one reply that would’ve made you stay.

so he survives like he always has. still takes his coffee black, although has to relearn how to use the machine without your help. wakes up at five to a colder bed. still gets deployed for missions, where he doesn’t talk about it.

(still wears the ring, though.)

and without him really knowing it, years go by. he gets shot again, and this time he isn’t just lucky he’s alive, he’s surprised.

(angry, too. hoped that stupid, bullish operative would’ve made the fuckin shot. gave him an honorable death. born from steel so he might as well die by it. maybe it would have made you understand. maybe you would have spoken at his funeral.)

kate makes him take the office job he hid from you. hates it, but eventually the body aches subside and so does the resentment.

it’s early, when he catches sight of you in a café. can’t help himself, and suddenly he’s ordering his coffee with a little bit of cream, and finding your table.

you’re still wearing a ring, but it isn’t his. the subtle roundness of your stomach isn’t, either. that burns more than the cigars he quit last week.

you ask him how he’s been. he says fine. when he asks you the same, you mimic his response- although you’re telling the truth.

“still working?”

he forces a laugh. it comes out pained. “at a desk, now.”

you nod like you saw this coming. “how’s that?”

he tells you about the long days. the creaky chair that leaves faux leather pieces stamped to his trousers. about the annoying, young coworkers. about the window that overlooks a city he didn’t think could be beautiful- but when the sun hits it right he’s proved wrong.

once he meets your eyes, they’re glossy. a teary shine that shocks him until he’s forced to remember the way you looked at the alter. the flush of your cheeks. the curve of your smile, which is practically the same now as it was then, if not a little sadder.

because it hurts. hurts that he is only now accepting peace. that if he hadn’t idled, he could’ve had the very rare opportunity to keep. his promises, his good ending, his wife.

but he didn’t. and now the both of you have to look “could’ve been” in the face. a face that you had loved. a face that john, despite his best efforts, still does.

you wipe your tears and apologize. say the pregnancy is making you weepy. that you’re just so happy he’s doing well. that he’s safe. alive.

he nods. he understands. he lets you lie. because he knows, that as he stands, you want to ask him why. why it took him so long. why he couldn’t quit it for you, when he was always going to end up doing so anyway.

he leaves you without an answer for a second time, but this time it’s because he truly doesn’t have one.

but he doesn’t leave without saying, “I’m sorry.”

and maybe that’s enough.

you will never see him again. he will see you, once. at a playground, with a stroller, and a man who looks like he’s good to you.

he will walk to the pawn shop across the street and sell his wedding ring. the number they give him is far below what it’s worth, but he doesn’t correct them.

because but what would he know.

Hi! I hope this does not come off strange, but I am a huge supporter of yours and I have read all of your writings. Are there longer fics you are reading right now that you like? Books or audiobooks? I want to expand my reading and I thought I would ask my favorite for recommendations.

Ooh, not strange at all!

Not going to lie I have been heavily slacking in reading lately due to a mix of things, but some fanfics I've been reading/finished lately have been:

meet your match (price x reader) by @syoddeye let loss reveal it (price x reader) also by sy (I need to catch up) cygnet, plucked (price x reader) also by sy this abo universe by @ceilidho (so far soap and kyle are out and kyle's made me go insane actually) THIS by @bi-writes Raspberry Girl by @peachesofteal and through me the flood also by peach This western Ghost fic by @yeyinde and this mafia ghost au also by lev

uuuuuh there's probably more but i just worked a jank ass shift and my mind is shot. also sorry a lot of these aren't super long, and are mostly fanfic, BUT i did just finish reading "Tender is the Flesh" by Agustina Bazterrica and i highly highly recommend it. i bought and read it after an anon on my old account said that As Your Skin Gives reminded them of that work, so if you're able to stomach splatterpunk then it's super good!!

peristalsis - viii - epilogue

selkie!soap x reader. strangers to "lovers." rebirth. mommy issues. semi-public sex. breeding season. smut. pregnancy reference. the end. . Running away from life to the Scottish Hebrides, you meet a man who won't leave you alone. . Masterlist. Ao3.

previous

Your pelt is not the same as Johnny’s.

Its greys are subtler than his paint-splash riot; nearly a solid dove, sparsely freckled with dots of charcoal. It’s lighter in your hands than you think a second skin should be—sometimes it feels so gauzy, so filmy, that you fear to tear it simply by wrapping it around your waist.

(Where it belongs.)

You can’t bear to part with it. You must be touching it at all times, fingers idly rolling a few soft strands of fur, palms smoothing out the wrinkles over your lap. Sometimes you find yourself staring at it, never knowing how long you have been until you come out of the trance with a jolt, neck aching and stomach growling.

You have no idea how Johnny went without his for even a day—the thought of ever putting yours down feels like abandoning a days-old infant.

Truly, though, the real infant is you.

The world touches your senses as if they are brand-new. Every sound is sharper. Every color is brighter. The world has come into focus in such a way that you are surprised you ever thought you could see it clearly before—nothing blurs in the periphery anymore.

It’s as if you have been completely reset. Every nerve ending tuned toward decadence. Everywhere you look, you find something that captivates you.

It makes you dizzy with rapture.

He is terribly amused by it, Johnny. He’s amused by all of it. As you settle into your new self, he watches you quiver and shake on new, coltish legs, and grins amiably at your frustration, quick to smooth over your frustration with his mouth on yours.

He’s been through it, after all. More than once, even—he has two resurrections, to your one.

And you’re quick to accept the appeasement he offers. Your appetites now yawn wide for anything you can fit inside of them, and you are voracious. You bite at him when he kisses you, which only makes him laugh more, and then he drags you down to the floor to rut like he knows you need to.

“I’m going to kill you someday,” you snarl at him, more than once, held against him back to front. “You did this to me, you fucking asshole.”

He grinds his cock deeper into you every time, touching some hidden nerve that has you clenching desperately around him, writhing with every limb as he laughs into your ear. “I could always pull out, bonnie, y’want me to do that?”

You claw at his naked hips behind you with the sharp tips of your nails, digging trails into the sheen of sweat coating his skin. “I’ll fucking kill you if you do.”

You’ve hissed and spat for too long to remember how to speak gently to him, but Johnny takes it in stride. He fits his teeth around your neck and cups the soft parts of your body with hands that can’t seem to get enough of the way your flesh spills between his fingers; when you spasm around him, howling your climax, he wrenches you against him with an iron grip and finishes deep inside of you moments later with a torn moan, thighs and hips hot and flush along your backside.

You threaten to castrate him if he pulls out anytime soon after. He kisses the indentations of his teeth and smooths his spread hand over your belly.

You end up with him, like this, more often than not. He always chuckles at your antics, your clenched teeth, the red lines and half-moons you leave on his back and thighs. Less with amusement than satisfaction—because these days, you don’t walk around without the bruises of his grasp painting your flanks, or the arch of his bite etched into your neck.

He’s been alone, too. He was alone from the start. All of a sudden awake to the world, unsteady with awareness, and so hungry all the time it must have felt like he could never be full—

And he hadn’t had anyone, not like you have him, to hold him in the throes of it.

You catch a look in his eyes, every now and again, and see the echoes of that time. It glints like a shard of sea glass catching rare sun beneath a wave. Dulled edges—he can think of it without hurting anymore. He can remember the craving without succumbing to its dissatisfaction, without falling into the gall welling in his stomach at the injustice of it. This was not always the case, but watching you, now, balms the ache in a way nothing before ever had.

You know this without his needing to explain, and you know it like scenting petrichor in the air. All you have to do is meet his gaze, and you know.

And he knows, too. Everything. You cannot see him without him seeing you, and he’s been looking at you with the kind of eyes you now possess for much, much longer. There is no depth within yourself that you can hide from him in.

He can look at you and know you’re hungry. He can watch the way you wave one hand and know you’re antsy. You can begin a sentence, and he knows the end of it without you having to finish.

It can only flay you to the bone. You are known. From the best to the worst parts of you, Johnny knows them like he knows the creases in the palms of his own hands. He knows the yawning chasm in you that near-overflows with your want, and he does not hesitate once at the precipice on his way to diving into it.

It pulls your jaw tight. You can only shudder with fever at the exposure, and reach for him. Again and again. Swallowing his laughter down like medicine.

John Price, when he finds out, heaves an enormous sigh of relief even your newly-heightened senses couldn’t see coming.

Your new vision peels back the gruffness. The gaze he has fixed on you, this whole time, has not been the apprehensive criticism of a lover’s apathetic friend. Instead, it is the concerned look of a stranger, one who gives a damn about what happens to a woman all alone on a side of the world to which she, until very recently, did not belong.

It had been invisible to you before; a wavelength of color your old eyes were unable to perceive. Now, you see so much of him that you wonder how you could have possibly missed it.

You see his exhaustion. His own loneliness, in self-imposed exile, one eye always on a man he fears will find a convenient cliff to jump off of in a fit of despair. You see sleepless nights, and notice for the first time a gold band on his ring finger, scuffed, in need of a good polish—if only he would take it off long enough to clean it.

“I’m sorry,” you say to him, out of nowhere, meeting the cool blue of his gaze. He doesn’t seem surprised at your understanding. He only nods.

“Ain’t been easy,” he allows.

But now you’re here. He’s not the only one Johnny has anymore. You can see the weight lift from him the moment you tell him you’re staying.

He goes to his office at the back of the pub with a lightened stride and returns, a little while later, with a stack of papers in his hand that he drops on the bar in front of you.

“Take care of the place,” he tells you with a heavy pat to your shoulder. “And don’t let Soap off easy. I’m going home.”

Price leaves you there with the deed to the pub and a casual wave over his shoulder. You do not see him again—though he’s left his phone number in one of the margins.

“Oh, aye?” Johnny says when you tell him, later that night as he’s boiling lobsters for dinner.

He doesn’t respond for a laden moment. You watch your report pass over him like a gentle wave; you see where it could build, where it could swirl up into something bigger, harder, angrier—but it doesn’t.

His back tightens, and then loosens, and he turns to grin at you over his shoulder.

“Barry, there’s a wall in there I’ve been dyin’ to knock down, and he wouldnae let me. Place is too claustrophobic, ask me.”

You arrange the silverware, letting his placidity wash over you.

About a week later, you drive Johnny’s truck somewhere with cell service, and call your mother.

The landscape of her emotions changes as rapidly as an ocean storm; elation and relief, to finally hear your voice. Hope when she asks you when you’re coming home. Confusion—when you tell her you aren’t.

Johnny explained it.

“We canna go far from the ocean, hen. Not for long. It won’t feel…right. I’ve tried. You get an itch, ken? You can ignore it at the start. But it willna go away, and it willna be denied, either. It’ll drive you mad if you don’t go back. So you canna stay away.”

And you’d known immediately what he’d meant—

You can feel it on the edge of the periphery. A lodestone in your belly points in its direction, always. You could close your eyes, start walking, and find yourself on the shore, pelt already in your hands. Sometimes, you find yourself waking in the middle of the night with the sound in your ears, legs twitching restlessly. You feel too hot and too cold at the same time, and thirsty, all over your body rather than just in your throat.

Any thought of moving further inland inspires an existential panic you can’t explain. The notion of a fifteen-hour flight, and landing somewhere that hasn’t seen an ocean for at least a million years, makes your skin feel so tight around your bones that you have to run to the nearest shoreline just to make sure the sea is still there.

You’re on a jetty right now, in fact, watching the water lap against the stones. It was the only thing you could think of that would give you the strength to make the call.

You cannot go home. You know now that somehow, you’d always expected to, deep down. You’d return to the house you grew up in, pet the old family dog. Meet for brunch at the same hole in the wall you’ve gone to for years.

Sometimes the price you pay to become something more does not reveal itself until it’s too late.

So you cry with your mother over the phone, when you explain that it’s best if you stay. You tell her that coming back would only hurt you if you tried, and this time, you aren’t even lying to her.

You don’t know if she’s actually comforted by the conciliatory offer you make of your new job tending bar—she doesn’t need to know you own the place yet—but she sniffles, and puts a brave face on it.

“You always did want to live somewhere else,” she offers, watery—but glad, you hear, that you’re alive.

You bite your lip.

From her, there will be no begging for you to come home. No entreaties of love or need.

When you say goodbye to her, you cry some more—but it isn’t the storm that used to claim you. You wrap your arms around yourself and squeeze, pinch the soft fur of your pelt and roll it between your fingers as you allow yourself to shake and weep, and when you catch your breath, you dry your face and drive back to the cottage, where Johnny is making lunch.

That night in bed, he holds you gently in his arms, rocking his hips into you as you cling to him with your fingernails.

“Don’t leave me,” you whisper in his ear.

He kisses the corners of your eyes before new tears can fall, and tightens his arms around you.

Each day you go to the sea.

It tugs at you, like a child tugging the hem of your shirt. Like a current pulling you outward. You wake every morning thinking not of breakfast, or the day ahead, but of that swaying world, slow and vast, hugging the edges of the land to coax it, eternally, back into the depths.

There is no serenity, now, like the serenity of the water. To enter the ocean is also to let it inside you; the barriers between yourself and the rest of the world thin out. You give some of yourself away, and receive something new to settle in the empty spaces left behind.

You think you understand now why Johnny is always smiling.

The cold no longer stings when you bare your skin to it, down in the cove. The salt-wind of the incoming tide is soft against you as you fold your clothes, beckoning as you tuck them beneath a large rock.

Johnny strips beside you, less careful, balling everything up in an untidy mass, until you glare at him. The intended admonishment falls flat as your glare turns into something sweeter, as the dark hairs on his chest lift with goosebumps.

He grins at you, seeing the shift. “Here, hen?” he teases as he obediently tidies his shirt and kilt. “Out in the open?”

Out in the open.

You draw him to you, dragging him down into the sand; the joining is quick and hard, spurred by the burgeoning need to go under. You cage his ribs with your knees as you ride him, breasts against his chest as you take his mouth without art or finesse. Johnny digs his fingers into the meat of your ass and helps you along with quick, forceful thrusts, and your orgasm prompts his own, inner muscles pulling him deeper as you pant and moan.

Primal. Without artifice. You exchange hot breaths through open mouths as you speak with your eyes, the ocean-blue of his gaze pulling you in. You grind together even after finishing, prolonging it, displacing a little longer the moment that your bodies must separate.

You have him every day, too. Often more than once. He is as essential a need as the sea, and he gives as freely and as frequently as you ask.

After, you both rise, and help to dust the sand away from each other’s bare skin.

Suddenly, you wonder aloud, “If I get pregnant—what’s it going to be?”

Johnny goes still, the hand on your shin stopping mid-sweep. Then, eyes crinkling, he barks a laugh. He kisses your knee and, as he rises, kisses your mons, then your navel, your sternum—

Then the reluctantly smiling curve of your mouth.

“Wouldnae mind findin’ out,” he says, stepping away from you, and walking backward toward the ocean.

His gaze does not leave you once it rises to meet him. It crests around him, embracing him, vibrant and alive and rushing toward you.

You draw your pelt over your head, and follow Johnny into the waves.

a/n: I'm going to put my final thoughts in a separate post. This is the end. Thank you so much for reading!!

fear of god

There's someone outside the spacecraft. You don't remember them being part of the crew. Part 12 masterlist

-

A false moon dictates the coming of night. 

You set up a cot in the medical unit again, going to your quarters to grab a spare set of sheets before returning, Gaz shadowing you the way there and back. His presence scratches at the back of your head, reminding you that he’s there at your back. You don’t ask him why he insists on keeping up this charade of monitoring your behaviour—his motives are as unclear to you as ever.  

“This isn’t necessary,” you finally manage to get out on the walk back to the medbay, the door within sight. 

“I know,” Gaz says simply. 

The door slides open and you enter with him still at your back. “Then why are you following me?”

“Those were Graves’ orders, weren’t they?”

“And you what? Follow his orders now?”

It’s difficult to determine who you actually feel betrayed by. Gaz owes you no debt—it wasn’t you that let him into the ship. The focus of your anger should be on Graves and the rest of the crew, but yet—

Your chest twinges when the door slides shut and Gaz leans against it, no different than a guard posted at the door. 

He shrugs, unbothered by the reproach in your voice. “He’s the commander.”

“That doesn’t mean he’s right.”

“Maybe not.”

“I had nothing to do with Hadir getting sick.”

“I know that.” Your chest deflates when you can’t detect any insincerity behind his words. “But Graves is in charge of the ship and unless you think you could get the others to agree with you, isn’t it better to toe the line for now?”

It would upset you if it were any less true. The hierarchical arrangement of personnel on board has always been clear, and it’s not lost on you that you’ve always hovered near the bottom, falling further from grace with every passing day. Who apart from Gaz and Hadir have been sympathetic towards you in recent weeks anyway? Nikolai’s friendship is an extension of his disposition, an affection easily given and easily taken away. Farah barely even regards you as trustworthy these days, convinced that you’re teetering on the edge of losing your mind.

She might not be wrong. 

Gaz watches you make the bed, settling into your office chair, a mite more comfortable than the stool by the counter. 

“Do you want me to set up a cot for you?” you ask begrudgingly. 

He shakes his head. “Don’t need one.”

“You can sleep comfortably sitting up like that?” 

His smile verges on patronizing. “I don’t need to sleep, love.”

Your skin crawls. You hate when he does that—when he lets you in on your shared secret, the knowledge that he isn’t as human as he appears. Whatever he is still eludes you. Alien or divine. There’s no point in asking though. That knowledge sits beyond your purview. 

You ignore him to the best of your abilities and finish setting up your cot, his words still ringing in your ears. 

Things take a turn for the worse when Hadir stops responding altogether. 

Though his verbal responses have become less and less frequent over the last couple days, the dropoff is significant. As your only patient though, you’ve been monitoring him closely since he was admitted, and you pick up on the change quickly. It’s like an itch under your skin, a sixth sense from working with sick patients for the better part of your adult years. 

Gaz picks up on the change in your mood, sitting up straighter. “What’s wrong?”

“I don’t know,” you respond through stiff lips. “Something changed.”

The base of your spine tingles when the vital signs monitor suddenly beeps, alerting you to a change in Hadir’s condition.

You flip a switch and press a button on the keyboard, speaking directly to the Ship’s AI. “Ship, what’s the patient’s status?” 

Patient's temperature is unusually elevated

Recommendation to increase fluids and decrease external temperature 

You lift his eyelids and find his pupils irregular, one larger than the other, and they don’t respond properly when you shine a light on them. 

“What can I do?” Gaz asks, as serious as you’ve ever seen him.

“We need to cool him down. His fever is spiking. I’ll get the cooling blanket—there are ice packs in the freezer over there—” You point to a refrigerator on the other side of the room. “—get the ice packs and start packing them around his armpits and groin. We need to get his temperature down while I figure out what the fuck is happening.”

Gaz moves quickly, retrieving the ice packs from the freezer and packing them up against Hadir’s pits and in between his legs under the medical gown. Hadir’s lips flutter reflexively at the cold but that’s as much responsiveness as you get out of him. 

You press the button to speak to the AI again. “Ship, is his temperature coming down?”

Negative

Patient temperature currently: 104°

Even his breathing has changed, his breaths similarly irregular and increasingly shallower. You put in the orders for another CT scan, moving quicker and typing faster than you ever have before. The breathing tube gets put in next to secure his airway and you don’t like the way his gag reflex doesn’t kick in when the tube is shoved down his throat. It signals something dangerous. 

The situation before you doesn’t bode well. Dread clings to the wall in the far corner of the room but you ignore its presence to focus on your work, throwing everything at the walls to see what sticks. 

His labs are all over the place. High fever, low platelets, high D-dimer, high FDPs. An hour passes in a blink with you running test after test to no avail—none of his results that come back make any sense—all while his temperature continues to rise. 

Patient temperature currently: 105°

Plastic backliners flutter to the floor when you rip them off the electrodes, pasting the small metal discs around Hadir’s scalp for the EEG, working as quickly and efficiently as possible. 

“Has his temperature come down yet?” you bark, too preoccupied with your work to chance a glance up at the monitor.

“No,” Gaz says curtly. “Still 105°.”

It’s all happening so quickly that you can’t seem to get your bearings. If it were anyone else on the table, you’d at least have Hadir to assist you; you’re on your own now though, Gaz barely any help to you without any real medical knowledge. 

Your heart pounds against your chest when you notice blood coming up Hadir’s ET tube. A few droplets at first, and then a trickle. 

A horrible, prophetic knowledge falls over you, threatening to collapse you. 

“What’s wrong with him?” Gaz asks.

“I don’t know—” Then his nose starts to bleed and your heart stops. The stain on the front of his gown and what you find underneath it when you lift it up confirms your worst suspicions. “He’s going into DIC—”

“DIC?”

“His blood—”

The AI takes that moment to interject, speaking over you: Patient body has used up all of its clotting factors and will begin to bleed out

Sepsis—a severe infection—an autoimmune response—trauma—cancer—so many different possible answers to explain why Hadir would spontaneously go into disseminated intravascular coagulation, but his labs tell you shit. Nothing makes sense. You can’t explain why he might be hemorrhaging because there isn’t anything in his scans or labs to indicate anything wrong with him.

More blood leaks from his face and nethers, staining the light blue of the bed a dark red. Logical objections halt in the face of the tangible, and blood is tangible. Blood is all you see. 

The final moments are harried, frenzied. You bark orders at Gaz, which he follows militarily, and struggle in vain to keep Hadir’s condition from further deteriorating, but it’s nearly impossible without being able to address the root cause. Transfusions of platelets, fresh frozen plasma, and cryoprecipitate only go so far. 

When his brain activity goes flat on the monitor, your mind goes blank. Static noise fills your head. You slump against the wall, staring at Hadir’s bleeding body on the exam table, still leaking blood from all of his orifices, the sound of the monitor blaring like a siren in your ears. 

“He’s dead,” Gaz says blandly, staring at the body nonplussed. 

“Yeah,” you rasp. Your voice is thick in your throat, devastated. 

There’s blood all over the bed, more in one place than you’ve seen in a long time—not since working in trauma units back on Earth. Every inch of your body aches as the adrenaline recedes, having reached its peak in the throes of Hadir’s final moments, jaw so tight you almost can’t unclench it.

“What happened?” he asks, almost quizzically. 

The curious lack of emotion in his voice doesn’t penetrate through the brain fog. “I don’t know—he just…” 

The weight of all that just happened comes over you swiftly. An hour ago, Hadir was fine for all intents and purposes. Stable. Now, blood stains his chin, the underside of his nose, the front of his gown, and the bed underneath him, the sweat caked on his forehead cooling as the life leaches out of his body. 

Your hands shake by your sides, a violent tremble rolling through you. 

“I don’t get it,” you whisper. 

You should’ve quarantined Hadir from the start, from the very second he was admitted into your care. You should’ve ignored the fact that his labs came back fine that first day and just assumed that the nature of his illness was more severe than it appeared. Shame and dread plunge like a dagger through your midsection.

Protocol should’ve dictated that you initiate a quarantine, but since you didn’t—

You stare at the body on the table, the ET tube streaked with blood.

—your duty now is to ensure that no one else gets sick too. 

You’ll need to seal off the medbay until every surface has been properly decontaminated and then quarantine yourself until you’re sure that you aren’t infected as well. Your eyes flick towards Gaz momentarily before you shoot down the thought of testing him as well. 

Mitigate the transmission. That thought sticks out amongst the rest. The body lying on the bed in the middle of the room is no longer a patient that needs tending to but rather hazardous material that needs to be disposed of lest whatever infected it is transmitted to everyone else on board the ship. 

It’s waste. Filth. And it will contaminate everything on board if you don’t remove it. 

Your body moves on autopilot. You wheel the bed to the ejection chute at the back of the medbay. It takes a series of codes in order to open the door to the chute and you key them in quickly and efficiently. When the door slides open, you raise the bed until it’s slightly higher than the chute, tipping the bed forward in order for the body to slide into it. 

Ejection chute engaged

Hadir’s body disappears into the chute, the reinforced metal and glass sliding shut when the sensors register that the chute door is empty. There’s a thunk from behind the wall as his body is shuttled through the pneumatic tubes towards the back of the ship, and it won’t be more than a minute before the body is projected from the ship entirely. 

Your heart skips a beat when the AI pings awake again.

Object ejected 

“I wouldn't have done that if I were you,” Gaz says, and you flinch at the sound of his voice, momentarily forgetting that someone else is in the room with you. 

Your eyes drift over to him, the room murky for a moment, the air hazy like water, like you’re looking through a film and only just starting to settle back down into your body after watching from overhead. He seems bigger somehow.

“We have to quarantine ourselves,” you say, frantically towards one of the cupboards and ripping it open, pulling out rolls of plastic to plaster over the door. “We didn’t put on any PPE, so we might’ve been exposed to whatever Hadir had.”

“I wouldn’t worry about that.”

His lips are turned up at the corners when you look over, frowning, but noise in the hallway keeps you from following up on his remark. 

The announcement over the intercom must have alerted the others, and you hear footsteps from down the hall seconds before they arrive, boots clanking against the metal flooring. When the door slides open and you see Farah standing there with Alex at her back, her face hauntingly vulnerable in a way you’ve never seen before, words fail you. 

“What happened?” Farah asks. 

“I don’t know. He was fine just a second ago and then—”

“Where is he?” she demands, scanning the room for him. “Where’s Hadir?”

“I—” The words get tangled up in your throat, terror and shame making it hard enough to breathe, never mind speak. 

Graves barrels in a second later, flushed and out of breath. He must have been in the cockpit when the intercom alerted him to the ejection chute being utilized. Nikolai is fast on his heels, less winded but just as concerned. 

You realize that from the direction Nikolai came, he must’ve been at the back of the spacecraft, and you morbidly wonder if he heard the sound of Hadir’s body ferrying through the pneumatic tube system.

“Doctor, what did you just throw out of the chute?” Graves asks, his tone hard and uncompromising, softened only by the breathless note in his voice from running halfway across the ship. 

You don’t answer.

His eyes lift to the space over your shoulder, where the patient bed is flush to the wall, the head level with the chute leading out of the ship. Blood still saturates the mattress. 

You watch as the knowledge of what you’ve done dawns on them, realization morphing into distress and horror. From behind Farah, Alex goes ashen, a hand clamping down on her shoulder to hold her in place before she realizes what you’ve done and the inevitable happens. You see it play out in your head like a movie. 

“Farah—” he starts, but any effort to steer her out of the room is thwarted by how quickly she comes to the same conclusion. 

“Where’s my brother?” Farah screams, and you wince, your head aching like there’s something else in there listening to her scream too. 

Alex has to hold her back from lunging at you, fighting to keep her in his arms, her body thrashing wildly. You’ve never seen her like this before. Grief and rage strip her of stoicism, and when her screams turn to tears, it rips a hole right through you. 

“You ejected Hadir from the ship?” Graves breathes, stunned. 

Nikolai just stares, at a loss for words. You’ve never seen any of them so obviously affected, so contrary to the image of them that you’ve carried with you in your mind for months. 

“I had to!” you shout, vocal cords tearing under the strain. “We couldn’t keep his body on board! What if it was some hemorrhagic fever—like ebola? Or worse?”

“You don’t even know what killed—” Graves roars before stopping abruptly, squeezing his eyes shut. He presses his fist to his mouth, the skin around his knuckles bone white. 

“We need to quarantine.” Your fingers tremble when you press them to your temples, flinching when you realize that your gloves are still covered in blood. “I was going to seal off the room to keep it from spreading, but now that you’re all here, we’re probably all been infected—”

“Infected by what?” 

“I don’t know.” 

A shade is falling over you. Everything feels raw, livid—a wound being prodded. The light hurts your eyes when you lift them from the floor to meet Graves’ gaze. Even the air feels caustic against your skin. 

Even your impulses don’t feel like your own, like there is some

insidious rot

fruiting under your skin.

“Are you going to say anything to them?” you finally snap at Gaz, desperation loosening your tongue. “You were here—you saw what happened. Why aren’t you telling them what happened?”

The others turn to look at him, orienting like sunflowers towards the sun. It’s the only comparison that comes to mind. And at the centre of them, Gaz stares back at you, an ersatz approximation of confusion. 

He gives a slow blink, eyes glinting with something unknown. “Tell them what? That you tossed Hadir out into space?” 

You should’ve expected that you’d be left hanging, but the reality of it is unbearable. Humiliating. 

You know what you look like to them: dangerous, erratic. Your paranoia on full display. Even Nikolai’s mouth is set in a grim line.

You can hear the accusations flying through their minds—that you caused this somehow. Overdosed him on anti-clotting medication and let him bleed out, then disposed of the body before a proper autopsy could be performed. That maybe you prolonged his illness, knowing it would lead to this.  

It happens swiftly and without word, as if planned ahead of time. Nikolai and Graves lunge towards you suddenly, grabbing you by the undersides of your arms and nearly lifting you off your feet when they haul you forcibly out of the room. Alex still has Farah trapped in his arms in the corner of the room when they drag you past her. 

“Farah, I’m sorry—I’m sorry—” 

You’re not strong enough to break free of Graves’ and Nikolai’s hold though, so you’re carried off before Farah can say anything. There’s only a split second for your eyes to lock and for you to see something broken beyond recognition there, and then the door cuts you off from her.

“You’re all fucking insane—let me go—” you scream, spittle flying from your mouth. The scream that tears out of you is so animalistic and loud that your throat squeezes up in protest, a cough forcing its way out. “I didn’t do anything wrong!”

Down the hall and towards the back of the ship. Boots echo against the metal floors, the two men on either side of you in sync with each other. Neither says a word nor responds to your screams. Their patience with your increasingly unhinged behaviour has finally crossed a threshold once thought impossible, your reputation alone no longer enough to save you. 

They all but throw you into the brig, the metal door clanging shut behind you when you’re dropped to your hands and knees, peering over your shoulder to find Nikolai punching in the key to lock and arm the door, a rueful, pained look on his face.

“Nikolai, please—” you beg, crawling to the door and curling your hands around the bar. “It wasn’t my fault—I didn’t kill Hadir. I’m sorry! He could’ve made everyone on board sick if we’d kept the body! Please, Nikolai, please—”

Your pleas fall on deaf ears. The last sound you hear is the brig door slamming shut and then their footsteps gradually recede into the distance.

something very interesting to me in rdr2 is how arthur is repeatedly referred to using more “feminine” like terms, usually in a negative context. like the most well known one is when he gets called “pretty boy” in the fight with tommy, but emmett granger also calls him “girlie.” both of these times, it’s men who are actively provoking him, masculine men, who are telling him this. however, whenever arthur is talking to algeron wasp, a much more “feminine” man, and wasp asks him if he’d like a corset, arthur’s only real complaint to the idea was that he rides horses and that the whale bone would dig in.

now, arthur’s masculinity is something that he clings to heavily in the game. as progressive as arthur’s ideas are for the time period he’s in, he still holds the basic idea that women need to be protected and cared for, that a man should more of the heavy lifting, etc. in chapter six, he overcomes this idea a good bit, especially with sadie adler and charlotte balfour, but it’s still a core part of his character because it’s the year 1899. arthur’s masculinity is something that he uses to make himself appear, in the words of hosea, “big, dumb, and angry.” he uses this idea of toxic masculinity to make himself appear tough, as one of the gang’s enforcers, as the debt collector, as the one who yells at a grieving family because they’re in his way. arthur hides his journal, one of the few things that shows his softness, which could be perceived as “feminine,” and never lets anyone touch it until he dies. even his art could be considered “feminine,” because, in his eyes, it’s an expression of softness.

then you have charles. charles, who has extremely long hair that he takes great care of, and who i, personally, believe is just a little bit vain (which isn’t a bad thing). charles, who talks about his mother and her people and everything that he loves about both of them. charles, who lived on his own for years and had to take care of himself, be both mother and father for himself in his late teen years.

charles is masculine, yes. he’s tall, and broad, and takes care of others, whether that be through doing brunt work or through more violent means. however, he expresses his own softness frequently. how he only kills when he has to. how he believes arthur isn’t as tough and dense as he acts. how he isn’t afraid to show appreciation for others, shows his appreciation towards animals while both hunting them and caring for them, express his opposition towards dutch as early as chapter 2.

now, back to arthur. as the game progresses, arthur slowly moves away from this idea of toxic masculinity and becomes softer towards others. still masculine, still thinking about the women and children first, still strong (even as he grows sicker and sicker), but softer. he comments, both in his journal, that charles is one of the best men he knows. i think that charles was one of the key points of reference whenever arthur was trying to become a good man. that, even though arthur had it in him the entire time, he still looked to charles as a grounding perspective.

i think that, had arthur lived, maybe he would’ve been able to become that much softer in age and in settling down. maybe even branch out towards more “feminine” traits, take greater care of himself, if only he was told that those things weren’t shameful, if he was told that he wasn’t just big and dumb.

obsessed with the idea of onlyfans model! reader x Simon

Maybe you’re one of the biggest creators on the platform and you’re very well known after doing it for a few years. Except, you only do solo content, despite your peers constantly asking to collab or getting requests from fans to see you getting fucked.

Then, one day you post a video showing off some new panties and Simon’s tattooed and scarred hand just appears, squeezing the meat of your ass, claiming and possessive. A subtle message he’s sending to your audience as he spreads your cheeks apart, sliding your panties to the side and shows off your pretty pussy dripping with his cum.

Space - she/her

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