I Finally Added Another Chapter To A WIP I Started In Sparktober 2021 For Sparktober 2022. This Is About

Stargate Atlantis thoughts - The Storm vs. Common Ground

I find it so funny that Kolya thinks Elizabeth will give in after seeing Sheppard fed upon in Common Ground.  Kolya definitely has the whole thing backwards.  John is the one who’d give in.  Note in The Storm he’s ready to give Kolya a ship the minute Elizabeth is threatened.

You Will Be Rejected

Not: You might be rejected.

Not: You’ll have a few rejections.

Not Even: Well, if you’re only mid-list worthy you’ll have at least twenty rejections.

You want to get published? Fine. You need to accept that every single day of your career will have rejection.

Everything you write will be rejected.

Every book you publish will be hated.

Every character you love will be degraded.

Every hour you put in – the blood and sweat and tears – will be dismissed as “…talentless hack who doesn’t know how to string a sentence together.”

Millions of people will never read your book because they can’t read at all.

Millions of people will never read your book because they don’t speak the same language as you.

Millions of people will never read your book because they hate your genre.

Millions of people will never read your book because they don’t like fe/male authors.

Millions of people will never read your book because they didn’t get into it.

Billions of people will reject your work. They will mock you. They will dismiss you. They will talk trash about you.

You. Will. Be. Rejected.

It doesn’t matter. You aren’t writing for the millions. You are writing for the one.

The one person who tells you your book made them cry because it spoke to them.

The one person who tells you your book changed the way they saw the world.

The one person who tells you your book was the only light in a dark time.

The one person who tells you your book inspired them to be something more.

You are writing for them.

They will wish they could take your characters to prom.

They will read your book after their mother’s funeral.

They will curl up in bed with your book on a cold night after their first real break up.

They will turn to those pages time and again to revisit the places they love.

You’re going to get rejected. And you’re going to take that punch square on the chin and not ever back down because you know who you are writing for. Because you know it takes more than a pretty font to make a book work, you have to be willing to take the rejections. You have to go into this knowing you will fail a million times with a million readers, and that it doesn’t matter because you aren’t writing for them.

Keep your chin up. You are someone’s favorite author even if they don’t know it yet.

Our Romeo and Juliet discover their balcony…

01x01 Rising

Chapters: 5/? Fandom: The Mallorca Files (TV 2019) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Miranda Blake/Max Winter Characters: Miranda Blake, Max Winter, Inés Villegas Additional Tags: Wintake, post-series 3, Canon Divergent, Feelings Realization, Series 3 Episode 4 "Water Water" Mention, Undercover as a Couple, threat of gun violence Summary:

It’s Valentine’s Day, and it’s the first one since Max broke up with Carmen six months ago. Miranda tries to cheer Max up. Also, they go undercover as a couple again.

THAT is how you deliver a tribute speech.

All the time….

like, the most compelling ships for me always stem out of one thing: the characters have a profound, ongoing effect on each other’s senses of selves. when they are apart, the characters’ actions are still affected by each other. the way they approach the world changes because of the other. 

which is this deeply Austenian view of ideal romantic relationships as mechanisms by which we come to know ourselves better and become better versions of ourselves. good romance, for me, is always tied in with a sense of self-actualization, and the way in which a beloved partner allows a person to know themselves better.

Famous authors, their writings and their rejection letters.

Sylvia Plath: There certainly isn’t enough genuine talent for us to take notice.

Rudyard Kipling: I’m sorry Mr. Kipling, but you just don’t know how to use the English language.

Emily Dickinson: [Your poems] are quite as remarkable for defects as for beauties and are generally devoid of true poetical qualities.

Ernest Hemingway (on The Torrents of Spring): It would be extremely rotten taste, to say nothing of being horribly cruel, should we want to publish it.

Dr. Seuss: Too different from other juveniles on the market to warrant its selling.

The Diary of Anne Frank: The girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the ‘curiosity’ level.

Richard Bach (on Jonathan Livingston Seagull): will never make it as a paperback. (Over 7.25 million copies sold)

H.G. Wells (on The War of the Worlds): An endless nightmare. I do not believe it would “take”…I think the verdict would be ‘Oh don’t read that horrid book’. And (on The Time Machine): It is not interesting enough for the general reader and not thorough enough for the scientific reader.

Edgar Allan Poe: Readers in this country have a decided and strong preference for works in which a single and connected story occupies the entire volume.

Herman Melville (on Moby Dick): We regret to say that our united opinion is entirely against the book as we do not think it would be at all suitable for the Juvenile Market in [England]. It is very long, rather old-fashioned…

Jack London: [Your book is] forbidding and depressing.

William Faulkner: If the book had a plot and structure, we might suggest shortening and revisions, but it is so diffuse that I don’t think this would be of any use. My chief objection is that you don’t have any story to tell. And two years later: Good God, I can’t publish this!

Stephen King (on Carrie): We are not interested in science fiction which deals with negative utopias. They do not sell.

Joseph Heller (on Catch–22): I haven’t really the foggiest idea about what the man is trying to say… Apparently the author intends it to be funny – possibly even satire – but it is really not funny on any intellectual level … From your long publishing experience you will know that it is less disastrous to turn down a work of genius than to turn down talented mediocrities.

George Orwell (on Animal Farm): It is impossible to sell animal stories in the USA.

Oscar Wilde (on Lady Windermere’s Fan): My dear sir, I have read your manuscript. Oh, my dear sir.

Vladimir Nabokov (on Lolita): … overwhelmingly nauseating, even to an enlightened Freudian … the whole thing is an unsure cross between hideous reality and improbable fantasy. It often becomes a wild neurotic daydream … I recommend that it be buried under a stone for a thousand years.

The Tale of Peter Rabbit was turned down so many times, Beatrix Potter initially self-published it.

Lust for Life by Irving Stone was rejected 16 times, but found a publisher and went on to sell about 25 million copies.

John Grisham’s first novel was rejected 25 times.

Jack Canfield and Mark Victor Hansen (Chicken Soup for the Soul) received 134 rejections.

Robert Pirsig (Zen and the Art of Motorcycle Maintenance) received 121 rejections.

Gertrude Stein spent 22 years submitting before getting a single poem accepted.

Judy Blume, beloved by children everywhere, received rejections for two straight years.

A Wrinkle in Time by Madeline L’Engle received 26 rejections.

Frank Herbert’s Dune was rejected 20 times.

Carrie by Stephen King received 30 rejections.

The Diary of Anne Frank received 16 rejections.

Harry Potter and The Philosopher’s Stone by J.K. Rolling was rejected 12 times.

Dr. Seuss received 27 rejection letters

Hanleia + Your Ships that Were Probably Inspired by Them  » Sparky [Stargate Atlantis]