Please Rec Me Any Sheppard/Weir Fix It Fics You Know.

All the time….

A closer look at Elizabeth and John in the episode "Echoes"✨

He reacts instantly as soon as she starts to fall. He is so considerate of her. AND! He puts his hand under her head before it touches the ground to prevent her from bumping😯

He carries her in his arms! Who watched, I think, everyone loves this moment. He cares about her. He decided not to call the medical team to take her away. He takes her in his arms and carries her himself! AND DETAIL! She's unconscious. Consequently, she cannot think and move herself. He put her hand on his shoulder. HIMSELF! There is no other way to explain it. How he laid her gently on the bed. So neat. So tender. Until the last he held her in his arms😲

Even when the doctor has already come, he does not leave her. He wants to make sure that everything will be fine with her. Who remembers, Beckett said there was already a fatal case. He said this while Elizabeth was lying unconscious on the bunk. She was in danger. Only after this, John decided to make an attempt to cope with the problem himself. Because he worried about her🥺

like, the most compelling ships for me always stem out of one thing: the characters have a profound, ongoing effect on each other’s senses of selves. when they are apart, the characters’ actions are still affected by each other. the way they approach the world changes because of the other. 

which is this deeply Austenian view of ideal romantic relationships as mechanisms by which we come to know ourselves better and become better versions of ourselves. good romance, for me, is always tied in with a sense of self-actualization, and the way in which a beloved partner allows a person to know themselves better.

I found a fanfiction from a past Sparktober that I wrote and just needed a little editing. It's a fluffy kidfic where John tells Elizabeth and his kids a bedtime story.

Angry Cicadas - SorayaLi - The Mallorca Files (TV 2019) [Archive of Our Own]

https://archiveofourown.org/works/64887982

Ways to un-stick a stuck story

Do an outline, whatever way works best. Get yourself out of the word soup and know where the story is headed.

Conflicts and obstacles. Hurt the protagonist, put things in their way, this keeps the story interesting. An easy journey makes the story boring and boring is hard to write.

Change the POV. Sometimes all it takes to untangle a knotted story is to look at it through different eyes, be it through the sidekick, the antagonist, a minor character, whatever.

Know the characters. You can’t write a story if the characters are strangers to you. Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.

Fill in holes. Writing doesn’t have to be linear; you can always go back and fill in plotholes, and add content and context.

Have flashbacks, hallucinations, dream sequences or foreshadowing events. These stir the story up, deviations from the expected course add a feeling of urgency and uncertainty to the narrative.

Introduce a new mystery. If there’s something that just doesn’t add up, a big question mark, the story becomes more compelling. Beware: this can also cause you to sink further into the mire.

Take something from your protagonist. A weapon, asset, ally or loved one. Force him to operate without it, it can reinvigorate a stale story.

Twists and betrayal. Maybe someone isn’t who they say they are or the protagonist is betrayed by someone he thought he could trust. This can shake the story up and get it rolling again.

Secrets. If someone has a deep, dark secret that they’re forced to lie about, it’s a good way to stir up some fresh conflict. New lies to cover up the old ones, the secret being revealed, and all the resulting chaos.

Kill someone. Make a character death that is productive to the plot, but not “just because”. If done well, it affects all the characters, stirs up the story and gets it moving.

Ill-advised character actions. Tension is created when a character we love does something we hate. Identify the thing the readers don’t want to happen, then engineer it so it happens worse than they imagined.

Create cliff-hangers. Keep the readers’ attention by putting the characters into new problems and make them wait for you to write your way out of it. This challenge can really bring out your creativity.

Raise the stakes. Make the consequences of failure worse, make the journey harder. Suddenly the protagonist’s goal is more than he expected, or he has to make an important choice.

Make the hero active. You can’t always wait for external influences on the characters, sometimes you have to make the hero take actions himself. Not necessarily to be successful, but active and complicit in the narrative.

Different threat levels. Make the conflicts on a physical level (“I’m about to be killed by a demon”), an emotional level (“But that demon was my true love”) and a philosophical level (“If I’m forced to kill my true love before they kill me, how can love ever succeed in the face of evil?”).

Figure out an ending. If you know where the story is going to end, it helps get the ball rolling towards that end, even if it’s not the same ending that you actually end up writing.

What if? What if the hero kills the antagonist now, gets captured, or goes insane? When your write down different questions like these, the answer to how to continue the story will present itself.

Start fresh or skip ahead. Delete the last five thousand words and try again. It’s terrifying at first, but frees you up for a fresh start to find a proper path. Or you can skip the part that’s putting you on edge – forget about that fidgety crap, you can do it later – and write the next scene. Whatever was in-between will come with time.

Chapters: 1/1 Fandom: The Mallorca Files (TV 2019) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Miranda Blake/Max Winter Characters: Miranda Blake, Max Winter Additional Tags: Wintake, married Wintake, Established Relationship, Post-Season/Series 03, Not Canon Compliant, Pregnancy, Babyfic, Fluff, Domestic Fluff Summary:

After their honeymoon, Miranda surprises Max by buying them both breakfast.

don’t let anyone tell you that it’s a bad thing to feel things deeply. a full heart is a strong heart and being soft doesn’t make you weak. being soft and loving makes you radiant. you deserve all of the love in the world and so many good things.

Our Romeo and Juliet discover their balcony…

01x01 Rising

If Marvel movies were written by women

-Peggy Carter’s funeral would have been more than 3 minutes long.

-Tony Stark would have given a eulogy to Peggy, having grown up admiring her, his dad’s colleague of many years, a tremendously strong female role model (the woman who approved Pepper’s hire, of course).

-Steve Rogers would not have put the moves on Peggy’s niece within a day of burying Peggy.

-Black Widow would have gotten her own movie by now.

-A big part of Bucky’s backstory/flashbacks would have been told through Natasha’s viewpoint, her memories of either working with or against The Winter Soldier in Russia and the East. 

-Pepper Potts would have been in Civil War, speaking for herself.

-Wanda’s grief over her brother would still be very present.  Her feelings of loss and mourning would be front-and-center for her character.

-Black Panther’s woman bodyguard would have had more than one line. 

-Natasha would have told Steve that she was at Peggy’s funeral in part because she didn’t want him to be alone, but also in part to pay respects to the great Peggy Carter.

-There would be way more women in these movies.  There would be women of many ages, ethnicities, sexual orientations, and nationalities in these movies.  There would be many scenes of women talking to women.  There would be many more scenes of women talking.  And doing.  And feeling.  And being.