“Hyunjin Loves…. Felix.”

Aesthetics of grief

Wilhelm Kotarbiński (1848 – 1921) "Angel of Sadness", "The Grave of a Suicide"

Mikhail Nesterov (1862-1942) "Myrrh-bearing Women"

Pavel Ryzhenko (1970-2014) "Sergiy"/ Sergey Andiyaka (1958-2024) "New Year's Night"

Giuseppe Benetti (1825-1914) "Piaggio Tomb" / an epitaph on a tombstone / William Story (1819 - 1895) "The Weeping Angel"

an epitaph on a tombstone / a tombstone of Alfred Schnittke, a composer. The symbol 𝄐, fermata, means "to stop, to hold till the sound disappears", the long thick line in the music staff, semibreve, means "whole rest" and fff, forte fortissimo, means "super loud". So, since the creator of the music is no longer there, there is only an everlasting, deafeningly loud silence.

Horace Vernet (1789 - 1863) "Angel of Death"

It has thick vibes of Scandinavian films: nothing is said to you by words, but you understand it anyways and it hits you hard. The whole drama is amazing, but this scene is the best of the best.

She was woken up by the sound of something scattering and came to check.

I don`t know the cultural context of scattering salt and earth (?) but it obviously meant that their son is dead and what they just saw was his way to pay his last respect and to say "goodbye" to them from the other side. Powerful.

Enemies/Rivals to Lovers recipe

(with the mild version aka Pride and Prejudice and the tragic version aka Romeo and Juliet) Step 1: The main heroes are on the opposite sides of any scale (the grumpy one vs a cheerful one, a kind and stupid one vs a cunning and vile one, a demon vs a god, a master vs a servant, people of enemy states or absolutely different cultures etc.).

A cheerful and funny little bird demon-yao Qing Qing and a grumpy and stone-faced deity of Netherworld Xue Qianxun Step 2: They are forced to communicate with each other without a chance to avoid it (e.g. an arranged marriage, being trapped somewhere together, working as a mole in the enemy camp etc.).

Asura King Xuan Ye plays out damsel in distress to get undercover into Heavenly Realm and his future lover Ran Qing is the one who "rescues" him.

Step 3: One party get impressed by unique character features of other (e.g. the person is the only one who isn't terrified by other's scary reputation, the only one who treats other party well etc.).

Even kings and princes are in absolute terror seeing Gwi - an immortal all-powerful vampire, and only Hye Ryung hates him so much that dares to bicker, scold and deny him. Step 4: One of the parties takes the first step towards another and that melts another`s heart.

Even if Hou Ling Changjin hurt Princess Bao Zhu for her miraculous blood, she still cares for him and doesn`t hold a grudge.

"You are injured!"

Step 5: Here come mutual pining, UST and moral sufferings "what is more important: to fulfil the mission / to be accepted by the society / whatsoever or to love?"

Gong Shangjue doubts if he can indulge himself being gentle with the girl he likes if she is an assassin from the enemy clan.

Shangguan Qian adds Shangjue`s favorite flowers into her tea and thinks about her mission of taking him down.

Step 6: It`s time to confess the feelings.

Leader of a diabolic sect Li Chenlan comes to save his beloved who hated him and tried to kill him and promises her to be her sword and shield. So romantic!

Step 7: The parties try to solve the problem that keeps them apart. If the problem is internal (it has something to do with beliefs and prejudice of a person), here it will be solved and «happily ever after» begins.

Despite of his low social status Hao Du ventures to participate in the competition, wins the right to marry the princess (who he is in love with) and dares to be honest explaining that he did it not only in order to save her from a Barbarian prince but because he truly wants to be with her. Step 8: If the problem is external (there is a large-scale conflict and the parties are just some insignificant participants of it), one of the parties sacrifices themselves to solve the problem.

Before saving the world by the cost of his life Demon God Tantai Jin engraves his name on his own tombstone placed next to his beloved wife's one, so in the future she could mourn him in a suitable place.

Step 9: In a satisfying story there is a magical reward of party's brave deed, which is a happy end.

Demon Lord Dongfang Qingcang sacrificed himself in order to save the girl he loved and died but his girlfriend (who happens to be a Goddess with abilities to resurrect the dead) nurtured a piece of his primordial spirit for 500 years and brought him back to life. Side note: If you want to add some chili pepper into your story, you can break this scheme any step from Step 4 on: pining could be one-sided, UST could never ever be resolved, characters could prefer their goals to love or maybe death or other circumstances would do them apart against their will.

The Wolf and Ma Zhaixing finally got together but the cruel world couldn`t allow it to last anytime long.

Bon Appétit! Your Enemies to Lovers story is well-baked!

Also you can see: Asian dramas and Love tropes Asian dramas and my favorite types of characters Asian dramas and relationship dynamics (Pt. 1) Asian dramas and relationship dynamics (Pt. 2)

A wire-wrap of Two Trees of Valinor, Telperion and Laurelin.

Why are you always taking their side? Why can't I?

FANGS OF FORTUNE 大梦归离 — 2024, dir. Edward Guo, Luo Luo, Wei Nan

Mmm... Foodp((0))rn

Once I believed that everything and everyone drawn by me would dissapear from my life. But I am still here. Am I?

Withered and abandoned

Close-ups:

I wanted to honor Li Lun so much that I started drawing in digital. This is my first digital work (not bad for the first work, huh?). I have started it even before drama was over and finished it yesterday. The hommage to Li Lun/Zhao Yuanzhou is in two intertwined trunks of Li Lun's true form tree. My favorite part of the picture is the rattle drum, though.