How To Be A More Interesting Character Than The Main Hero (Pt.1)

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Happy B'day, Felix!

I agree with much of your critique on LBFAD. DFQC wasn't evil, he was tortured into being a weapon so I don't really get why he needed to suffer so much for redemption. I would have loved to see him use his newfound powers in the finale to demonstrate that he still remained the most powerful in three realms. Power of love so to speak.

I was annoyed by all the pointless suffering too. But perhaps DFQC needed to suffer and sacrifice to become worthy of glazefire? Like how he had to suffer to get hellfire in the first place? That's the only way I can stomach all the DFQC whump post ep 26. It serves no narrative purpose otherwise.

When I first watched the drama I was unhappy with the ending. I loved the early episodes and preferred badass, rational, logical DFQC over the version we got at the end. But then I realised that he wasn't invincible. That hellfire didn't really save him from imprisonment. Only Orchid could have saved and healed him so in a way his life was a gift given by her. That helped me to make peace with the ending.

Thank you for your comment, Nonnie! I think that you get the point of the meaning of the pointless sufferings as the way to get the power of a Hero. A Hero is not an usual person, so to get some unique abilities he needs to pay the highest price (that only hero can pay and is not availible for commoners). At the same time there is a certain pattern in european and american culture (in chinese it is not but LBDAF feels pretty western and is much suitable for american and european viewers) that a hero should be spotless and shining, and for those who missbehaved in the past (even if they admited their mistake and turned to the light side) there is no forgivness. Only atonement and death (or, in the very few situations, atonement only, but then a person should suffer A LOT and be at the brink of death (or die and ressurect later). For me Qingcang is fluffy and didn't deserve sufferings but in terms of heroism he was a bad guy at the beginning and should pay for that. It's an interesting conclusion about "his mighty power could not save him from dying 30 000 years ago". I didn't think about it in these terms but I also admired the beginning of the story which starts with saving a villain. Good attitudes go round and cause world saving, what a nice thought for a series!

Fu Ling and Chong Zhao: all in one. Part 2 of 2

But all good things come to an end, and the evil demon master (who tried to kill Chong Zhao off so many times, LOL) finds out that Chong Zhao is the shell of the Devil deity he wanted to resurrect all this time, so he accomplishes his mission, and resurrected Devil deity occupies Chong Zhao's body.

"The Deity is back, bitches!" I don't like that the former dweller of deity's shell in this drama is another person, not a part of deity's soul, because I'm against reproducing by budding while having genitals it cuts off deity's potential of broadening their mental horizons: while fusing their main soul with the "mortal" part of it, they could learn something that can be experienced only by mortals/humans. Although I find this plot decision strange, both in the main heroes' as well as in Mo Li's cases, I understand that otherwise it would be probably impossible to kill Mo Li the way he was killed: it would requite to study Mo Li's character and to remove focus from the main heroes to Mo Li's inner processes, and the luxury of it is affordable only for the main characters. The mechanics of interactions between Chong Zhao and Mo Li looks like the one of the different parts of the same consciousness, though. So, Mo Li is back. He regains control over his shell, and the first thing he sees when he wakes up is a lover of his "mortal" consciousness, lying unconscious on the floor. If I would be a deity, who absolutely doesn't care about the previous life of his "mortal" part of the soul, I would overstep her unconscious body and go further, but look what did this deity do:

Bridal carry [3], as a deity. He says that he didn't kill her because it would upset his future wife Bai Shuo (the main heroine, Fu Ling's mortal sister), but the truth is, he doesn't give a damn about Bai Shuo's unhappiness, Fu Ling doesn't matter in their "let's marry or I'll destroy the whole planet" thing. So, there is something else.

"He is still here, in the furthest corner of my mind. I know everything he knows". Btw, the Devil deity Mo Li is absolutely adorable (in a devilish way). He has nothing in common with Chong Zhao: he is charismatic in a way, infinitely bored with his unlimited power and full of crazy thoughts: for example, to kill everyone (but dude, why? you are the most powerful creature in the world anyways, no one is a threat to you!) or to have a forced wedding with a girl who doesn't like him (and, moreover, he doesn't like her either! What a crazy man!).

"You? Will kill me?"

The situation is desperate: Fu Ling is imprisoned in Mo Li's palace, her lover is a tiny part of Mo Li's consciousness now, and Mo Li himself is invincible to the killing attempts of mere humans/demons/whoever. Yet Fu Ling stupidly proceeds attacking him:

"Keep trying to kill me, I like it".

"Why wouldn't you kill immortals and humans for me, as you did it previously, when you were Fu Ling?"

It feels so painfully delicious: she knows her lover is gone, but, at the same time, he is somewhere there, inside of this ethereal, inhuman being. And the deity, in his turn, is slightly interested in her, not romantically, but still. If Mo Li and Chong Zhao were two parts of one consciousness, I would say it is the echoing of Mo Li's other self who loved her. Their feelings could be fused. A deity is too ethereal to fall in love with someone (Xing Yue laughs hysterically at this statement), but his mortal part isn't, so, when Chong Zhao would mingle into Mo Li's soul, he would bring this shade of unfamiliar for deities feelings with him, and it would look like this slightly different attitude towards her.

They look at the starry sky [2], Mo Li x Bai Xi version. "This purple moon won't protect any of them".

"Tomorrow it all will be over".

And now it's time for their story to be over. She was attracted to him since they had met each other for the first time as children, and he was touched by her attitude towards him, too. She wanted to keep him safe when they met each other anew, and he wanted to keep her safe, too. And later, as he became the Devil deity, he didn't plan to kill her either (can't say the same about her, but her attempts were hopeless and her goal was to free her lover's body from being possessed by the deity). But it happened that he did kill her. Unintentionally. She has shielded her sister from his spear with her own body and died.

The next scene is the most powerful moment of this drama for me. A heartless deity doesn't even understand at first what happened to him: a little piece of his consciousness takes over the body for a moment, fueled by the power of his grief over his deceased lover, and the deity starts crying:

And it is here where the destiny plays out: if Fu Ling would stay alive, no one could ever defeat Mo Li, because the only weapon that can kill him is the long lost Divine Bow of Xing Yue deity. And this bow is Fu Ling's soul.

This plot twist was so beautiful! It broke my heart, but, at the same time, left me highly in awe. I like it, when the only reason for a villain to get defeated is his own decisions. The unintentional killing of his lover that allowed his enemies to get the only effective weapon against him is truly marvelous plot decision. She could be the person, who would care about him the most, but became his death. Their fates were intertwined long ago, but it was still up to him: was it "destined to love" or "destined to kill" fate, - and he chose the latter.

The Divine Bow in use. To summarize: this story deserved to be the main plot line of some drama, and I see the potential of another ending for it if it would be the main plot line with more screen time for the last character arch. But alas, every main character in China should be bleached till they lose all their moral greyness and complexity, so I should accept my fate and proceed enjoying secondary characters, outliving their deaths, fixing their stories in my Mind Palace and not giving up on hope to see someday a good, heart-wrenching story again. Here is Part 1

It has thick vibes of Scandinavian films: nothing is said to you by words, but you understand it anyways and it hits you hard. The whole drama is amazing, but this scene is the best of the best.

She was woken up by the sound of something scattering and came to check.

I don`t know the cultural context of scattering salt and earth (?) but it obviously meant that their son is dead and what they just saw was his way to pay his last respect and to say "goodbye" to them from the other side. Powerful.

I love how here his subtle embarrassment is shown. Btw in the next ep his mom covers him with the cloak the same way. So he could recognize this gesture as some sign of affection.

Blossom 九重紫 (2024) Dir. Zeng Qing Jie – Ep. 8

BROTHER...WAKE UP...

E23 : My Journey to You | 云之羽 (2023) dir.Edward Guo

Because love no matter what overpowers death

"In this world people hate me, fear me, rely on me, admire me. But she is the only one that loves me. I`m full of thorns and only make her sad. I`m a jerk. But she is a fool, she knows I`m that bad but she makes excuse to forgive me and holds me tight even if it hurts." " Everything in the world is fate except love."

Meet Sima, a biblical Seraph. I proud of this handmade angel because everything from concept art and chose of materials to building was made by myself and the result is perfectly nice.