I Should Say That I Absolutely In Love With The Voice Of The Actor, Who Has Dubbed Wang Hedi In This

My tribute to "The Silmarillion", part 2. Embroidery of Silmarils and their fate. To the Sea One Silmaril was thrown by Maglor in the depths of sea because it had burnt his hands unbearable. You can see here the ocean waves, the star of the House of Fёanor, Maglor's hair, Maglor's hands burnt to the flesh and the Everlasting light of Silmaril in them.

To the Earth The other Silmaril was buried in the core of the Earth with it's host, Maedhros, because of the pain that jewel caused. You can see here the red wave of magma swallowing Maedhros, two white lilies as a symbol of his death, the star of the House of Fёanor, Maedhros' hair, his golden hand instead of missing one, the left hand burnt to the flesh and the Everlasting light of Silmaril shining through his fist.

Arda Envinyanta The third Silmaril is in the hands of his creator, Fёanor. It`s told that at the end of times he will resurrect and break his jewels by himself in order to return the Everlasting Light to Arda Healed. You can see here some blooming flowers of Arda Healed, the star of the House of Fёanor, Fёanor's hair with the flower hairpin (each flower of which represents one of his seven sons), his hands adorned with rings and the Everlasting light of Silmaril above them.

For more entourage photos and close-ups you can visit my AO3:

How to fight your doom (Pt.1)

Episodes 1-7 I LOVE how this story starts (because the beginning circles up with the end like Ouroboros)! The Girl breaks the Heavenly rules to save her beloved one and changes his fate, so he wouldn`t die from Devil`s shattered primordial spirit attack. Because of that she falls right into the arms (and onto the lips) of the Worst Monster in Three Realms. And CURES him.

She gathers his shattered in 7 pieces soul (it`s very Chinese thing, I often see in novels that immortal beings have 7 souls and 9 spirits or something like that), puts it back into his body and heals even those injuries that were caused by his father long before his "death". This beginning feels right. Their journey starts with curing and IS about curing each other in different ways.

Devil is allpowerful and fearsome but also feral and broken, so the only way for him to accept his chance to be cured is to put him into the situation when he is forced to behave in another, unfamiliar way. So there is a curse that helps him to understand feelings that he`s gonna be able to feel for the first time in 38 thousand years and prevents him from his standart way to solve problems (such as to kill the girl).

(Btw I LOVE how this show is accurate to the details: if she is injured, the same bruises we can see the whole day on her as on him.)

Forced to take care of Girl`s safety and mood, he (with the great killing intent) learns how to do nice things to others and to be empathic.

But he is not thrown out into the endless sea of feelings without lifebelt, Girl guides him, explains to him what`s going on with him (and he can`t even kill her for that, LOL). And some feelings he needs to learn by his own. (Later we will see that he is an exellent student and embraces his ability to feel and to love fully).

I like how entangled the most part of their relationship look like: he is forced to do nice things to Girl and in process starts to ask himself, why does she feel what she feels and why does he feel something about it. Why does he care if she is happy not to see him again ever in her life? Why does she blush when she speaks about her dream beloved? Why does she drink his flower soup when it tastes awful? We can see even tiny green sprouts of jelousy start to grow in his heart little by little (it`s not so much about romance, but about his warrior`s fame at first). Only by force he could begin to think about it and the curse helps him with that a lot.

On the other hand, Girl is very naïve, she doesn`t understand that Devil is Devil indeed and that he forced to be nice to her, so she supposes that he really likes her. Her soul is injured too: she has been bullied by other fairies, she lives all alone, no one takes her words seriosly, she is quite ordinary, quite invisible. And Devil gives her (against his will at first) opportunity to feel how it is when someone cares. It could be wicked cheating of fate if Devil would not be so fluffy and soft in his soul. But he is. Episode 8 Episodes 9-13 Episodes 13-19 Episodes 20-26 Episodes 27-34

Li Xiang Yi and Di Fei Sheng being each other's nemesis: a brief summary.

How to be a more interesting character than the Main Hero (Pt.3)

Shangjue and his didi (pt.2/2)

Yuanzhi wants to save Shangjue from any kind of pain so badly, and not only because he feels guilt for brother's loss, but also because he is able to see brother's true personality: Shangjue is an invisible root of Gong tree.

When an assassin and didi have a conversation in the final part of the drama, she says that there are people, in front of whom Shangjue could be vulnerable, but Yanzhi smirks and says that the Martial World won`t allow it. And it happens to be true: he knows that Shangjue’s fiancée is an assassin and he knows that, no matter how much Shangjue is into her, she would not hesitate to kill him if she had a chance, so Shangjue`s soft spot for something (such as a woman he likes) would be his doom. But he needs to look invincible, because the whole clan counts on him and relies on him.

Because Shangjue is a root of Gong clan, everyone sees only thriving and green branches and beautiful flowers (which are wealth, power and secure of Gong clan), but no one sees that it wouldn`t be possible without a root, strong yet hidden under the soil (aka one hardworking man).

I often find the fate of Shangjue's type of heroes very unfair: a person unnoted takes care of everyone and is rewarded at the end only with sufferings and death. But this story is different, because Shangjue has got his didi, who doesn't care about world but eagerly takes care of him while he takes care of anything else. This scene was the second one during the drama that upset me a lot. I spoiled myself some shots of Yuanzhi crying over brother's body and I was sure he would die because he isn't fluffy and spotless enough to stay alive in Chinese drama. Fortunately, he didn't:

It works vice versa, too:

Yuanzhi is, I suppose, coded as someone like Asperger: he is kinda genius, he preferred insects and plants to people as he was a child, he couldn`t understand why people cry and felt uncomfortable with someone`s touching (he slipped out of Shangjue’s grip when Shangjue took his hand). And Shangjue did a great job socializing him.

Being an adolescent, Shangjue hadn`t problems with feeling expression. Things Shangjue taught his didi in a flashback are the opposite to those the Main Hero’s mum taught MH and to those Shangjue believes now. Shangjue told Yuanzhi that a man should cry because in that case someone would understand one's woe and this sympathizing could help to recuperate one's soul, but now he never cries in front of someone. However, Yuanzhi learned his lesson well and isn`t embarrassed to express his feelings freely.

I found this scene very weird (if not taking into account that the flower is obviously a red herring): the Main Hero and Shangjue both fancy girls, while didi fancies a magic flower. But later, as I finished the drama, I understood: didi fancies Shangjue the most. The unique and almost extinct flower isn`t some treasure for him, it matters only that this flower can save Shangjue`s life and increase his inner powers. The previous one was taken away from Shangjue, and Shangjue allowed it to happen, because his needs didn`t matter to him compared to prosperity of his clan. (Later, as we know, it was spent in vain by a villain, which made me feel terribly sorry for Shangjue). But his didi values him enough to try to take care of him once more (and for this time he has planted more than one, in order something would end up in Shangjue’s hands even if clansmen would need this flower, too. How smart of his!). And I like that his love is not in vain – Shangjue loves him, too, and believes him in any situation, and that warms my heart. I love their relationship a lot.

And the most vivid feeling that he freely demonstrates is a jealousy towards Shangjue’s fiancée (btw, I like that Shangjue understands it and pardons his tantrums):

"Go ahead, tell me what's on your mind." *opens his mouth to start talking* "Well, rather don`t. I can see it on your face." *smiles*

So, in the part 4 I will talk about Shangjue and her. Shangjue. Introduction Shangjue and his didi, Pt. 1 Shangjue and his fiancee

"Song Mo." "Since you knew my name, you would know how many corrupt officials and pirates I've interrogated. You could fake it to a certain extent because you know a little about those in the palace. But when it comes to finer details, your uneasiness gives you away."

Li Lun, a villain I feel for (Pt. 3/4)

While no one remembers of Li Lun anymore, he is still here. His body is destroyed but he can possess other people, so he secretly possesses a little traitor from the main heroes’ camp. Little Traitor is ½ wood, so his body suits LL well (LL is a sophora, after all).

He dramatically reveals himself as Li Lun to the main heroes and says that he can destroy Little Traitor’s soul wholly and make this body his forever, but he doesn’t do it. If we think of it not as of another script flaw, he needs this body not to live happily ever after in his new healthy shell far far away from any dull exes, but to talk to ZYZ!

Poor Ao Ying, I like her, too! She is LL's mirror: death is the price of loyalty and not having your own private life.

He is hurt and angry, so he vents his anger on ZYZ’s new boyfriend (His behavior here is realistic!). The fight looks very raw and feral, and you can see LL’s feelings seeping through it.

He doesn’t really need to keep ZYZ’s boyfriend alive. You may say that ZYZ’s boyfriend is the only one who can kill ZYZ with his magical sword, and LL wants ZYZ dead, but he obviously doesn’t: he breaks the magical sword of ZYZ’s boyfriend by himself and doesn’t want it to be restored, in order to not to be expelled from Little Traitor’s body. What is the best way to leave that sword not restored ever again? Yeah, right, to kill its owner! LL has an opportunity, a lot of them, during this fight, but he wants to humiliate ZYZ’s boyfriend, not to kill him.

It’s very important for LL that other people can see his true self, so he lends Truth Eye to almost everyone except for ZYZ. Because ZYZ promised LL to see his heart with his own heart.

But the triumph of LL’s pettiness is short: the main heroes gather together to tell LL that he is stupid because he helped the killer of those dungeon demons with his own hands.

LL goes to dungeons to kill Big Bad in Mask, but the guy says that LL’s current body is poisoned and he will die if Big Bad in Mask dies. How Little Traitor’s body’s death relates to Big Bad in Mask’s death I don’t understand even now. But LL leaves his attempts to kill Big Bad in Mask, which is strange, and focuses fully on attempts to leave Little Traitor’s body for himself, although it’s dying from poison and of no much use anymore. OK, the main heroes don’t give a flying heck about Big Bad in Mask, his zombies and demon tortures, but LL? (But at least he tried to kill him, unlike ZYZ, who wholeheartedly didn’t give a damn).

Why wouldn’t he possess any other healthy body that could contain his fierce spirit? Maybe possessing this very boy is his twisted attempt to be a part of ZYZ’s life as far as he doesn’t understand what’s the difference between him and new ZYZ’s friends and why can’t he be a part of ZYZ’s life anymore. It’s pathetic, yet still understandable.

He tries to put the crimp into the main heroes’ attempts to restore the sword because he doesn’t want to lose Little Traitor’s body and die, but, at the same time, he actually helps ZYZ’s boyfriend to stay alive without the sword (there was so many variants whose inner core could be given to ZYZ's boyfriend for that...).

And then this dialog happens:

I was in such a GREAT PAIN. The worse of their conversations ever. ZYZ tells the person who was his boyfriend and was killed by him twice that he will kill him for the third time to save people he knows a couple of millenias less than him. And when LL brings on for the last time the topic of what’s the difference between him and them, ZYZ says that he is the only reason of everything what happened to him. It’s such a hypocrisy! Yes, LL should leave the body that isn’t his, it’s right thing to do, but ZYZ knows the way how to keep him alive if he does it! Yet he doesn’t say a word about it. Moreover, he is the main reason why LL doesn’t have his own body anymore. Yet he prefers to say something like “only your voluntary death can atone your sins, anyone’s life is more precious that yours”, which hurts af considering their previous relationship and the way ZYZ cut LL out of his life.

Meanwhile, the current ZYZ’s boyfriend, who used to be a demon hunter and killed demons, turns himself into one.

His ancestor was an ancient water dragon demon, so when his demon blood takes over him, he goes to sleep onto the bottom of the pool in his residence.

Now, as ZYZ's boyfriend became a demon, people who praised him when he was a demon hunter start hating him for his new race. LL comes to him after him being humiliated by humans he used to protect and asks him his question for the last time.

And this conversation is strange af. LL asks if ZYZ’s boyfriend feels anger because he was unfairly accused of crimes and beaten just because he is of other species now (read as: does he feel like LL felt when that dungeon situation happened), and ZYZ’s boyfriend answers that he chooses not to hold a grudge against humans, and his superior attitude will destroy such an evil and hopeless thing as LL is. And throws humiliated LL into the puddle of mud.

It supposes to be a turning point after which LL understands all his wrongs and moves towards his redemption-through-death arch, but in fact it doesn’t work! When I saw it for the first time, I had a gut feeling that something is wrong here, somethings doesn’t work for me. Then I rewatched it to write this post and finally found out what is exactly wrong.

Originally, I thought that it doesn’t work because GJM takes two topics for redemption development and fails to work with them as far as they are intertwined and interfere with each other, but now I see that there is no redemption development topics at all! Let me explain.

Redemption should be driven not by external circumstances, but by inner processes inside a character with the help of external circumstances. For example, if the main problem of LL’s character were his prejudice against humans, his redemption arch could start like this: LL meets a human who is honest and treats demons nice, maybe does something selfless for LL (does all this stuff that LL thought impossible for humans); LL sees it, proceeds it inside himself and changes his mind. Or, if the main problem of LL were his obsession with ZYZ… Oh, it’s harder than the previous one. LL could release his obsession with ZYZ if ZYZ had an understandable reason why he ghosted LL (he, obviously, hasn’t) and they would talk about this reason in a proper way. Or if there were a reason why he is so obsessed with ZYZ, and some another person would show him that it’s possible to cover his needs without ZYZ (but it’s not a topic of a villain character development in a xianxia drama at all, as far as it’s used for the most part in modern romantic stories).

But here LL looks like an abuser’s wife: he literally asks new ZYZ’s boyfriend why ZYZ dumped him, and ZYZ’s boyfriend answers that LL was a bad wife and didn’t behave as ZYZ pleased. Does LL understand what exactly was wrong with his attitude towards humans? No, not at all. The only thing he understands now is that he needs to behave as ZYZ pleases if he wants his boyfriend back. He didn’t change his believes after this conversation. He didn’t overcome his obsession neither (otherwise, why would this absolutely stupid conversation work on him?). Because you can’t bring someone towards redemption by constantly humiliating him and gaslighting him into believing that he is all alone. He isn’t! He has got all the demons of Great Wilderness, he has got Ao Ying, he has got plenty of demons who share his believes. It’s just that he unhealthy obsessed with a guy who doesn’t care about him and can’t see any other good things around him.

Throughout all this scene I expected there to be some gesture of empathy from ZYZ’s boyfriend (because see the first redemption scheme I described), but it never happened. Li Lun also waits for something like that, as we can see in this scene with Ao Ying and an umbrella. The main heroes constantly talk about importance of patience and kindness towards those who don’t deserve it but never show it to LL with their own example.

LL is upset that this gesture of kindness (an umbrella) isn't from any of ZYZ’s squad, and here I feel sad for Ao Ying, too, because she is obsessed with serving LL the same way LL is obsessed with ZYZ, and an obsessed person has no value in the eyes of the object of their obsession. Just like in real life. Sad but true.

The only thing that changes in LL’s character during the story is his stage of acceptance.

Here is Part 1 Here is Part 2 Here is Part 4

Mmm... Foodp((0))rn

I agree with much of your critique on LBFAD. DFQC wasn't evil, he was tortured into being a weapon so I don't really get why he needed to suffer so much for redemption. I would have loved to see him use his newfound powers in the finale to demonstrate that he still remained the most powerful in three realms. Power of love so to speak.

I was annoyed by all the pointless suffering too. But perhaps DFQC needed to suffer and sacrifice to become worthy of glazefire? Like how he had to suffer to get hellfire in the first place? That's the only way I can stomach all the DFQC whump post ep 26. It serves no narrative purpose otherwise.

When I first watched the drama I was unhappy with the ending. I loved the early episodes and preferred badass, rational, logical DFQC over the version we got at the end. But then I realised that he wasn't invincible. That hellfire didn't really save him from imprisonment. Only Orchid could have saved and healed him so in a way his life was a gift given by her. That helped me to make peace with the ending.

Thank you for your comment, Nonnie! I think that you get the point of the meaning of the pointless sufferings as the way to get the power of a Hero. A Hero is not an usual person, so to get some unique abilities he needs to pay the highest price (that only hero can pay and is not availible for commoners). At the same time there is a certain pattern in european and american culture (in chinese it is not but LBDAF feels pretty western and is much suitable for american and european viewers) that a hero should be spotless and shining, and for those who missbehaved in the past (even if they admited their mistake and turned to the light side) there is no forgivness. Only atonement and death (or, in the very few situations, atonement only, but then a person should suffer A LOT and be at the brink of death (or die and ressurect later). For me Qingcang is fluffy and didn't deserve sufferings but in terms of heroism he was a bad guy at the beginning and should pay for that. It's an interesting conclusion about "his mighty power could not save him from dying 30 000 years ago". I didn't think about it in these terms but I also admired the beginning of the story which starts with saving a villain. Good attitudes go round and cause world saving, what a nice thought for a series!

Living & Dead Whose 墓碑 is there?

Recent visually beautiful and generally watchable Russian fantasy movies

(because I start forgetting they exist at all) Ironically, all of them are adaptations of books/comics.

I Am Dragon / Он — дракон (2015) This movie is a very free adaptation of the novel "The Rite" / "Ритуал" by Maryna and Serhiy Dyachenko (Марина и Сергей Дяченко). It's a reinterpreting of an ancient tale about a maiden, a hero and a dragon. I don`t like the novel because it's very postmodern, wracks the typical fairytale plot and hurts my escapist feelings by ugly reality, but the movie is pretty fairytale-ish and nice. Firstly, it is visually beautiful and represent Slavic pseudo-medieval lore the way it should have always been in Slavic fantasy.

Secondly, as a love story between a monster and a maiden, it has got A PLENTY of tropes I'm usually looking for in Chinese dramas, so I understand very well why it was pretty popular in Asia.

Thirdly, when I said it's visually beautiful I wasn't joking. The main hero is played not by an actor, but by a male model, who is shirtless all the time (and sometimes pantless) and has a very fit and good-looking body. It's something unbelievable that someone in Russia made a movie to please women's eyes! Really, it's insane!

The folk-rock band Мельница wrote an insanely beautiful song "Обряд" (The Rite) for this movie (more matched to the book plot, though), but it was never used as OST, which is a shame. The song is about a black sheep girl, who is denied by society and asks a dragon to come for her and to take her away, because the dragon is denied by this world just like her. You can listen to it here. The band also has a song "Змей" (The Wyrm) (based on Lev Gumilev's poem), which is more accurate to the plot of the movie: the wyrm kidnaps maidens to make them its wives, but they are all dying during the flight; at the end of the song a hero-knight is ready to shoot it in order to stop it. Listen to it here.

It ends with HE, which is better than the book's obscure ending, so it is pleasure for me to rewatch it till these days.

Major Grom: Plague Doctor / Майор Гром: Чумной Доктор (2021)

It is an adaptation of Russian comic series "Major Grom" by Bubble comics. I am traditionally not very happy with the source material, but it is very good reworked to be the screen play of this movie.

It's very beautifully made in terms of director's, cameraman's and screenwriter's work, which is a rare thing for Russian movies. Also, the actors are young and handsome, especially the villain, which is a rare thing not only for Russian movies, but for the current Western movies, too. It has got a lot of allusions to Russian reality and a lot of beautiful views of Saint Petersburg, the second capital of Russia and one of the most beautiful Russian cities. And it has got some unusual visual solutions that turn it into a comic it should be.

The plot revolves around a mysterious serial killer (kinda bad Batman), a black sheep police officer and Russian Mark Zuckerberg (kind of). Mark Zuckerberg is the best guy of this movie and I like him a lot! Серёёёёжа! 🧡🧡🧡

This movie wasn't popular in Russia because of political situation in the country by the moment of its release (the both sides found out in there something insulting for them and banned it), but even if it has something like that, I honestly didn't pay attention to it. It's just a nice blockbuster with a tragic and handsome villain. The villain also has got his own BL-drama (in the comics they are really lovers, it`s as obvious as it could be shown in a Russian comic).

By the way, the villain is hot, insane, ruthless, sensitive and suffering. How does he contain all of this character treats in one personality? you may ask. He doesn`t. He has dissociative identity disorder, I would answer.

I don`t know if it works by now, but some time ago you could watch this lovely movie on Netflix.

The Master and Margarita / Мастер и Маргарита (2024) This is a loose adaptation of Russian classical novel "The Master and Margarita" by Mikhail Bulgakov. I genuinely hate this book, but the adaptation reinterprets it, divides it into very interesting layers and makes it understandable and beautiful.

It`s layered, so it will probably be hard to understand what layer are we currently on if you are not familiar with the original story. The first layer is an ugly Soviet reality, the second layer is a plot of the novel that the main hero is writing, a story within a story. The third layer is the insane intertwining of the first two layers. On the reality layer the Master loses his job and freedom because of friend's denunciation and becomes star-crossed lovers with a married woman. On the novel level he meets devil, who visits Moscow by chance, and the devil gives him and his woman opportunity to live their lives being free from everything that usually tortures people IRL. Somewhere among those layers is a little plot about Jesus and Pontius Pilate.

The movie is visually beautiful. Although it feels pretty anti-Soviet, Soviet visuals of the movie are gorgeous. There were used the Stalin-times concepts of Moscow of the Future, the CGI buildings in frame came from the real architecture projects of those times. The Stalin Empire architecture style and views are typical for Moscow (but as I know, ironically, this all was shot in Saint Petersburg). It seems to me that this movie is heavily stuffed with visual allusions to the Western works: devil's escort looks like bunch of Pennywises, Margarita is Enchantress from Suicide Squad I, the scene of blood dripping is from Blade I etc. Usually, when I see it in Russian movies, it feels like plagiarism because I can recognize the reference but there is nothing except for these references . But here we have got the plot, so the allusions work as allusions and don`t irritate me.

The movie is dark, disturbing, uncomfortable. It really makes you feel as if you watch devil and his escort marching around you; they ravage, kill and destroy everything and you can only breathlessly, helplessly and in fear watch them. The German actor playing devil is insanely good. He stole the movie and I understand why it should have been named Woland (the devil's name) instead of the current movie's name. You may want to watch it, because it's very unusual in terms of plot and visuals experience, especially when you are not familiar with the book.