Anon, if you see this, I mainly write kaitlyn content so there is a ton of content in my archives if you are interested.
From the six fanfic writers you sent me only two are kaitlyn stans.... and two are not writing kaitlyn fanfic accept mabey one they wrote (i don't mean to hate on any of them i am sure they are all amazing) but this is kinna sad to see how little kaitlyn fanfics and content there is out there đđđ
IâM SORRY đđđ˘. There arenât many kaitlyn stan who write (from what Iâve seen). I wish we had more tho, Kaitlyn deserves love too đ˘đ
â˘everyone starts small. just because youâre not big now, doesnât mean youâll never be. and if youâre just starting out, keep in mind those bigger blogs have been writing for much longer than you. building a following takes time.Â
â˘there will always be someone who enjoys your writing. every like, reblog, and comment is one person who enjoyed what you wrote and i can assure you they want more! and remember, not everyone remembers to leave evidence that they liked your writing or they might just be too nervous to interact with you. invisible fans exist, and youâve got them.
â˘going along with that last one, your writing has the potential to help others! you could write about a minority, or maybe you could publish a little something comforting at the exact time someone else needs it. and most of the time, when you affect someone like this theyâll tell you, whether it be through tags, or a private message or whatever. thatâs an amazing feeling.
â˘getting a compliment from someone becomes a sure-fire way to make your day better. nothing feels greater than seeing a comment from someone saying how much they love something you worked hard on. maybe write down these comments somewhere, so you can look at them when youâre feeling negative about your skills as a writer. Â
â˘writerâs block is not the end of your writing career. it sure feels like it sometimes, but everyone, even the popular writers you look up to, suffer from writerâs block. everyone puts out work theyâre not 100% satisfied with sometimes, and thatâs okay! when you get out of this slump, your writing will be better than ever before and youâll enjoy it again. keep writing through a block so you can get there sooner.
These are the things I think about when I feel bad about my writing, so I hope they can help someone else too.
Sorry for the long post! (And low quality pics? Why tumblr?)
Easy answer for number one. The freshman, book two, chapter one is one of a my absolute favourites. It has specifically two scenes with Kaitlyn and Emily that I have always enjoyed. The first being Kaitlyn meeting the mom and their walk back to the dorm and the diamond scene at the winter festival.
What I love about them are that they are simple innocent moments in their relationship. Not a care in the world. They are just enjoying their time with each other. From kaitlyn running up and twirling Emily in the air to their silly snowball fight and kissing in the snow.
They are the moments that we do not get to see anymore. They still happen of course, but we have come to to a point in the narrative where it is simply commonplace and therefore unnecessary to keep mentioning. If anything it would become stale and too repetitive to the reader.
Anyway, the scenes are a little bit of fluff that you can go read in the first chaoter that personally warms my heart and influences my fanfics of the two. They are a raw look into how the two act.
1.) Whatâs your favorite Kaitlyn chapter/scene?
2.) 3 things you love about kaitlyn and why?
I wanna know hahađđ
Too, many, commas,,,Â
Is this ooc??Â
I used that word alreadyÂ
Do people even blush this much??Â
*squints* Is that canon?
Tropes
 *cries while writing death scene*Â
Wait what happened last chapter?Â
I wrote like a thousan- 354 words!?Â
*googles the lifespan of a tropical fish*Â
have I spelt his name wrong all this time?Â
Would they say that tho?Â
Changes plot 539932 timesÂ
Loses inspiration, goes back to tumblr
I knew this would turn out absolutely amazing, but It is even more amazing then I could have imagined. This is so beautiful! I love this piece so much! đ
Estela is easily my favourite choices character so I might be a bit biased, but this is one of my favourite pieces of fanart yet. Our girl Estela definitely deserved this fine and gorgeous treatment.
So Iâve finished the fan art of Estela (finally!)
The Bird-foots-trefoil symbolizes revenge (since she wanted revenge for her mothers death), and the olive branches symbolize peace (that she made with herself and her past, at the end of book 2 and beginning of book 3).
The Star constellation in the background is Draco, her hadean zodiac (which is also the amulet on the ⌠necklace (head-lace ?) )
Anyways, I hope you enjoy the drawing ^^
âWith the objective point of view, the writer tells what happens without stating more than can be inferred from the storyâs action and dialogue. The narrator never discloses anything about what the characters think or feel, remaining a detached observer.â
Pros
Adds a potentially useful suspense to the events of the story, as the reader cannot predict as easily what will happen next based on the charactersâ internal thoughts.
More direct with the events and description of elements of the story, such as setting and the rate at which time passes in the story, which can be muddled in stories in points of view like third person, where these details can be overshadowed by descriptions of thoughts, feelings, backstory, etc.
Descriptions can come across more fluidly and make the actual images and scenes visualize more easily in the readers head. It is the closest point of view to a movie, as films donât typically focus on what the audience is explicitly being told, but what they see and what they can deduce from the images in front of them.
Cons
This point of view can be more difficult to relate to as readers, due to the story being told and described in a more detached way, rather than being pulled into the story in a way that makes them feel like a character themselves.
You have to really utilize subtext and context with this perspective. You canât convey the storyâs tone through any of the charactersâ thoughts or feelings, so you have to rely completely on the pure course of events to tell the story and grip the reader emotionally.
This makes it really hard to connect to the characters and understand their motivations unless the reader is looking really deep into the context and reading between the lines.
âHere the narrator does not participate in the action of the story as one of the characters, but lets us know exactly how the characters feel. We learn about the characters through this outside voice.â
Pros
This is pretty much exactly like first person narration, but with different pronouns. Instead of âI walked to the storeâ itâs âhe walked to the storeâ and eliminates the readerâs potential skepticism of the narratorâs reliability while still telling the story in the same words.
You have the potential to divulge more about what other characters are thinking or doing at any point in time because youâre not technically limited to one character.
Itâs a pleasing way of telling a story. It doesnât take too much analysis for the reader to imagine how the perspective could be tainted by emotion in some way. It doesnât require too much brain power to read. It flows nicely.
Cons
This isnât as much a con as it is a warning. Your characters need to be rounded and diverse if youâre going to write a story in third person. If they all share the same characteristics and motivations and emotions, your story will fall flat super fast.
Third person has a viewpoint character, typically. If you want to be able to tell whatever you want about whomever you want, then you need an omniscient point of view. Third person usually focuses on a main character and occasionally shares about other characters when it serves the story.
âSecond person is a point of view (how a story is told) where the narrator tells the story to another character using the word âyou.â The author could be talking to the audience, which we could tell by the use of 'you,â 'youâre,â and 'your.'â
Pros
Your reader feels what you write so much more intensely, because youâre referring to them specifically. Itâs a reader insert point of view. Youâre speaking directly to them.Â
Action and romance are really good genres for this, I imagine, because those are stories where readers often put themselves in the place of the protagonist anyway, so second person would amplify that to your advantage.
There works so well when itâs done correctly, and if you take the time to practice with it and master the pacing and what really makes a reader tick in second person point of view, it will grab that reader and pull them very, very quickly.
Cons
You usually have to be really really vague about descriptions. If your reader doesnât have blonde hair and hazel eyes, but your character does, this will really put a damper on their experience because every time you describe how their blonde hair blows in the wind, theyâll detach from the story.
Sometimes your reader may feel confused because second person is a very hard point of view to read about at first. It takes some time to get used to. A lot of fanfiction (mainly reader-insert) is second person point of view and Iâll be the (not) first to say that it took so time to adjust to, at least for me.
âIn the first person point of view, the narrator does participate in the action of the story. When reading stories in the first person, we need to realize that what the narrator is recounting might not be the objective truth. We should question the trustworthiness of the accounting.â
Pros
Is not limited to the point of view of the main character, as displayed in books such as The Great Gatsby by F. Scott Fitzgerald.
A certain connection between the reader and the character can create a sense of authenticity and intimacy between the reader and the story as a whole.
The themes and motives behind the story can become easier to decode, as they are disclosed in a more clear and direct manner.
The character can be easier to understand and relate to, as everything is being told by them, with their bias and interpretation included.
It puts the reader inside of the story rather than having them watch from the outside. The intimate details and description can make put them in a position to experience the story from inside and therefore make the story mirror their reality in a way.
Cons
It may become difficult for the reader to differentiate who is speaking to them in the story, as many sentences will begin with âIâ or âweâ and create a repetitive narration and lose the reader alone the way.
The reader may become bored with hearing the story from only oneâs perspective. The style in which the story is told {the adjectives, the themes, the personality} may not vary enough to keep them entertained.Â
Imagery can be difficult to pull off in this point of view because the writer may get into the habit of telling the reader what is happening instead of showing them through smooth interjections of descriptive vocabulary.Â
The writer may experience a dependence on dialogue to try to compensate for lack of description of events, and the reader may lose track of story details that may become imperative to events later in the scene/story.
This makes it a lot easier to pull an âunreliable narratorâ, as first person is only the perspective of a person, rather than the story told from a purely factual position.
âA narrator who knows everything about all the characters is all knowing, or omniscient. A narrator whose knowledge is limited to one character, either major or minor, has a limited omniscient point of view.â
Pros
This makes it really easy to include details about many characters that you wouldnât be able to from the perspective of a single person.
You are writing as yourself. You are the author, you have all the information to give the reader, and you get to give it in the least convoluted way you could ever desire, and in your own words. In any other point of view, you are pretending to be somebody else, even in third person, so this allows you to really demonstrate your unique voice as a writer and express your own style.
You can write fast paced scenes without the reader questioning what an individual character is feeling all the time. You can slip in whatever information you want at whatever point you wish and it just sounds natural to the reader.
Cons
Plot twists are ten times more difficult because thereâs no reason why anything would be a surprise. Your reader technically has access to all information and foreshadowing required to predict what will happen next, so if youâre planning a big surprise, prepare for a challenge delivering it.
Keeping the focus on one subject is more important when youâre writing for younger, less experienced readers. You have to have a protagonist and a linear story for them to follow, which can be tricky with omniscient point of view. Itâs important to keep your audience in mind if youâre going to choose any point of view, but especially this one.
These pros and cons are subjective, depending on what you are intending to convey in your story. Please consider this with a grain of salt and take the detail and unique qualities of your own work into account when using this resource. Not all pros and cons in this piece will apply the same to every story, and that is something to keep in mind. I hope this will be useful to you all. Cheers!Â
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Okay, now I want to try writing more. đ
I think it's your turn to post your drunk writing đ
đđ fine, Iâll hop on the bandwagon! Look for it tonight sometime! đ¨
Me: -stares into the void-
The Void: write the next fucking chapter of your fanfic.
Sofia. She/her. Writer, thinker, listener, trans woman, and supporter of the Oxford Comma.
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