Retreat

tome is immediately convinced she is responsible for an oncoming alien invasion due to how they could immediately sense she was gay or something

Saint pearl wall paper!

Con artist

Bwah

School doodles

Me too Ritsu. Me too.

a labor of love about milk. there are other things too i guess

On learning to feel.

i would like to talk abt how yuzuru tachikawa went OFF in storyboarding/directing the separation arc w/ the use of natural and artificial light on reigen.

we only see his face w natural light before opening s&s

and then after his fallout with mob, it’s only behind him.

his face becomes illuminated by only his laptop in his apartment

also after mob leaves him, the blinds in the office are closed compared to when he first started. this is the window that originally showed him the light. he is subconsciously shutting out that dream of “being somebody”

more under cut!!

the only exception to this rule is his convo w/ ekubo, who is the character he can be the most honest to.

when we get to the bar scene, it’s nighttime, so there’s ONLY artificial light. it’s framed similar to him looking out the s&s window, which was the last time he was able to live w/o the fake “psychic” title. except now, it’s lit blue instead of warmly.

he wants the same thing, but the second time is leading him to a path of self destruction: like a moth to a flame.

when we get to the Cancellation, he’s under studio lights and, later, camera flashes. the lights are brighter but his shadows are harsher. he’s being seen but in the worst way possible.

lastly, you’d expect sunlight to be on his face when mob tells him he’s a good person, but it stays in the shadows because reigen doesnt Say it. he hasnt Told mob hes a fraud. you can see the shadows creep into his face when he lifts his face. the good part of him is acknowledged