If Arya didn’t know how to read and write, it would be a cause for concern. If the only barrier to her learning to write was not wanting to accept feedback and running out of the room every time someone gave her feedback on her alphabet, even the most ardent fan girl would concede that she was simply spoilt.
Guess what? It’s a preindustrial society, and sewing is as important as reading, and, no, marrying a wealthy guy will not save any woman from that.
Arya is literally refusing to learn a basic life skill and the only argument that her stans can come up with is that she’s basically too precious and special to have to learn.
That’s pathetic.
sam and dean being Known serial killers who have been on the fbi watchlist for a decade and have faked their deaths multiple times is actually very funny. I like to think literally everyone in town knows they're wanted by multiple US agencies but are like. they've evaded arrest so many times. do we really wanna anger the serial killers? no one in town has been killed let's not push it. and then the longer it goes on they begrudgingly start to like the winchesters because they tip well and are generally helpful around the community. plus their son is an absolute delight and everyone wants to figure out what's going on between dean and the weird trenchcoat guy who hangs around sometimes. like, they can't turn them into the cops before getting resolution on their relationship! the town has a betting pool! sam starts a community garden and dean jumps at the chance to help with odd jobs if he over hears people complaining about something when he's hanging out. they're politer than most of the normal locals.
you know how some towns are like 'oh yeah that's the house where the Witch lives'? everyone in lebanon is just like 'there's the nuclear fallout shelter where our local serial killers live ❤ they're pillars of this community ❤ snitch to the feds and the town will band together to eliminate you❤'
i will NEVER stop being emotional about how much cassian andor cares about people. like he’s ruthless, yes. down to murder. but he tells his mother to turn the heater on. he visits his friends in the middle of the night just to see them. he tries to keep ulaf from being punished when ulaf can’t be on program. he stays with him as he dies. he encourages kino to speak to the prisoners because he knows that’s kino’s strength. he lifts people and moves them along and tries to help as many people escape as he can. he notices something’s wrong with kino when everyone is escaping, and doesn’t get the chance to help. he is so stone cold and so compassionate. how does one man fit all that in his soul. tf
Still haven’t finished Blood, Sex and Royalty yet (planning on finishing it this Thursday) but one thing I do really enjoy about it is how the actors show moments of silliness/levity or just human moments of exasperation with their characters. Obviously this production has them act with modern mannerisms but there are ways of doing this more historically in character. I’m thinking Jeremy Irons as Robert Dudley groaning and resting his head on the table during a frustrating council meeting or his facial expression as he mocks the Duke of Anjou, or in The Virgin Queen when Elizabeth balls up a piece of parchment and playfully throws it at Robert’s head which triggers lightheared parchment fight between two old friends. It’s absolutely delightful.
I feel like sometimes period dramas get too caught up in making their characters super serious and in earnest all the time, especially if the characters are well known historical figures. But they were still humans too - they would have pulled faces, rolled their eyes, shared inside jokes with their friends and have moments of awkardness or bursts of emotions. They didn’t always have the perfect one-liner ready as a response. They were not cool and collected all the time, even if they were monarchs - and especially when they were not on display. I seriously doubt Elizabeth for example walked around in her private rooms, back straight and face impassive for example. Which is why when Cate Blanchett’s Elizabeth audibly sighs with relief and her shoulders slump forward after her heavy coronation mantle is taken off of her, or when she gets flustered and frustrated preparing for her first big speech to Parliament, it feels so wonderfully human.
Shows like Wolf Hall, The Tudors and even the Starz historical dramas I think sometimes lean too far into presenting themselves as “serious” historical dramas that they make their characters larger than life and forget the fact that they also were human beings.
Jason Todd has " Thomas and Martha Wayne stan" on his birth certificate, actually
as a finnish person, i hate everything that has something to do with sweden, but as a homosexual, young royals is one of the greatest shows i've ever seen
so weird that in young royals August is called to be backup man and told that he's second in line. Like he's Wilhelm's 2nd cousin, so they share great-grandparents. What happened to the family, like so that's skipping so many people actually. All of Wilhelm's first cousins, aunts/uncles have to be dead for that to happen!! Did Kristina's parents only have her? Possible sure, but royalty has been so intense about having more than one child with the whole heir and spare(s) thing.
When you're a famous rock star but you also live in Finland
When you're the president but you also live in Finland.
tiktokers who say classic lit is bad because its not relatable 1. thats not the fucking point 2. you've clearly never read twelfth night as a trans bisexual