Asking For Help Can Be Done At Any Time, And It Is Free. You Just Have To Let Yourself Accept It.

Phoenix presents such an enigma to me. He is incredibly messy, yet he obsessively cleans the toilet—hinting at a preoccupation with cleanliness but not really with neatness. He alternates between scathing snark and astounding empathy in his inner monologue. He has never bought lettuce but he doesn't think highly of eating fast food and instant noodles as the basis for one's diet. He's ridiculously openly sensitive and yet incredibly adept at bluffing. He stumbles his way through deductions until he has an epiphany that packs more genius reasoning in it than the braincells he lost bumbling earlier. He makes Greek mythology references in his head. He believes everyone can recognise bone china just by looking at it. He doesn't know what discombobulated means. He says 'eek!' when startled. He proudly states in court that even he could wear a maid outfit. He's even pedantic about the differences between ladders and stepladders.

*struggles while writing* i suck and writing is hard

*remembers some ppl use ai* i am a creative force. i am uncorrupted by theft and indolence. i am on a journey to excellence. it is my duty to keep taking joy in creating.

Takes a guy who's obsessed with saving people even if it risks his life and a guy who is literally allergic to asking for help in any situation and puts them in My stew puts them in my fucking stew and stirs it

Originally read your post like this

i bring a "they shouldnt have that wild animal in their house" sort of vibe to the conversation that enjoyers of cute animal videos dont really like

hey don't know if you knew this but op of that post you just reblogged is actually a kbity cat :/ yeah with paws. and pointy ears yeah

Thank you thank you and sharing

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

I've said that organizational dysfunction should be a villain more often, mostly because of my belief that we need stories that give us information about how to deal with the biggest actual problems we, as a society, face. It's just very hard to write a story about organizational dysfunction that includes actually beating the organizational dysfunction.

But there's one place where organizational dysfunction does have an opportunity to show its villainous nature: videogames. Specifically, management videogames, where making decisions about organizational goals and who to hire is already central to gameplay.

Now, the average "management" game is not really about management per se. Everything is hyper abstract, you have a god's eye view, and you have ultimate authority over everything that you do. You are still looking for weak links and problems to correct, but a lot of that is pathing issues (if the game has that) or restructuring physical space.

So a management game that's about organizational dysfunction would be one where you're the new boss, looking to right the ship, and it would need to be an opaque organization, one where you can't just look inside someone's mind and see the "takes credit for others' work" trait.

I guess when I put it like that, I'm imagining something that's more like a detective game, as you do interviews and comb through piles of documents. And it's not as simple as "fire the bad people", because often those people are pulling a lot of weight, that's one of the reasons they've stuck around for so long, and replacing them is genuinely a hit to the company's ability to do ... whatever it's trying to do.

(Definitely also possible to do this same thing set in a government agency, a non-profit, or any other organization, though the actual problems will look at least somewhere different.)

something something Memories

people don't talk enough about how fucking funny it is that bruce can sub in his kids as batman when he's too busy. like can you imagine it from the league's perspective? imagine you have this really mysterious, geniusly scary guy that you know next to nothing about, never cracks a smile and yet always comes out on top, and one day he shows up to a league meeting and there's just something... off. about him.

you can't pin it down because he's literally acting exactly the same as usual and there's no reason to think there's anything wrong, but maybe he shifted in his seat one to many times, or he looked just a tad bit too bored during green lantern's case review, but something's just... odd. so you quietly ask superman after the meeting if anything's up with the bat bcs you know those two are closer and also clark can hear heartbeats so if something's wrong surely he'll pick it up? and without hesitation he leans over to you and mumbles 'yeah batman was busy, that's his 17 yr old son. he's a crime lord and kills people sometimes though so we're not allowed to let him into the weapons department.' and then walks away like it's normal.

like the whiplash the league must go through every time they realise that no, this is not their fearless dark and brooding leader, this is in fact one of his dipshit kids being forced to sub in bcs the real batman broke an ankle, is incredible.

wonder woman: so that's my proposed plan, what are your thoughts batman?

batman: hn. i think that- *voice raising two octaves* oh shit hold on my phones buzzing

the league:

batman, answering the phone and immediately dropping the Bat Posture™: what do you mean- aw come on little wing that's not fair! but- no, NO DON'T YOU DARE TELL ALFRED I'LL BEAT THE SHIT OUT OF YOU- IM SORRY OK I'LL BUY YOU MORE- *catches sight of the league watching him, baffled* *stiffens* ok listen i promise to replace them but i gotta go, please show me mercy iloveyoubye *hangs up*

the league:

batman:

batman: *coughs awkwardly*

superman: *sighs*

batman, to superman: ...red hood found out i ate his chocolate pretzels-

superman, shaking his head: just... just stop.

the flash: so this isn't batman either, is it?

wonder woman: if this one's also a criminal im losing my mind.

superman, tiredly: no no, this one isn't a criminal. this one's actually a cop.

batman: *sinks down in his seat* b's gonna kill me

green lantern, mystified: where does he keep GETTING you all from!?

'batman' dick, who made a pact with jason to Always Fuck With Bruce Whenever The Opportunity Arises: batman is a whore.

they think they've finally sussed out all 2 of batman's kids and then one day during a meeting 'batman' ends up on a 30 minute rant about different hacking methods this tech villain could be using that results in him half way through a sentence breaking off to say '-oh uncle clark could you pass me that pen- thanks, anyway so-' and then five minutes after that when the league have all been exchanging incredulous looks he finally freezes and is like. SHIT.

wonder woman: you're different from the other two, aren't you?

batman: maybe i am maybe i'm not, you can't prove it.

wonder woman:

green lantern: so like, are you new or have you just managed to avoid sub duty up until now?

superman, coughing: actually, this is this ones ninth occasion of replacing batman. you've just never realised before.

the league:

batman: yeah actually the other two are kinda mad i lasted longer than them...

the flash: how the fuck does he keep getting kids with the exact same build as him!??!?

'batman' tim, spent 20 minutes padding the suit out so he would look the part, still mad that bruce keeps palming WE work off on him: oh he forces us to take steroids for it.

the league, concerned:

superman, pinching the bridge of his nose: now come on red robin-

batman, fully tearing up and looking distraught: PLEASE uncle clark, it HURTS, you can't keep COVERING FOR HIM!

superman, frantically to the league: this one lies.

bonus

the league, squinting at batman:

the league: ...

superman: *head in his hands, too disappointed to do anything*

the league: *silently exchanging looks, wondering if anybody's brave enough to say anything*

duke as batman, fully aware this is fucking stupid but jason and tim fell on the floor laughing when dick came up with the idea and frankly, he wanted to see if anybody would have to guts to call him out: so, are we all ready to start the meeting?