First Tumblr Post! Woo! These Are Some Miscellaneous Characters I've Done For DnD Games And Whatnot!

I hope this absolute lunatic woman who showed up with a 20 page contract about the terms of a prospective engagement with strict regulations about how much public lovey-dovey time they spend together becomes a main character. Please Sazed, I’m begging you. Work whatever powers those funny mists gave you to let her stick around. She’s insane and I need more.

Oathbringer Stormlight Spoilers

I really like how the chapter headers sort of trick you into thinking the book is by Jasnah, before you start learning more and more about Dalinar.

Character art I did for @shoccoe for her Cradle oc!

Stormlight Spoilers

Hmmm…. Okay so I have a weird theory stuck in my head. It’s- bad and doesn’t make sense, especially because Renarin has already demonstrated a traditional Surge, but: While reading, I keep getting the vibe that Renarin’s spren bond is wrong. I don’t fully understand why, but I keep thinking he’s perhaps bonded to a renegade void spren.

The numbers in Words of Radiance were ABSOLUTELY done by Renarin. I don’t doubt it for a second. I’m so confident about this. But… well we know the two surges of the Truthwatchers, and future prediction was NOT one of them. Beyond that, when Shallan is fighting the Unmade in Urithiru, it mentions trying to take Pattern’s place, which all but STATES non-Radiant spren can form bonds with humans… ergo, it’s feasible for Renarin to have bonded one of the Void Spren, which would facilitate the future stuff!

Anywho, that’s that! I think it’s likely I’m wrong, but could be interesting!

there’s a website where you put in two musicians/artists and it makes a playlist that slowly transitions from one musician’s style of music to the other’s

it’s really fun

*horrified surgeon noises*

*horny guy voice* someone pls cut me open and dig around in my guts

So we have multiple statements by Jorge Rivera-Herrans that he was inspired by video games in the creation of Epic the Musical. This is pretty plainly seen in the multiple “boss battles” that cap off most albums in the musical.

Two of the most important examples of “boss battles” come from the characters recognized as “monsters” in the canon of the story: Polyphemus and Scylla. These two are important, because they are the only two characters with songs named after them. This sets them apart as unique and special, which is substantiated even further by the impact they have on the wider story of Epic.

“…but wait” you may be asking. “Odysseus has a song named after him as well, no?” That is correct! This is because, like Polyphemus and Scylla, Odysseus is a monster. So much so that there’s an entire song in the Underworld Sage.

Okay so- what does this mean effectively? Well… the final boss of the musical isn’t the suitors. It’s Ody. The song Odysseus has a lot of parallels to Polyphemus and Scylla (the line “keep your head down he’s aiming for the torches!” Being a direct callback to Scylla), but the one I’d like to focus on is the narrative framework of the song.

He’s the antagonist. The song’s narrative is carried by the disparate Suitors as they are hunted by our old king and try to survive. (heh. See what I did there?) The background chanting of Odysseus’s name is even in the same style of how Polyphemus is sung in Survive!!! He’s the FINAL BOSS. (and tbh. He’s a LOT better at murdering everyone who wronged him than anyone else in the story. Polyphemus should take notes.)

So… what does this mean? He kills every suitor. And like- as he should. They sucked. So what? The final boss isn’t defeated in Epic?

…well no. He is firmly defeated in the end. By Penelope. Something very important in the story from No Longer You onward is this division between the “Old Odysseus” and the “New Odysseus”. It’s this Old Odysseus who is a monster, and it’s THIS man who Penelope defeats.

Her defeat of Odysseus is shown in two parts: Lyrically and Musically. The first is very clear. Odysseus argues that he is no longer the man who married Penelope, and she disagrees. She is the only one to effectively trick Penelope, responding to his rhetorical statement of “I am no longer the man you fell in love with” with a trap that ends with Odysseus confirming beyond a shadow of a doubt that he is, in fact, her husband. Furthermore If you payed any attention at all while listening to Epic, Jorge’s love for motif is very clear, and this is relevant in understanding the emotional “defeat” of the Monster Odysseus.

Ody has two key instruments: a soft guitar and a harsh, electric one. These correlate to the two unique Odysseus’s we’ve established. We hear inklings of the soft guitar when Odysseus and Penelope first reunite, but it quickly fades to that harsh electric guitar as they begin to “fight.”

But. Here’s. Where. It. Gets. Fun. Because after he’s deceived and defeated, the soft guitar returns. He is finally, after twenty years, being allowed to return to the kind man he once was. He’s finally, *finally* home.

And that, my friends, is why I conclude, beyond a shadow of a doubt, that Penelope tops Odysseus after Epic.

You guys have no idea at all how much I both A) Dread the upcoming Eshonai corruption arc and B) Desperately need an un-corruption arc

If you bastards come into the tags like “oh she dies in Book 4” I will END your pitiful lives. She’s gonna get married to and kiss Kaladin and live happily ever after.

Oh! Suggestions, can’t say I really expected those, but this is super fun!!

Here’s my thoughts

1 - good idea all around. I think the block the character would represent could be altered to be one more relevant to the series, though! I tried to keep the language consisting of references almost entirely, so good idea with the crystals!

Something like:

X = Crystal = Quotation mark

(?# = Single Quotes)

(^# = Apostrophe)

(v# = Asterisk)

Yeah!! I like that!! Ty <3

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2 - Useful shorthand! No notes, but I wanna push that whenever you’re doing something for display purposes, the script was written the way it was for the aesthetics! One of its primary design principles is the language being *actual parkour you can do.* This gets muddled when ya use verticals, but for most sentences?? You can literally build a sentence. I’ve put some thought into how to delineate flourishes without muddying or making the language too complex, but if I come up with something I’ll probably release a guide with examples of how to build sentences! (Currently you can just put signs with what flourishes it has and the language is totally buildable… but that’s kinda lame)

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3 - Oh! I actually prepped something for this exact thing! “-“ for chain blocks! This is preferred to barriers (despite the lesser series-significance) because I honestly just value the buildability of the language more!

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4 - tbh! I don’t think this is a necessary addition to the system. It only applies if you want to make an entire system of [] capital, as numbers would take the negativity of their first digit. I suppose if you wanted, you could perhaps do:

?vu8[]____C[]__OC[]vu

I believe it’s best to try and use existing things to address a problem as opposed to introducing new things to keep track of.

(As it’s impossible to place more than one of the (?,^,v) set of Flourishes on any given block, the ? becomes a floating Flourish. This, paired with the vu pair makes the ? distribute the every block inside)

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Thanks for the feedback~!

So… I may or may not have written an entire Conlang based on a single joke in Minecraft Parkour Civilization 2. That would be ridiculous. Aha. Hahahaha. Ha.

*cough*

A Quick Guide to Writing in Parkour

Flourish List.

You add these in front of blocks to change their meaning. There’s a key at the bottom containing the Parkour alphabet which demonstrates how the space, 180°, 360°, and 720° Flourishes are used to refer to specific English-Letter analogs.

_ = Space

C = 180° Flourish = 5 spaces

O = 360° Flourish = 10 spaces

8 = 720° Flourish = 20 spaces

? = Reverse = Reverses input

^ = Vertical Jump = Raises Intensity

v = Drop = Lowers Intensity

Block List.

These are the building blocks (lmfao) of the language and are what would be counted as an “input” or “letter”. Also included are short legends under each block describing what each flourish does to each block!

(Note! _,C,O, and 8 cannot be applied to any block other than [ ] and H)

[ ] = Block = Grammatical Value

(?[ ] = Capitalized)

(^[ ] = Impassioned)

(v[ ] = Depressed)

H = Fence = Numerical Value

(?H = Negative)

(^H = Exponential)

(vH = Square Root)

u = Pot = Period

(?u = Comma)

(^u = Hyphen/Equality)

(vu = Parentheses)

I = Pane = Question

(?I = Exclamation)

(^I = Command)

(vI = Sarcasm)

% = Brewing Stand = Addition

(?% = Subtraction)

(^% = Multiplication)

(v% = Division)

Alphabet

a = [ ]

b = _[ ]

c = __[ ]

ch = ___[ ]

d = ____[ ]

e = C[ ]

f = _C[ ]

g = __C[ ]

h = ___C[ ]

i = ____C[ ]

j = O[ ]

l = _O[ ]

m = __O[ ]

n = ___O[ ]

o = ____O[ ]

p = OC[ ]

r = _OC[ ]

s = __OC[ ]

sh = ___OC[ ]

t = ____OC[ ]

th = 8[ ]

u = _8[ ]

v = __8[ ]

w = ___8[ ]

y = ____8[ ]

Numbers

0 = H

1 = _H

2 = __H

3 = ___H

4 = ____H

5 = CH

6 = _CH

7 = __CH

8 = ___CH

9 = ____CH

Now that you have all the tools, let’s put it all together~!

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?8[ ]____C[ ]__OC[ ] ____C[ ]__OC[ ] OC[ ][ ]_OC[ ]__[ ]____O[ ]_8[ ]_OC[ ]?I

____CHH% _HH ^u _HHH

?C[ ][ ]____OC[ ] 8[ ]C[ ] _OC[ ]____C[ ]___[ ]^I

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Big thanks to my friend PrismaticKoi for giving me the idea and helping me figure this all out! Working with her made this process super fun!!!

Enjoy Parkour-!!! I’ll be coding an English<—>Parkour translator at some point, so stick around to find that!!

All of you need to go watch Minecraft Parkour Civilization though. It’s seriously fantastic.

SPOOK!!!!!!

“The Lord Mistborn” makes me think Elend… but no, he and Vin didn’t have any kids, neither did Kelsier. Mmmmm…. I have no idea what the hell this could be in reference to.