"The witch, the whore and the monster are all really the same archetype. Dangerous and unpredictable, they defy the archetypes of ideal womanhood that we have encountered throughout this book. They defy Venus with their ageing bodies and menstrual blood. (All things that are suppressed in our images of Venus overflow in our monsters.) They undermine maiden virginity with their unapologetic sexuality. They don't submit themselves to their husbands, nor are they exclusive with their partners. They are either happy in their own liberated independence, or they operate in covens of collective womanhood. Monstrous women know things that others don't, not just facts or magic spells but deep, primeval knowledge about bodies, time, death, and the powers of reproduction. And they age and entropy in a way that mirrors the inevitable flow and decay of all things. They are connected to wild nature in the outdoors, away from the feminised domestic spaces of the house. Most monstrous of all is that they know their power."
excerpt from Women in the Picture: What Culture Does With Female Bodies by Catherine McCormack
shoutout to whatever staff member has this bumper sticker at my school
against death by Noor Hindi
“When I was nine years old, the world, too, was nine years old. At least, there was no difference between us, no opposition, no distance. We just tumbled around from sunrise to sunset, earth and body as alike as two pennies. And there was never a harsh word between us, for the simple reason that there were no words at all between us; we never uttered a word to each other, the world and I. Our relationship was beyond language—and thus also beyond time. We were one big space (which was, of course, a very small space).”
— Inger Christensen, The Condition of Secrecy
"Seizure" from Sweetbitter Love: Poems of Sappho Willis Barnstone
excerpt from "Dear Peter" by Ocean Vuong
Ada Limón, from “The Russian River”, Sharks in the Rivers
Ewald Mataré Landscapes, Watercolor, 1920s