sesemiya

Latest Posts by sesemiya

Продолжаю скетчи Джейсона с котом

Это лучший обзор на Слэм Данк, что я читала!

I found a couple other old essays. I dont even remember writing this. 😭😭😭

the importance of failure in slam dunk

At the heart of the Slam Dunk manga lies the journey of Hanamichi Sakuragi, an immature and often ridiculous delinquent who finds redemption and development not in his victories, but in his failures. While his triumphs—such as him leading to Shohoku winning against Sannoh—are often at the forefront of fans’ minds, it is his failures that truly define his arc. Inoue’s genius lies in how he uses these missteps, both comedic and heartbreaking, to slowly strip away Sakuragi’s insecurities and guide him toward self-realization. This essay examines how Sakuragi’s failures, ranging from his rejection of basketball to his pivotal injury at Nationals, form the emotional and thematic core of the manga. In Sakuragi’s imperfections, Slam Dunk captures something universal: what it means to fail, to rise, and to find beauty in the struggle. As the rapper J. Cole once said, “There’s beauty in the struggle.”

Sakuragi’s story begins with rejection—a theme that repeats throughout his arc. Before the series even starts, we learn that he’s been turned down by fifty girls, a fact that he loudly exaggerates to mask his own embarrassment. His arrogance is a facade, one meant to protect him from the constant fear of not being enough. When Haruko Akagi enters his life, her kind demeanor and genuine enthusiasm for basketball give Sakuragi something he’s been searching for: a sense of hope.

Though not without its complications. Haruko’s admiration for Kaede Rukawa, Sakuragi’s rival in love and on the court, creates a dynamic between the two where every interaction is charged with Sakuragi’s jealousy, bitterness, and the need to prove himself. These failures in love reflect his early struggles on the basketball court: full of bluster, but ultimately rooted in a deep yearning for validation.

Sakuragi’s first steps on the court are anything but graceful. He fouls. He trips. He flails in spectacular fashion. And then there’s Captain Takenori Akagi, a towering figure of discipline and seriousness, who sees right through Sakuragi’s facade. In one particularly memorable moment, after being harshly scolded by Akagi for his antics, Sakuragi storms out of the gym, declaring that he’s done with basketball. It’s a telling moment: Sakuragi’s ego can’t handle criticism, and his instinct is to run away when faced with failure.

But Sakuragi comes back. Perhaps it’s Haruko’s encouragement, or maybe it’s the sting of Akagi’s words, but something pushes him to return. It’s a small act, but it marks the beginning of his transformation. Though his early games are riddled with mistakes, airballs, turnovers, even scoring on his own basket, these failures chip away at his arrogance, revealing a resilience he didn’t know he had. Inoue doesn’t shy away from showing how difficult growth can be. Sakuragi’s journey is not a straight line; it’s a series of stumbles, each one teaching him something new about himself.

The most profound moment of Sakuragi’s journey comes during Shohoku’s legendary game against Sannoh at the Nationals. It is the culmination of everything he has fought for—the respect of his team, the recognition of his talent, and his own sense of belonging. When Sakuragi makes the dramatic final shot, securing victory for Shohoku, it feels like the perfect ending to his story. But it’s not. His triumph is bittersweet, overshadowed by the cost: a severe back injury that forces him to sit out the rest of the tournament.

For Sakuragi, who has only just begun to understand what basketball means to him, this loss is devastating. After spending so much of the series trying to prove himself—first to Haruko, then to Akagi, and finally to his team—he is faced with the harsh reality that his body, like his ego, has limits. And yet, it is in this moment of loss that Sakuragi experiences his most profound growth. He doesn’t wallow in self-pity or rage at the unfairness of it all. Instead, he commits himself to rehabilitation with the same fiery determination he once reserved for proving people wrong. For the first time, Sakuragi is not playing for validation; he is playing because he loves the game.

Inoue captures this shift wonderfully, letting Sakuragi’s actions speak louder than his words. His injury, rather than breaking him, becomes a turning point. It is no longer about the crowd’s praise or Haruko’s admiration—it is about finding joy in the struggle, in the effort itself.

Sakuragi’s failures don’t just shape his individual growth; they also deepen his relationships with his teammates. Early in the series, his arrogance isolates him, as he sees basketball as a platform for personal glory rather than a team effort. This is particularly evident in his rocky relationship with Captain Akagi, who initially regards Sakuragi as a nuisance unworthy of the sport. Over time, however, his mistakes force him to rely on others. Akagi’s stern guidance, Miyagi’s quick assists, and even Mitsui’s sharpshooting show how basketball is a team sport—a lesson Sakuragi learns through repeated failure.

His relationship with Kaede Rukawa also evolves significantly through this lens. Initially, Sakuragi views Rukawa as nothing more than a rival to be humiliated, both on the court and in Haruko’s eyes. This one-sided antagonism leads to numerous comedic confrontations, such as Sakuragi deliberately fouling Rukawa in practice out of jealousy. But as the series progresses, their rivalry becomes one of mutual respect. A key moment occurs during the Sannoh game, when Rukawa silently acknowledges Sakuragi’s contribution with a fist bump. This small, yet deeply significant gesture, highlights how far Sakuragi has come—not just as a player, but as someone capable of earning and giving respect.

What sets Slam Dunk apart from other sports manga is its refusal to romanticize perfection. Sakuragi’s growth is not marked by MVP titles or championship trophies but by the incremental changes in his character. By the end of the series, he remains imperfect—still impulsive, still prone to overconfidence—but those flaws are what make him human. His failures do not define him as a player; they define him as a person.

Inoue’s portrayal of Sakuragi’s transformation is marked by moments of both comedy and deep emotional weight. For instance, his iconic rebound against Sannoh—a moment of pure athletic brilliance—feels earned precisely because of the countless errors that preceded it. It’s not a product of raw talent but of hard work, resilience, and the lessons learned from failure. This balance between failure and success mirrors the unpredictability of real life, where growth often comes not from moments of triumph but from the struggles that lead up to them.

Slam Dunk is a story of triumph, but not in the way one might expect. What sets the series apart from other sports stories is its refusal to romanticize perfection. Sakuragi doesn’t end the series as an unstoppable force or a perfect player. He remains impulsive, rough around the edges, and prone to mistakes. But it’s these imperfections that make his journey so compelling.

By the end of the series, Sakuragi’s story isn’t about winning over the girl or becoming the best player on the court. It’s about finding joy in the struggle, embracing the process of growth, and discovering that failure isn’t something to be feared—it’s something to learn from. His story reminds us that the art of losing is not about failure itself, but about the courage to rise again, no matter how many times we fall.

EVERYONE WAKE UP FURUDATE HIT THE PENTAGON

we finish this together

Джейсон однозначно завел бы себе кота и делал с ним разные мемные фотки.

Фото референс:

ARCANE S1E08 | “Oil and Water”

thinking about jason kolchek

I believe it’s a canon

The Long Dark au

Ау с замечательной игрой и прекраснейшей атмосферой заброшенности, забытости и одиночества.

У меня есть еще несколько работ в этой ау, надеюсь, что в ближайшее время дойдут руки до реализации еще нескольких задумок по этой же вселенной