Peter Tork onstage at Wembley in 1967; photo courtesy of Melody Maker.
Q: “Peter, starting with Headquarters in 1967, it seems you were one of the first guys to actually make the banjo a significant element of pop-rock songs.” Peter Tork: “I wasn’t even thinking about doing that. I just thought, ‘The banjo would sound good here.’ If I’m fond of my own work at all, it’s the opening lick to ‘You Told Me’ from Headquarters. The guitar starts off [mimics guitar] and then the banjo cuts in [mimics banjo] and suddenly, you’re in a whole new realm. To me, building those kinds of textures is what music is all about, and there are a couple of places where the banjo contributed nicely to the Monkees’ basic rock. It seems I’m a rocker who happens to play banjo, or a banjo player who happens to rock. I don’t know.” Q: “Was it pretty seamless when you first started working out your parts for Headquarters, or did the whole studio look at you and go, ‘Peter, what are you doing with a banjo?’” Peter: “It was seamless. Everybody knew I had a banjo, and so they knew it was part of what I brought to the table musically. Nobody was surprised.” - Guitar Player Magazine, October 2016 “[On ‘You Told Me,’] it really kills when the banjo comes right in the middle and then the band hits with that nice bass drop. That moment is really exciting, that’s what music is supposed to be.” - Peter Tork, Headquarters, 1995 liner notes
[AFTER REVEALING VERY TELLING PERSONAL INFO] But don’t read into that. let’s move along
on wikipedia straight up "learning it". and by "learning it" i mean, lets just say.. information
I’ll never get over that one interview of Freddie in 1984 when he’s talking about how Russia considered Queen too outrageous and the interviewer was like “but Elton wasn’t???” and Freddie went “no he’s alright, he’s kind of middle of the road” when this was Queen in the 80’s and this was Elton John
Its a little surface level but they have a lot of specific things in common
Oh, sure, I know Queen. Here's a nifty, not-at-all-devastating fact for you: Brian just wanted Freddie to be loved. It's everywhere.
It's in his dislike for Don't Stop Me Now, a song that—in Brian's mind—represented drug use and intense partying that was leading Freddie away from the band, toward people who didn't care about his wellbeing. It's in Brian saying he regrets not looking after Freddie better.
It's in his writing Save Me to give Freddie an outlet for his heartbreak, but also subtly tell him, "Hey, you're a loving partner. You deserve one in return."
It's in Brian helping Freddie write It's a Hard Life, with expressing his heartbreak once again. It's in Brian watching the video for that song and interpreting the setting as a depiction of Freddie's emotionally unfulfilling personal life during the Münich era.
It's in Brian stressing that Freddie was always in serious, monogamous relationships, searching for the right person. It's in Brian defending Freddie's relationship with Jim and calling it loving.
It's in Brian having a soft spot for Don't Try So Hard, a song representing Freddie finally securing his dream relationship.
BRIAN JUST WANTED HIM TO BE LOVED.
local theatre kid and his aspiring director boyfriend
beatles lore is so crazy because. people will be like "wait you don't know about the time ringo got stuck in an interdimensional rift for 2 years??" and you just have to assume they're telling the truth
i wonder if beatlemania people talked abt the beatles the same way people nowadays do. like was there a 15 year old girl in her bedroom in 1964 staring at a poster of paul mccartney saying “hes so cute i need to put him in a blender on high speed” while her friend nods excitedly
“i don’t wanna die, i sometimes wish i’d never been born at all” remains the rawest fucking lyric in the history of music thanks freddie