Chapters: 1/4 Fandom: My Fault: London (2025), Culpa mía | My Fault (2023) Rating: Mature Warnings: Graphic Depictions Of Violence, Rape/Non-Con Relationships: Noah & The Girl She Used to Be, Nick/Noah (My Fault: London), Noah & Ella (My Fault: London), Noah & William Leister (My Fault: London), Nick & William Leister (My Fault: London), Jenna/Lion (My Fault: London) Characters: Noah (My Fault: London), Nick Leister (My Fault: London), Ella (My Fault: London), William Leister (My Fault: London), Travis - Noah's Dad (My Fault: London), Ronnie Burns (My Fault: London), Jenna (My Fault: London), Lion (My Fault: London) Additional Tags: Alternate Universe - Canon Divergence, It Gets Worse Before It Gets Better, Physical Abuse, Implied/Referenced Child Abuse, Implied/Referenced Rape/Non-con, Rape Aftermath, Dissociation, Post-Traumatic Stress Disorder - PTSD, Trauma, Claustrophobia, Noah needs a hug, Noah Saves Herself, Aftermath of Violence, Healing, Recovery isn't linear, Developing Relationship, Non-Sexual Intimacy, But also, Sexual Content, Panic Attacks, Scars, Heavy Angst, Hurt/Comfort, Happy Ending, Character Study Summary:
Ronnie is a touch smarter, and he guts Nick’s McLaren first. Noah has to save herself. (It’s a lot bloodier.)
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Or, The road to salvation looks a lot like the road to hell, and survival is a painful thing.
guy who wins at poker not by being stoic but by bursting into tears every time he looks at his cards, just full hysterical breakdown every round and you gotta peer through the void of theatre kid problems to figure it out
start here, caitlyn siehl // untitled, fortesa latifi // rien ne va plus, margarita karapanau (trans. karen emmerich) // black iris, leah raeder // the thorn merchant, yusuf komunyakaa // monster movie, nicola maye goldberg // a key to common lethal fungi, marge piercy // give me a god i can relate to, blythe baird // crimson peak, dir. guillermo del torro (2014) // the house of hades, rick riordan.
YALL - hear me out, Wicked thruple but it’s mean lesbian Galinda, bi wife energy Fiyero with daddy issues, and Elphaba who had two hands and a mission to change the world
(Hear me out again, thruple takes over the world through magic, manipulations and being hot)
what the fuck what the fuck what the fuck what the fuck what the fuck what the actual fuck
shauna bringing hannah back to the village for melissa is like a cat bringing you a dead bird or a dead mouse
Hehehehe but like what if you didn’t, for my sanity 🔫
i wrote a twin cinema poem about two gay soldiers in wwi
context: the two sides, read separately, are the two soldiers thinking about their futures with each other. when read together, it's a reflection of their final thoughts when they die together struck by bullets <3
I love miniatures too much, someone take away my wallet
on my way to go write the most tragic fic about grief and love and forgiveness and like what do you do when your husband loves you but he loves his best friend like he’s air and he dies before you can hate him or scream or love him anyway??? and like what do you do when the love of your life dies before you can ever kiss him but his wife is alive and she’s alone and you know you have to help her because he would want you too so you stay even as it fucking kills you??? and like you’re stuck with the only other person who loved this man, who is grieving him, and you can’t help but hate them and at the same time need them at your side bc who else would understand this pain?? and also two hot people co-parent an adorable child and slowly fall in love in a simple, not a world ending, way.
i've come to realize there are only two kinds of tragedies: preventable and inevitable. preventable tragedies are the kind where everything could have maybe worked out if only. if only romeo had gotten the second letter. if only juliet had woken up earlier. if only creon had changed his mind about antigone sooner. if only orpheus hadn't turned around.
inevitable tragedies are the kind where everything was always going to end terribly. of course macbeth gets deposed, he murdered his way to the throne. of course oedipus goes mad, he married his own mother. of course achilles dies in the war, he had to fulfill the prophecy in order to avenge his lover.
both kinds have their merits. the first is more emotionally impactful, letting the audience cling to hope until the very end, when it's snatched away all at once leaving nothing but a void. the second is more thematically resonant, tracking an inherent fatal flaw in its hero to a natural and understandable conclusion, making it abundantly clear why everything has to happen the way it does.
Sapphic_terror on ao3 queer and nonbinary (any pronouns)Yall I may be losing it a little but at least I’m writing a lot of fan fiction (that’s a slight lie but I’m trying I swear)
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