The Protagonist:
We have M. Gustave.
1. We see him looking over a balcony and before your know it he is calm directing at least 10 of his subordinates and what to do.
2. Next he’s sitting down eating breakfast with a woman twice his age (90 years old at least). He takes her hand, and after he attempts to console her and says:
“Dear God what have you done to your fingernails!? This diabolical varnish, the color is completely wrong. It’s not that I don’t like it. I am physically repulsed. ”
3. M. Gustave is sitting next to the woman, his lover, and tells her to hush and starts to recite poetry.
Three quick scenes in less than three minutes, and we already have the full sense who this character is. (1) He’s busy. And the way he instructs his crew shows that he has been doing it for a while. He’s confident and isn’t afraid to tell people what to do. (2) He has a thing for older women, and the way things look is important to him. Gustave sees nothing but beauty in people, and the way he reacts to the fingernails shows us that class and elegance matter. (3) Telling someone to hush and then reciting poetry in an elevator envelopes the two things about M. Gustave. He is quirky and sophisticated.
The Antagonist
We have Dmitri
1. When we first see him he is drinking a glass of whiskey waiting to see what was left to him in his mother’s will. He’s dressed in all black, although we get the sense that regardless of the day he would still be wearing black. One of his goons is behind him. By the way they are sitting, you can tell that Dmitri has people working for him.
2. The first line out of Dmitri’s mouth is “That fucking faggot!” directed at M. Gustave himself.
3. He confronts M. Gustave and punches him in the face, and his henchmen is there to back him up.
So who is Dmitri? (1)A person who seems to care more about the will than his mother. (2) Someone who will shout and fight and get others to do things he doesn’t want to do. (3) He’s vulgar and doesn’t have a problem speaking his mind.
Applying this to your writing
Give the reader the one two three. Three things one after another that make them understand who your character really is. Boom Boom Boom. Easier said then done. So you try it.
Try to think of three scenes/phrases/mannerisms that you can use in introducing your character and intertwine them to solidify who your character is. It can be short and sweet and when the reader is done reading he should be able to list all three character traits.
Also watch this movie.
Some films for cinematography/visual lovers
- The Grand Budapest Hotel (one of my absolute favs) - The Revenant (how could i not mention this) - Mad Max: Fury Road (absolute must) - Logan (another one of my absolute favs) - Guardians of the Galaxy Vol. 2 (tbh the most beautiful film)
The Grand Budapest Hotel screenshots - cinematography by Robert D. Yeoman - 2013
Click here to find me on pinterest
Do you think I am an automaton? — a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God’s feet, equal — as we are!
Charlotte Brontë, Jane Eyre (via wonderwarhol)
Revising like.
Subjects shown: Advanced dynamics, vibrations and waves, properties of matter, electricity and magnetism. All first year.
Most popular paintings on the blog in 2017, in no particular order:
Hilda Hechle (British, 1886 - 1939): A moonlight phantasy
Emma Ciardi (Italian, 1879 - 1933): Courtly Company with Parasols
Elizabeth Strong (American, 1855 - 1941): Deer in the woods
Maria Wiik (Finnish, 1853 - 1928): La Polonaise (Marie Bashkirstseff) (1878)
Helmi Biese (Finnish, 1867 - 1933): View from Pyynikki Ridge (1900)
Lilian Stannard (British, 1877 - 1944): Michaelmas daisies
Isabel Codrington (British, 1874 - 1943): Evening
Evelyn De Morgan (English, 1855 - 1919): Aurora triumphans (1873)
Mary Hayllar (British, active 1880 - 1885): Breakfast (1880)
Marguerite Gérard (French, 1761 - 1837): La toilette de minette
“I realized, really for the first time, that people who didn’t even know me were wishing for my success — hoping to share in the pride of future accomplishments, but even more important, willing to provide encouragement in the face of disappointments. I hope that by sharing my experiences, others will be inspired to set high goals for themselves.”
- Ellen Ochoa is the first Hispanic director of NASA’s Johnson Space Center and the first Hispanic woman to go to space. Check out the in-depth Q&A with Ellen below!
Seguir leyendo
she enjoys all sorts of little pleasures,
putting her hand in a bag of seeds
Concept: it is the year 2018 and you are no longer depressed. Your skin is clear and you are full of life and love. You’ve found your purpose on Earth.