Palestine as Archive, 2014 / Sherene Seikaly x
In contemporary (post-modern) horror, the threat is “not simply among us, but rather part of us, caused by us.” Institutions (like the church and the military) that were once successful in containing the monster and restoring order are at best ineffectual (there is often a lack of closure) and at worst responsible for the monstrous. Contemporary horror also tends to collapse the categories of normal bodies and monstrous bodies; it is said to dispense with the binary opposition of us and them, and to resist the portrayal of the monster as a completely alien Other, characteristic of such 1950s films as The Thing (from Another World) (1951), Them! (1954), and The Blob (1958). This tendency to give the monster a familiar face (the monster is not simply among us, but possibly is us) is tied, in postmodern horror, to the focus on the body as site of the monstrous.
–Lianne McLarty, “Beyond the Veil of the Flesh”: Cronenberg and the Disembodiment of Horror, from The Dread of Difference: Gender and the Horror Film
Here are some diversified open-source syllabi and reading lists on race, gender, Kashmir, Palestine, caste, sexuality, colonialism and modernism, design and systems, feminism, anthropology, sociology, economics, political science, data and tech, labour studies, African studies, disability studies, violence and it’s textures by some amazing educators and activists. Reblog, share and email decolonis.zing@gmail.com to include more in the list!
Decoloniszing Gender - khari jackson, Malcolm Shanks
Modernity and Coloniality - Ahmed Ansari
Design Thinking For Complex Systems- Ahmed Ansari
Feminist and Social Justice Studies- Dr. Alex Ketchum
Afrotectopia
Design + Anthropology - Shannon Mattern
“Shakespeare in the ‘Post'Colonies” -Amrita Dhar
At the Intersection of Critical Race and Disability Studies: A Bibliography - Amrita Dhar
Testimonials + local literature - Mountain Voices
Introduction to Critical Race Theory for 2017- Adrienne Keene
Mini Courses on Art and Culture - Asia Art Archive
Sound and Violence, Sound as Violence - Pedro Oliveira
Violence - Pedro Oliveira
Border thinking and Border as culture - Pedro Oliveira
Introduction to decolonial thinking and decolonising methodologies -Pedro Oliveira
The Kashmir Syllabus - Stand With Kashmir
Palestine Reading List - Danah Abdulla
A Bibliography of Caste Readings - Jyothi James
Decolonizing the Malabari Mind - Jyothi James
Labour and Tech Reading List - Alexandra Mateescu and Eve Zelickson
Diversifying your Design Syllabus: Recommended Readings by Women, Non-binary, and Culturally Diverse Authors - Hillary Carey
Between Scarcity and Excess: Capitalism, Population Control and the Climate Crisis - Luiza Prado
Decolonising Science Reading List - Chanda Prescod-Weinstein
Everyday Orientalism - Katherine Blouin, Usama Ali Gad, Rachel Mairs
hello pauline, greetings from the other side✨ i have been struggling with reading non-fiction for a while, feels like my brain is rotting :( could you please help me out/ recommend things i can start with which are interesting and not that hard to comprehend. thank you so much for you help. love and light to you 🌟
I feel you, I’ve just started reading academic papers for uni again and I hadn’t realized how much I missed reading non-fiction! On this list there are some I’ve read, some I’ve started but haven’t finished and others I’m looking forward to read. I would say all the essay collections and memoirs (except maybe for that of Wojnarowicz) are pretty accessible, maybe the political writings are a bit harder to understand depending on the subject (and I guess level of specificity and/or radicalism as well)
Obligatory readings (so like, my favourites, essays/collections that have shaped who I am): - The Book of Delights by Ross Gay - All About Love: New Visions by bell hooks - The Lonely City: Adventures in the Art of Being Alone by Olivia Laing - Upstream: Selected Essays by Mary Oliver - Conversations with James Baldwin, edited by Fred L. Standley - The Empathy Exams by Leslie Jamison
Some very touching/harrowing memoirs: - Why Be Happy When You Could Be Normal? by Jeanette Winterson - Little Weirds by Jenny Slate - The Year of Magical Thinking by Joan Didion - Bluets by Maggie Nelson - The Chronology of Water by Lidia Yuknavitch - In the Dream House: A Memoir by Carmen Maria Machado - The Fact of a Body: A Murder and a Memoir by Alexandria* Marzano-Lesnevich (I think they no longer use that name but it’s the name under which it was published) - The Princess Diarist by Carrie Fisher - A House Of My Own: Stories From My Life by Sandra Cisneros - The Cancer Journals by Audre Lorde - Close to the Knives: A Memoir of Disintegration by David Wojnarowicz
More political non-fiction: - The Fire Next Time, Notes of a Native Son, Nobody Knows My Name, and I Am Not Your N**** by James Baldwin - Women, Race & Class and Are Prisons Obsolete? by Angela Davis - Ain't I a Woman: Black Women and Feminism by bell hooks - Sister Outsider: Essays and Speeches, Zami: A New Spelling of My Name by Audre Lorde - The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander - Pedagogy of the Oppressed by Paulo Freire - A Power Governments Cannot Suppress by Howard Zinn - This Nonviolent Stuff'll Get You Killed: How Guns Made the Civil Rights Movement Possible by Charles E. Cobb Jr.
Others: - Letters to a Young Poet by Rainer Maria Rilke - Feel Free: Essays by Zadie Smith - What Poetry Is All About by Greg Kuzma - Sapiens: A Brief History of Humankind by Yuval Noah Harari - Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants by Robin Wall Kimmerer - The Crying Book by Heather Christle
Reconstruction of the clothes of women from the Minoan era in Crete (reconstructions made by Dr. Bernice Jones).
The clothes of Minoan women were surprising with their style and variety of patterns. Greek women of later times wore clothes with completely different stylistic solutions. The exposed breasts were a characteristic feature of the dress of Minoan and Mycenaean women. They attached great importance to their attire, wear and used jewelry. They wore a wide and long skirt with a decorative belt tightening the waist and a tight-fitting bra with a metal frame revealing the breasts. They put on coats or capes on cooler days. Hair, intricately combed, was decorated with brown or gold ribbons, beads or headbands. Others wore appropriate headgear. They wore unusual hats. Some were wide, while others were tall, almost completely covering their hair, decorated with feathers or ribbons.
It can be seen at the Hellenistic Museum in Melbourne, Australia. The reconstructions are based on frescoes.
Photos: Tahney Fosdike.
“Dionysus is powerful because he is a god; but in myth, at least, the god conceals his divinity in order to impress his presence all the more forcefully on mortals. In his mythical epiphanies, he exercises his destructive power from a position of apparent weakness and inferiority… the punishment he inflicts is often indirect, deceptive and designed to hide his presence and downplay his power; unlike Apollo or Artemis, he does not kill his victims through direct divine intervention, but relies on those self-destructive drives within their human nature that case madness, self-mutilation or transformation.”
— Albert Henrichs, “He Has a God in Him”: Human and Divine in the Modern Perception of Dionysus