Um Trabalho Primoroso De Ivan Mizanzuk. Histórias Reais Sobre Pessoas Reais.

葛飾 北斎  Katsushika Hokusai (1760 - 1849) Fuji at Aoyama (Aoyama no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3, circa 1835-1847

Quando o falar não se faz necessário

Quando o olhar completa as palavras

Quando o toque confessa

Tudo o que somos

Rita Sakano

Shibori kimono.  Taisho period (1912-1926), Japan.  The Kimono Gallery. A silk shibori kimono featuring large ‘yabane’ (arrow-feather) motifs of shibori with silk and metallic thread embroidery highlights. This kimono is patterned entirely in fine shibori (tie-die). The arrow feather (yabane) motif first became fashionable in Japan as early as the Heian era – initially with martial connotations – and during the Edo era it was often used on kimono for ladies in waiting. The motif was very popular on schoolgirl and teacher kasuri (ikat) kimonos of the mid to late Meiji period. During the Taisho and early Showa periods the yabane was a popular woman’s kimono motif, created via shibori, stenciling, or yuzen-dyeing. The arrow-feather motifs were most often vertical, but sometimes created at an angle, as in this example. The Yabane pattern, like most geometric motifs, is all-season, however, it has an auspicious association with weddings – like an arrow shot from a bow a bride does not return to her parents’ house. This kimono would have been very expensive to create - the shibori work itself would have taken a few months to complete. The white silk embroidery on the two arrow-feather motifs situated on lower left of the kimono is very visible from a distance, and provides a tasteful change from the other plainer motifs. The motifs are randomly scattered throughout the kimono 'canvas’, resulting in a casual relaxed atmosphere. The “speckled” appearance of the yellow background color is an accomplished effect: many thousands of tie-dye knots were once placed here to be able to achieve the slightly puckered yellow dots on black background speckled look.

Incomprehensible: The Scale of The Universe

Museum

Ransomware

Entenda o que é ransomware: o malware que sequestra computadores http://www.tecmundo.com.br/seguranca-de-dados/116360-especialista-explica-crescimento-ransomware-brasil.htm

Five Fun Facts for the 2015 Geminid Meteor Shower

The Geminid meteor shower peaks this weekend starting on Sunday, Dec. 13. Here are a few fun facts:

Fact #1:

The Geminid meteor shower can be seen from both the Northern and Southern hemispheres. Because they are pieces of an asteroid, Geminid meteoroids can penetrate deeper into Earth’s atmosphere than most other meteor showers, creating beautiful long arcs viewable for 1-2 seconds.

Fact #2:

Geminids are pieces of debris from an object called 3200 Phaethon. It was long thought to be an asteroid, but is now classified as an extinct comet.

Phaethon’s eccentric orbit around the sun brings it well inside the orbit of Mercury every 1.4 years. Traveling this close to the sun blasts Phaethon with solar heat that may boil jets of dust into the Geminid stream. Of all the debris streams Earth passes through each year, the Geminid shower is the most massive. When we add up the amount of dust in this stream, it outweighs other streams by factors of 5 to 500.

Fact #3:

Because they are usually bright, many people say Geminid meteors show color. In addition to glowing white, they have been described as appearing yellow, green, or blue.

Geminid meteoroids hit earth’s atmosphere traveling 78,000 mph or 35 km/s. That may sound fast, but it is actually somewhat slow compared to other meteor showers.

Fact #4:

Geminids are named because the meteors seem to radiate from the constellation of Gemini. The shower lasts a couple of weeks, with meteors typically seen Dec. 4-17, peaking near Dec 13-14.

Fact #5:

The Geminids started out as a relatively weak meteor shower when first discovered in the early 19th century. Over time, it has grown into the strongest annual shower, with theoretical rates above 120 meteors per hour.

Join In:

This Sunday, Dec. 13, our Marshall Space Flight Center in Huntsville, Alabama, will host a live tweet chat highlighting the 2015 Geminid meteor shower. This online, social event will occur 11 p.m. EST Dec. 13, until 3 a.m. EST on Dec. 14. To join the conversation and ask questions, use #askNASA or @NASA_Marshall.

Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com

http://mymodernmet.com/otagi-nenbutsu-ji-temple-rakan-sculptures/

The Traditional Colors of Japan

You might not think much about colors, especially in this day and age when the 24-bit display you're...

From the article: “Some of Japan’s colors have a lengthy background dating back to the Asuka period (538 ~ 710) and the hierarchical Japanese color system itself can be most easily traced back to 603 AD, when Prince Shōtoko established the first Twelve Level Cap and Rank System in Japan. Based on Confucian values and the five Chinese elements (wood, fire, earth, metal, and water), this particular hierarchy determined one’s rank by quality, rather than one’s heritage. Ranks were made identifiable by specific colors, as follows:

大徳 (Daitoku) Greater Virtue

小徳 (Shōtoku) Lesser Virtue

大仁 (Daijin) Greater Benevolence

小仁 (Shōjin) Lesser Benevolence

大礼 (Dairei) Greater Propriety

小礼 (Shōrei) Lesser Propriety

大信 (Daishin) Greater Sincerity

小信 (Shōshin) Lesser Sincerity

大義 (Daigi) Greater Justice

小義 (Shōgi) Lesser Justice

大智 (Daichi) Greater Knowledge

小智 (Shōchi) Lesser Knowledge

Within this system, the kinkiji (禁色), meaning “forbidden colors” were exclusively designated for use by only the highest ranking government officials and their robes. For example, the robes of the kuge (公家, the dominant aristocratic class in Kyoto’s imperial courts) were of the color Ōtan (orange), therefore the use of this color by any other lower rank was strictly prohibited.

 As such, the warm orange and red hues came to be associated with power and affluence. Examples of this can also be found in everything from ornamental combs and katana scabbards to the torii gates of Shinto shrines and the shrine-maidens’ garb. On the opposite end of the spectrum (ha!), the yurushiiro (許し色, “permissible colors”) were usable by commoners.”

I find it particularly interesting that at this early period in Japanese development, they were of course still using Chinese philosophy and science to systematically organize something very abstract and unscientific as what color clothes you should wear– and not only that, but using Chinese science to determine that some colors should be forbidden in society to some people, and thus literally color-code peoples’ castes using a color system based on magic! :)