Truth
mark: my kink is when people care about my feelings and what I have to say.
ten: too unrealistic. settle for bondage like the rest of us.
đTHISđWOMANđNEEDSđTOđSEEđHERđCHILDđ
Just like I said. Illegal adoption.
https://abcnews.go.com/Blotter/immigrant-mom-loses-effort-regain-son-us-parents/story?id=16803067
sorry to interrupt your scrolling, but have you eaten today? drank some water? please do, if you havenât. take care of yourself: youâre lovely
I hate this âno spoilersâ culture that we live in right now. Producers and writers are so terrified of fans predicting the ending to their works to the point that theyâre making nonsensical endings to their narratives. Theyâre messy, out-of-character, and outlandish, but, hey! at least theyâre unpredictable!
Rian Johnson, The Last Jedi â completely ignored & disregarded the 3-film narrative arc J.J. Abrams has planned out for the sequel trilogy, and instead developed his own messy narrative full of subversions for the sake of subversion, and completely disrespected the legacy of Luke Skywalkerâs character (Mark Hamill himself has reported several times that he doesnât recognize the character).
Russos, MCU â give out fake scripts, actors play against green screens and are cut & pasted together in post, show fake/edited scenes in trailers, throw away previous character development (Thor, Ragnarok vs Infinity War and especially Endgame).
D&D, Game of Thrones â throw away a decade of foreshadowing and character development for shock value, not to mention they missed a whole ass Starbucks cup in a shot in 8x03 (either on set or in post, somebody shouldâve noticed this).
Iâm sick and tired of this. Itâs not good writing, and itâs no longer entertaining to fans when the characters they know and love become complete strangers. Thereâs good shock value â âNo, I am your father,â for example â and then thereâs ignoring years of character development and turning a kind and caring character into a murderous maniac. Thereâs a difference, and I think writers still know what that difference is, but theyâre pressured to create an ending that fans canât predict because of this mass panic over âno spoilersâ.
This needs to stop. Give me a happy ending. Who the fuck cares if we guess what comes next? That means the writers have done their fucking jobs. If we can guess what comes next that means the writers have successfully developed their characters and foreshadowed future events as youâre supposed to do in a well-written narrative.
No spoilers? Sure. I like to experience narratives without being spoiled. But donât make the narrative unrecognizable by the ending. Itâs just not good writing.
iâm doing research reblog this and tell me if you want kids or not
every single person who reblogs this
every
single
person
will get âdoot dootâ in their ask box
That's our boys đđ
Kun: I AM AT A LOSS FOR WORDS!!
Winwin, narrating: Despite being at a loss for words, Kun yelled at Lucas, Chenle, and Renjun for the next ten minutes.
I'd have listened to Life With Althaar a lot sooner if y'all motherfuckers would have said it's got Babylon 5 vibes.
Tupac had the most powerful presence Iâve ever witnessed . . . he wouldâve changed the worldđâ¤ď¸
And to think that it takes very little to make a child happy....