From Mile End To Victoria Park... And A Bit Before....

The Past on Glass: Sutton Archives, Heritage Lottery Funded Project

March 2016

In March 2016 I had the pleasure of being asked to further develop and deliver three accessible sessions for young people with learning disabilities from Sutton Mencap.The Past on Glass project was created by Sutton Archives with Heritage Lottery Funding. The project digitises and uncovers the stories behind the Knight-Whittome glass plate negative collection. I worked alongside Abby Mathews, Project Officer and Kathleen Shawcross, Borough Archivist and Local Stidies Manager.

Here is an extract from the blog post about that Abby wrote:

One highlight on our activity plan – and something that we have been looking forward to for a long time – was a series of pre-arranged workshops with Sutton Mencap, a local charity, established in the 1940’s by parents and carers. The charity supports over 80 children and 200 adults with a learning disability in the Sutton area ‘to have fun, learn new skills, socialise and make friends’.

Throughout March we ran a series of workshops for a small group of visitors from this charity based on the idea of self-image and photography – using our glass plates as a starting point to think about some of the issues surrounding portraiture, both now, and in the historical context.

We were very lucky to have the help of Sarah Glover an heritage education facilitator, in the running of these sessions. Over three weeks, a group of nine participants plus their carers attended both Sutton Central Library and a local historic building, Honeywood Museum, to learn about the collection and be involved in activities designed to explore the collection: what it is; what it represents; and to see if it held any resonance for them, as young people who have grown up in a world ruled by technology and convenience.

Read more here:

The Past on Glass Blog Post

Abbey Mathews wrote the following recommendation:

Sarah worked with us at Sutton Archives throughout March 2016 to deliver a series of workshops to Sutton Mencap. Her professionalism, creativity, delivery style and flexibility to the needs of the group made the sessions a huge success. It was a pleasure to work with her and we would recommend her without reservation to any Heritage projects looking to offer creative and worthwhile learning sessions.

My musings from the Cutty Sark to Greenwich North on the Memoryscape 'Dockers' Audio Trail

Today I tried out the ‘Dockers’ Memoryscape Audio Trail. Here are my journey notes:

Easy starting point – you can’t miss the Cutty Sark.

Usual warnings about safety – which I always listen to, especially because I am not sure how deserted this route will be. I have never walked it before.

Toby Butler who narrates tells you not do it at home but to be on there and walk

I am told that we will not be looking at London landmarks but rather the hidden histories...

I’ve been here before. I remember taking my bike through it. The tunnel is smelly and cold and cramped and claustrophobic and its hard to hear the recording with the loud voices in the tunnel and the lift is out of service... I didn't know though that dockers used that tunnel – and it is certainly a place where you feel there is history there though!

 I notice again that it is hard to analyse and experience at same time. It is always the same when you are studying something.

The narration reassures you that you can play things back again if you need to and that sometimes we will be simply stopping and looking.

It feels like I am in tourist territory - completely the opposite of Dockers time? Or not?

It’s a high tide – the tide is lapping loudly and the bells of naval college are heard and the somewhat unexpected smell of the sea strikes me. I am already much more aware of my senses.

As on previous trails I have tried out, again I notice that I am not listening to everything they are saying - it's key words that I pick up – and now the smell of blossom.

There is also the smell of new building ... New buildings are going up.

I think about what a strong and important word community is to me – and is something that I have always valued and been lucky to experience.

I think about my definition of community, of which I mean individuals and groups, bound together by a connection with the local park in my case – even as a visitor to the park.

I see it as a trail made with the voices of or in consultation with the local community

I always forget what side of the river I am on, or more don’t realise.

I have walked too far at this point – it is hard to follow some of the instructions and I am not sure which pier I am near, but may have been that I didn’t listen well.

I find it a mostly deserted route, but in some places a wildlife paradise with butterflies and bees and I am sure much more; but mostly a deserted string of old wharfs.

At first, I couldn't see how to get into the areas he spoke of and didn't notice all of the places, but that doesn’t matter. I am out of sync but don't want to go back! I can't go onto jetties?

The trees by the water at this point of the Thames are a surprise to me too. The sound of the water and the sun beating down. I wouldn't want to be here alone later in the day. But I'm discovering a new part of my city!

Distances are hard to judge as I have not found the public jetty that is mentioned.

I have found the jetty and the info plaque is rubbed away in places and hard to read. I do find myself looking for visual signs of industry past anyway - noticing things not necessarily mentioned on the recording.

There are mostly lone travellers and some couples. Cyclists too.

Toby is narrating the trail on the whole, with the Dockers’ voices edited in.

Something is still making a noise and looks very industrial and as I turn the corner I see lots of different sands/materials and people busy working - Victoria tunnel it says....

I notice the lichen on the wood railing... this is because I have had a small interest in lichens since a nature day a few years back.

Suddenly a new part of the walk – it is newly paved in set colours- because I am nearer the o2? The Thames path is closed off and I must follow a new smelling still tarmac path – a new part of the adventure? I hear a seagull as well as the industry building sounds - no more lapping of the waves.

It took me about an hour but had to cut it short due to the closed road, but it was enough – I might listen to the rest at home. Toby keeps repeating to stay near the river but I can't anymore in North Greenwich...

I like the juxtaposition of old and new.... Even if it is hearing old and seeing the new... I enjoy comparing and contrasting. I realise yet again that I have more listened to the flavour of what they were saying rather than what they are saying. I did feel and came away with a feeling of nostalgia and privileged to have seen the remnants of the docks still. As Toby commentates, who knows how long they will be there.

The Great North Wood

December 2016

Here is the article that we wrote for PMLD Link. It says a little more about the work I do with Emmie and Keith as Sound Tracks.... (Coralie too but she is working hard as a Speech and Language Therapist at time of writing :))

SOUNDTRACKS AND THE GREAT NORTH WOOD

Sarah Glover, Emmie Ward, Coralie Oddy and Keith Park have formed a collective – Soundtracks - to provide multi-sensory storytelling, poetry, music, song and dance workshops for adults with severe and profound and multiple learning disabilities on the theme of The Great North Wood

Sarah writes:

The Great North Wood History

Oh the trees grew all around, even in, your own home town…

I first found out about The Great North Wood when studying for my MA in Museums and Galleries in Education. I was researching the history of Crystal Palace Park for various projects, which included the creation of a community audio trail. During my research, park and parish boundaries were frequently mentioned and there was talk of the ‘Vicar’s Oak’ that once stood on the triangle. Looking at area map excerpts through different time periods I became intrigued by the time before the palace and park and in particular with John Roque’s 1746 map of London. I found a copy of Roque’s map in Lambeth Archives and this map clearly marks ‘The Great North Wood’ in large lettering over Norwood and Dulwich. Having lived in West Norwood off and on over the years I had had no idea of the name’s origin. If ever you get the chance to take a look at the map, you should!

I can not confess to be the most knowledgeable person on The Great North Wood. The London Wildlife Trust are a good source of information and they are currently working on a Heritage Lottery Funded project on the theme. The trust manages areas of land which include remnants of the wood that you can visit today, such as Sydenham Hill Wood. I am fascinated by the wood and the stories it holds. I am particularly interested in the mix of tangible and intangible history of the area and I am passionate about helping to make local heritage accessible to as many people as possible. Key aspects of life in The Great North Wood are used as starting points during the sessions – the nature and characters of the wood.  We have always left these aspects open for development during the sessions – and the learning has been for us as project creators as much as for the students.

We are beating, beating, beating the bounds… we are beating, the bounds…

The Great North Wood once covered most of South London and stretched from as far as Deptford to Selhurst. Many clues about the area’s history are in names – area and street names such as Vicar’s Oak Road. The wood was centrally made up of Oak trees, and boundary oaks such as the Vicar’s Oak (that no longer stands) were important landmarks. People would have visited these oaks when taking part in the annual tradition of beating the bounds. From what I have heard, this was when the parishioners walked along the lines of their parish boundaries to make sure that they asserted which land was theirs. We celebrated the beating of the bounds in our April session. This included using real sapling wands and processing around a symbolic (hand drawn) tree while singing a song we created.

Have you seen Margaret Finch? They call her the Gipsy Queen….

Names continue to tell a story, such as Gipsy Hill, which refers to the gypsies who once held summer encampments in the area. The most famous of these gypsies was Margaret Finch who was given the name ‘Queen of the Gipsies’. Day trippers from all around visited the gypsies, apparently including Samuel Pepys’ wife, Elizabeth in 1668.* The thought of excited day trippers going to have their fortunes told and and the festival feel that must have been provided us with lots of stimuli for songs, drama and music on the theme.

Stand and deliver, your money or your life…

I am familiar with The Highwayman being taught in schools from when I working as a teaching assistant in a school.  We didn’t use the poem in this project. However, the highwaymen who would have roamed The Great North Wood were the first characters we introduced. The drama developed during the sessions. Sometimes we were all the highwaymen and sometimes one or two highwaymen and highwaywomen collected treasure from the rest of the group. This was supported by song and the words: ‘Stand and deliver!’

The plants and animals of the Great North Wood have been a theme throughout all of the sessions. Nature has been fundamental to the sensory storytelling and interactive storytelling. To date we have used more general animals and plants that could be found in woodland, but there is a huge scope for developing around nature particular to The Great North Wood.

The Great North Wood Sensory Stories

It was a long time ago...

I was first introduced to sensory stories at a day workshop with Joanna Grace at a Diversity in Heritage Group meeting. I had always been interested in how to make museums, galleries and heritage sites more accessible and had a fair amount of experience in education and disability. However, this was the first time that I learned about a clear, practical, interesting and instant way to get started. I then attended a training weekend with Joanna Grace. As well as learning more about developing and telling sensory stories, I also met Coralie Oddy. Coralie also had an interest in The Great North Wood and we resolved to write a sensory story on the theme.

It was the time of The Great North Wood and the trees grew all around....

Sensory stories are usually made up of about ten parts/sentences and throughout the story you try and cover as wide a variety of senses as possible, so that each sentence has a sensory experience connected with it. Our sensory story was the starting point for the themes we covered and continue to use during the sessions. We first thought about what we could use to represent the wood itself. We wanted to create the feeling of immersion in the wood and Coralie had the idea to use a hoop with leaves that dangle from it. We could then place the hoop over the heads of individuals so that they would truly be immersed in the leaves. The hoop proved helpful in creating a special atmosphere in the sessions. It helps us begin with a sense of calm and familiarity. This, combined with Emmie's beautiful flute playing means that there is a mystical feeling of being transported to the wood.

The trees grew flowers which bloomed and turned into rich, juicy berries...

The theme of woodland has given us a bountiful amount of ideas. Sensory stimuli are used throughout the story and the whole session. However, in each session at some point in the story there is a prolonged period for sensory exploration. We take around a variety of stimuli to participants and while introducing people to the different items we also observe what interests and simulates enjoyment. Items are mostly inspired by the workshops with Joanna Grace and include visual stimuli such as laminated pouches filled with coloured water and small objects; as well as touch stimuli of gak and various kinds and water beads in water. We always have a couple of scents on offer.

Coralie writes:

Highwaymen hid in the woods. You could hear the sound of horses hooves and running feet….

Gaining an understanding of what different individuals respond well to (or perhaps do not enjoy) has been really important for developing the sessions. In one group, we found that a wide circle arrangement was important to give some individuals space, whereas another group developed a real sense of intimacy by having the story circle brought tighter. Some individuals have developed their confidence in participating by being offered the chance to add extra sensory layers to what is now a familiar story (such as using clapping sticks to create a ‘tick tock’ sound during the part of the story ‘It was a long time ago…’). Others have shown subtle signs of greater engagement as the weeks have progressed. One visually impaired individual who found noisy stimuli difficult really benefitted from experiencing the story in terms of different kinds of touch on her arms and hands – light tapping fingers for rain fall, for example. It also gradually supported her to engage more fully with other sensory aspects of the story – she was happy to smell differently scented gels and hand creams when used within the context of hand massage, and matching speed and intensity of touch to music being played seemed to increase her tolerance of these sounds. Another individual who tended to wander and rummage through people’s possessions during the sessions was able to have her needs met and be included within the ‘action’ of the story by having leaves scattered in front of her, which she carefully picked up and placed in a bag for us to scatter again. Following and accepting the preferences of individuals has been helpful in supporting them to try new sensory experiences. Experimenting over time has been key!

Emmie writes:

I have recently completed my PG Cert in Sounds of Intent  (Adam Ockelford 2008) at Roehampton University. Originally designed to enable children with PMLD to access music,

Sounds of Intent 'maps' musical behaviour and development and divides musical expression into three distinct but interdependent areas: reactive ( listening to music), pro-active ( making music) and interactive ( making music with others). It emphasises an individual approach to musical expression in which the student is guided along at their own pace and direction.

Our aim in the sessions was to provide an array of interesting sounds for people to listen and respond to. This included the words in the stories, the rhythmic call and response of Keith’s poems and chants as well as instrumental music and songs and soundscapes to create the atmosphere of birds singing in the woods or wind blowing through leaves. When working with students with PMLD who might not be aware of sound as a separate entity its important to try out lots of different sound experiences and observe their response. One of the most important sounds for them to hear is their own vocal sounds. With this in mind some of the songs in each session are adapted or purposely created to include vocalisations, which everyone sings together. Students also consistently respond to hearing their name so we use their name not only in hello and goodbye songs but in songs that relate to parts of the story as well.

Its really important to make sure that sound is as different as possible from the background noise many of our students experience in residential homes where the tv or radio can be playing almost constantly. To do this, we have to bring the music over to people and sing and play close to them accompanied by lots of engaging eye contact, expression and a “live” sound. I also make sure that I provide lots of drama and contrast in playing quiet, louder, slow and faster and that there is a variety of sounds created from a range of instruments and voices to create changes in “timbre” Stops and starts are also utilized to create drama and to remember that “silence can be as important as sound!” ( soundabout)

To help students with PMLD make sounds using instruments, body or voice ( pro-active domain) we initially reflect back involuntary sounds to highlight awareness of them, if the student is not making sound intentionally. The next step is to find accessible ways to make sound and to enable people to have as much control in doing this with minimal support. We have lots of different instruments so people can experience the soft and resonant sounds of djembe drums or the pure metallic sound of a tone chime. We have lots of small shakers and hand held percussion instruments that are easy to hold and string them on to belts if the player does not want to hold the instrument for too long. This way it can be held and released at the players will. For tuned instruments we’ve had great fun with a small child’s accordion and playing guitar chords on garageband on the ipad.

Our students with PMLD have different musical preferences and we constantly review how we can accommodate their needs within the class. Some students find it very difficult to relax within the class unless there is some music. For other students especially with sensory processing issues we have to be aware that loud sounds can be distressing and we have to make sure the volume of the music does not become too loud. For some students ( as Coralie said) experiencing touch stimuli enables them to more readily engage with the music as it seems to provide a focus that grounds them and allows them to enjoy listening.

The real joy comes in making music and sound interactively and Keith’s poems and chants do this beautifully. Working with Keith has inspired us to look for call and response songs and to create our own songs within which there is turn taking between music makers and a rich musical conversation emerges. It’s really important to leave time and space to as Keith says to “see what happens” and be ready to respond to our students and allow their input to flourish.

During the sessions we have learnt to look for “magical moments”. One of these was when we sang: “come and gather” a “campfire” song (written by Sarah) where we all sat close together in a circle around a flickering fire on the ipad. Something about the closeness and swaying to the music created a wonderful connection and calm between everyone. Another was when we marched around the room chanting and holding birch wands and re-enacting the ancient tradition of “ beating the bounds” There was a feeling of excitement and energy amongst our students. Is it the music, the movement, proximity to one another? We’re still figuring it out but when these moments happen we know we’re on to something good!!

Keith writes:

Our aim is to bring music, song, poetry, dance and storytelling together in a creative and accessible format for adults with severe and profound and multiple learning disabilities.  Both Sarah and Emmie are singers and musicians with a vast knowledge of folk song. Sorted!

And here, as a taster, here is our chant of The Great North Wood.  This can be performed as a poem using call and response but also as a circle dance, as the words suggest, or as both together.  Emmie has set it to music, so it is now a song: and so then, of course, we can perform it as a song, a poem using call and response, and a dance, all  at the same time.  We have also had guidance from British Sign Language users and teachers so in addition the chant is signed. An interactive poem, sung to live music, danced and signed at the same time.

A Guardian reporter, should one ever come and join us, might describe the workshop as an example of ‘Gesamtkunstwerk.’ We just think of it as putting it all together.

The Chant Of The Great North Wood

If come you can

Then come you should

To join us all

At the Great North Wood

Hand to hand

Each to each

We dance around

The copper beech

Eye to eye

So we can see

Us dance around

The old oak tree

If come you can

Then come you should

To join us all

At the Great North Wood

Side by side

Come and go

We dance around

The mistletoe

Toe to toe

You and me

We dance around

The rowan tree

If come you can

Then come you should

To join us all

At The Great North Wood

Circle dance

Beneath the sky

Our circle

Has no I

Root and tree

Flower and leaf

The Great North Wood

Beyond belief

If come you can

Then come you should

To join us all

At The Great North Wood

Anyone wanting more information on The Great North Wood is welcome to contact soundtrackscollective@gmail.com or by twitter at @Soundtracks16

Montessori, Vienna, Peace

May 2018

Videos that inspired me are at the bottom of ‘Keep Reading’

I have never been the best at keeping up to speed with writing regular blog posts. Strange seeing as I am certainly a talker when I get going. However, I suppose that given the fact that my topics of conversation often revolve around repetitions such as health and money matters and similar everyday stuff - it is probably just as well that I don't write a blog post every day!

I would though like to write with warm greetings from Vienna. I have been here since the beginning of March and I am here until the end of July - possibly longer. 

I lived in Vienna previously - for five and a bit years. I first came over with the European Voluntary Service to work in a Caritas refugee home. That was back in 2003 so before the current refugee crisis. I then got a job working in an International Montessori Kindergarten near the United Nations in Vienna. I was invited to start work and to train to be a Montessori teacher at the same time. It was my first time working with children in an official capacity (I had done baby-sitting, GCSE Child Development and had worked with children in the refugee home). However, my employer said that the Montessori philosophy seemed to be quite similar in ways to the philosophy that I had worked with previously in L'Arche.

I say it to almost everyone that I meet - that Montessori philosophy has really influenced all of the work that I have done subsequently. I used it when working with adults with learning disabilities, when woking as an learning support assistant in a primary school, when doing private tutoring, when working at the Natural History Museum and in the other heritage work that I do. Following that first time in Vienna, I spent ten years in London and have now just returned! With it becoming increasingly more difficult to make my CV fit into any decent size, it's a relief that at least now returning to my previous employer, I just need to do some alterations with the dates and do not add a completely new workplace!

Something that I really wanted to share in my blog is how inspirational I found the Austrian Montessori Symposium that just took place not too far from Vienna. I hadn't known what to expect from the symposium but was very pleasantly surprised. Something that has been on my mind for a little while and in particular when retuning to the Montessori Kindergarten was the topic of peace education and basically the cliched quest of how to make this world a better place. I was so thrilled to be able to listen to speakers and take part in seminars that enabled me to contemplate and learn a bit more about Montessori peace education. Peace education underlies all of the Montessori education from birth - but it really gets to greater depths when working with children from school age onwards.

Montessori philosophy as I have understood it from the Kindergarten age, is that peace education begins with enabling the child to understand their place in the world. This is developed through offering the child ways of interacting with the world around them, which includes learning about the world through the different senses and through specially devised materials and activities. An activity that has always felt special to me is the land, water, air activity that we did/do in the Kindergarten. Through collecting these elements one by one and through talking about them - beginning with our observations - we realise how lucky we are on this planet - to have all these things that we need and it encourages us to look after this planet.

The first lecture of the Symposium was by Judith Cunningham and she talked about peace education in Montessori. She talked about how this is achieved through Montessori's cosmic education. Some of the other key words I jotted down during the talk are: the great lessons (and great questions), grace and courtesy, the interdependency chart, the fundamental needs of people chart, one nation, my part in the world, the great river chart - need collaboration - as a metaphor for human collaboration.

I was blown away by the project that she set up which is the Montessori Model United Nations. Young people aged 9-15 get to be United Nations ambassadors and take place in a construction of the United Nations processes. It sounds absolutely amazing and works by giving the children the chance to meet children from around the world and to discuss the real issues of this age. The young people must represent a country other than their own and so they get to feel what it is like in another countries shoes as such. It makes the most of the knowledge that Montessori had that young adolescents are agents for change - that they have a huge sense of justice, human rights and civic responsibility. The aim is that young people feel empowered as opposed to the hopeless feeling that is so common in this day and age. The young people work in the way the UN do to come to a consensus on the issues they discuss and create resolutions and vote on them! Anyway watch the video - it says so much more than I can here. I also apologise if I have misquoted anything. They have also set up the Youth Impact Forum as a way of sustaining the goals the set out at the MMUN events.  Anyway I could say more about the conference (there was lots more) and I could probably say more better. However, I guess I now want to be responsible for working out what I can do to contribute more to a peaceful world. I am enjoying working with children again and using the Montessori Method and I also want to find out more about Montessori Peace Education.

I will try and keep more of a track of my work and career development here as well as interesting things (to me at least) connected with museums and learning, access and digital in particular.

Think it took me a whole term (of not studying) after my degree to get to the place where I am now - trying to think more strategically about my career.... In particular about how I can develop my freelance skills as well as keeping my eyes open for more  permenant work opportunities. I'm open to a lot but also know what's important to me - to feel good in a role - and in what I can offer in a role. ... The journey continues!

‘I wish I were a cat’ .... trying to follow the style of the book to create art works... either an origami cat/dog or cut out clothes and trees etc from origami paper.... Native English Speaker at a Vienna Primary School... 

Its Been a While

April 2017

I can't believe that is has been so long since I last updated this blog. I am still very much working in this field as a freelancer. It sometimes happens that energies need to be transferred away from things like blog writing. In my case it has been the fact that I have been taking on new work and therefore as well as this new work involving new planning and making and practising - it has also been a time of processing and reassessing what I do.

I have been feeling pretty ok about the work I have been doing in this area up until now. However, having taken on several pieces of new work at once I suddenly realised that I felt a bit of anxiety and I felt a bit like I needed to go back to basics.  I guess no-one really likes feeling stress, however, I see this time of reassessment as a positive thing in the long run. It is important to discover what essence new work will take on for example in terms of needing to work out a new sense of flow for sessions and also to have a feeling of humbleness in the light of meeting new people, getting to know them and what they enjoy.

So what work have I taken on? I have started to work at the National Maritime Museum (NMM) as one of the new SEND Facilitators, trailing new sessions for children who attend special schools. It is called 'Sensory Seas' and involves children becoming explorers at the NMM. I have also led a couple of sessions on behalf of the English Folk Dance and Song Society (EFDSS). These sessions have been  short music and storytelling sessions for two groups of children at a special school. The sessions have been based on English folk songs. I have also recently started leading music sessions at two residential homes for adults with learning disabilities. This week I will be joint leading the first of three sessions leading up to a performance of the 'Invisible Palace' 'Boundaries' project in Crystal Palace Park. We will be supporting L'Arche London to take part with other local community groups. Emmie and I are focussing on stories connected to The Great North Wood and Crystal Palace Park. Last but not least - I have been developing ideas for a couple of other local heritage projects! More to follow on those...

Jam packed Westow Park for the crystal palace overground festival... Where I was happy to meet some familiar faces as well as some previously twitter only acquaintances. I also met some new locals at their stalls (and shops) - i introduced myself and handed out some little flyers to try and recruit more trail participants!

Behind the mask activity…. We worked up to this by learning describing words and writing words about each other. Then the kids could choose what they wrote about themselves…

Today Bedford Avenue and surrounding area in Brooklyn...