to the ones that encouraged me
Ink/sketch/restober
The end is near
(Thank u tumblr user saintjustitude for the david 8 meta hahahaha I love it)
the ninja interests are coterminal, im afraid 🥷
most of my entire brand is being the terminally online guy and the caffeine guy but literally being forced to get off the internet during film crunch and weaning off coffee has put me in a way better mood and im not even joking. dattebayo
Robert Valley designs for Disney's Motorcity
Hi!!! Hello!! Sorry for bother you but it's so nice to finally found some English-speaking Nintama enjoyer!!! I really love how you draw the nintamas!!! They're so cute and adorable 💖💖
HI THANK YOU SM...the English fanbase is so small it's awesome to find someone else who's into it. such a fun show
intuition
Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)
If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
HIIII what brushes do u use……
HI ANON sorry for the ridiculously late reply 🙇!!
left: My favorite pen type brush for sketching/inking are the emilyamiao procreate brushes. they have a bit of texture and a nice flow so theyre great for stabbing out ideas. wet inky is a bit flat in shape and its better for inking imo.
right: painting brush used here is the default procreate brush eaglehawk, under the drawing section, and the lineart brush is fountain pen ❤️ (quote unquote) from I believe jingsketched's brush set??? the variation in line weight is nice but its a little what i would call "gritty" so it doesn't flow as well.
recently also very based and syruppilled. another procreate default brush under inking! lots of line variation, a triangular-ish shape, and no anti-aliasing. also good for painting LOL
left: 6b pencil (procreate default brush, under sketching) is great for sketching/lining depending on the feel and if you tilt ur pen to the side it makes a nice big grainy smudge which I like to use to indicate form shadow sometimes. i also made a modified version (see above) with the count turned way up and the scatter turned down iirc. if i remember later ill reblog with a brushpack file or something XD
right: vine charcoal 3 and 4 from kyles dry media set in photoshop. 3 is kinda blotchier and i mostly rlly use it for effect. 4 is this kind of soft triangular/rhomboidal brush that i use for quick sketches sometimes
TBHH it depends a lot on the style/feel of the drawing im going for/just the general mood so there's a few drawings where I probably just whipped something out of a random brushpack LMFAO but I tend to prefer flowier/harder brushes with a bit of size variation/jitter and an imperfectly round shape! ymmv.
|| Q || || ENG/中文 || calarts ca 28 || animator, character designer, yapper. a place to upload art logs/doodles.
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