Wow clearly the words of a genocidal maniac amirite đ€Ș
Itâs almost like it takes time and effort to actually enact foreign policy and the people whose activism ends at reposting slogans online or defacing Jewish businesses will never understand that because their entire political ideology hinges upon refusing to engage with reality
âȘ261 of 365: âThatâs why I love you.ââŹ
âȘDonât touch me, I just love best friends in love OKAY!? And the way he looks at her.. I- *grabs heart* àČ„ïčàČ„âŹ
iâm willing to believe some people are genuinely idiots who donât know that 90%+ of polish jews were killed in the holocaust (and made up half of all poles killed in wwii), but. itâs almost like this shit helps nothing and no one
Iâd never really gotten a chance to look before, but I had the urge to look at the AIDS quilt after remembering Duane Puryear, and I was just browsing around when one caught my eye in particular on block #2336.
Iâm a sucker for the night sky, and upon further inspectionâŠ
Greg Kyper would have been 70 years old today, February 2nd 2024, if not for AIDS, and ohhhhh Iâm gonna cry. I can't believe the chances of me stumbling upon his name today of all days. I'm going to try finding out more information about him and his life if possible.
I never met you Greg, but I love your quilt design. It's beautiful.
Please tell me if any of the links arenât working
Faces:
Face Tutorial
How to Draw the Human Face
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Thank you @mdoodlerfandomart for the ink art. I had fun coloring my favorite HTTYD ship.
The original
BROKE OPEN THE HTTYD2 DVD FOR RESEARCH. MY LIFE CONTINUES TO BE IN SHAMBLES
Anyway the pushed back helmet is an under-appreciated hiccup look
ref from screenshot!
Ah, that answers a lot of questions thank you.
A little while ago you reblogged(?) a post about not using certain monsters because they belong to certain cultures unless you belong to those cultures - Iâm not trying to be offensive or ignorant, I was just wondering, if enough research is done and appropriate respect is taken to those origins, is it ok to use them? I mean, is there something to be said about sharing parts of stories? Is it any different than using monsters from Greek mythology?
Youâre referring to this post.
Itâs complicated, but it boils down to âSince so often the research isnât done and appropriate respect isnât given to the originating cultures, it is better to err on the side of caution; as part of that, abstain from using those entities (especially as theyâre typically presented in pop culture), and instead use these substitutes.âÂ
I mean, is there something to be said about sharing parts of stories?
Yes, there is something to be said about sharingâwhen itâs shared by someone who it belongs to. Otherwise, itâs theft. And cultural theftâof dominant cultures taking the âfun bitsâ of cultures that they find interesting and discarding the restâis a massive problem right now. Â
Let me give an example thatâs particular to my culture. My culture is Jewishâor, speaking more specifically, Rabbinic Judaism, which developed from Pharisaic Judaism after the destruction of the Holy Temple by Rome almost two millennia ago. For the last 1900 years, my culture has been living in diaspora at the (dubious) mercy of gentiles, and weâve developed a wide array of religiously and culturally meaningful rituals, stories, foods and so forth. These cultural artifacts are ours, and I can say without hyperbole that we have been brutalized and killed for practicing these parts of our culture. We have paid, in blood and lives, for our right to these practices as part of who we are.
Now, after centuries of having killed us for our culture, Christians are instead stealing bits of Rabbinic Judaismâs cultural practices for themselves. Christian âSedersâ at Passover are a thing. Christians write thinkpieces on why they should celebrate Channukah. After centuries of persecuting Jews for practicing Judaism, Itâs considered cute and trendy to take the âfun bitsâ of Judaism for themselves. (And thatâs not even touching âMessianic judaismâ and itâs wholesale theft of Rabbinic Judaismâs cultural practices in an effort to convert Jews by trickery). Â
Imagine how I feel about that sort of theft, seeing it again and again and againâŠ
So youâre asking me if you can use the Golem in your stories?
Well, why should you? Do you know that the Golem was made as a protector by the head rabbi of Prague to protect the Jewish community against the Christian community during a period of repeated accusations of Blood Libel? That it was essentially made as a defender that wouldnât abandon us, that wouldnât take our money and turn on us like mercenaries did, when the mobs came with torches and knives to kill the Jews who they believed were kidnapping Christian children to use their blood? That it was a story told by Jewish parents to Jewish children that we would have a magical bulwark to stand between us and a world that wanted to kill us in horrible fashions? Â
Why should you take that and get to turn it into a generic constructed monster built by a wizard as a dumb defender of his wizardâs tower when there is a perfectly acceptable substitute in the form of elementals, which donât have that baggage of coming from an abused culture watching the stories that theyâve kept for themselves be torn away from them and used for the enjoyment of the people who persecuted them? Why do you have to take it? Why does your desire for it outweigh our wish that you leave it to us?
As for the difference with the Greeksâwhile the Greek pagans are making a comeback, the original religion of the Greeks has been destroyed and paved over with Christianity. Thereâs a fundamental difference between taking from a dead culture and a living persecuted one. Â
a really fun recent commission: this custom bookplate for the curator of Judaica at the Museum of the Bible! it's based on a variety of texts that describe (at least some) sheydim as observantly Jewish - especially the Talmudic stories of Yosef Sheyda, a demonic scholar or possibly even a rabbi himself. the quote in the window is from Psalm 24, "the earth is the Lord's, and everything in it" which is often written above an owner's name in Jewish books, but provides double meaning here for the fact that sheydim too are divinely created. Jesse shares my love for sheydim as transgressive, marginalized figures who are nevertheless deeply Jewish, so this was an ideal collaboration & a delight to make!
also done entirely in Procreate, inked with True Grit Texture Supply's "Rusty Nib" engraver brushes - totally in love with this new process & the relative ease of accomplishing this type/level of hatching vs. traditional media (giving me added respect for the 17th century printmakers I've been studying). i will always love working traditionally but adding more digital techniques to my repertoire has been super useful.
https://chng.it/HGkzFt6Nc8
age:19 fandoms: FF14, MLP:FIM, HTTYD!movie, MHA, KH, Genshin Impact, etc. Hobbies: Art and Video games She/they (Deviant Art: https://www.deviantart.com/rainbowponypotato) ( AO3: https://archiveofourown.org/users/Potato_frend) I'm thinking about setting up a small business for my art. Any Tips for doing so are welcome.
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