Be in the British Invasion (The started it).
Play a stadium concert.
Ever record a music video.
Do a worldwide satellite broadcast.
Use feedback in a recording.
Use electric keyboard and synthesizers in songs.
Use sampling in their songs.
Use a sitar in popular music.
Have ALL members sing lead vocals.
Have a radio single go over the standard 2-3 minutes in length.
Have their drummer sit on a higher platform than the rest in concerts.
Have one song dissolve into another.
Make a concept album.
Hold the #1 spot on American and British charts simultaneously.
Debut in the top 10 on U.S charts.
Release an album with more than 10 songs.
Write more than half the songs in an album.
Use a harmonica in a rock single.
Star in a feature film.
Record sound in their song only a dog can hear.
Have their lyrics printed in the jacket of the record.
Release an album with a completely blank cover.
Use headphone monitors in the recording studio.
Use backwards vocals in recordings.
Use a full orchestra in popular music.
Use the guiro and claves in rock.
Do an album of all original songs.
Create experimental sounds in the studio.
Utilize psychedelic rock.
And the list goes on…
THEY WERE MEAN TO HIM
Monsieur, with these Rocher you are really spoiling us.
↳ excerpts from: How Does a Beatle Live? written by Maureen Cleave (p. March 25, 1966; I, III-VI) and Barry Miles’ interview with Paul from the International Times (p. Jan 16, 1967; II)
I. in conversation with julie felix at a party, january 1967 II. cover of the international times III. on the set of paperback writer, may 1966 IV. rené magritte - the false mirror V. france, october 1966 VI. the wrapping paper paul designed as a surprise gift for indica’s opening
I love when Mo walks under his arm like he’s not even there. Go Mo!
JANUARY 30, 1969 “I love when Paul jumps up and down on the plank, to see if it’s going to hold his weight. He comes across being as hard as nails. They’re all complaining about the cold, but he’s wearing less clothes than anyone else. He’d like to do a two-hour set—impervious to any temperature whatsoever.”— Giles Martin
This is the kind of thinking that only tumblr delivers.
The transition in Paul's attitude from 66' to 67' freaks me out a little and I think should be talked about more. In 66' he's full on ready for independence and spouting off in magazines like ''I'm my own person, I want to grow up, do my own thing, maybe only work with the Beatles when we feel the need to'' etc. Contrast that to 67' and he's full-blown May Queen from Midsommar "Leaving? Why would you say that?? I'm staying forever and ever and ever with the Beatles, financially handcuffing ourselves to each other just feels good y'know, so what if I'm psychically fused with John whats the big deal?" enmeshed. Sure he's got Jane but even she leaves partially because Paul's first and foremost part of the four-headed monster.
Like Paul, what happened??? Did they lock you in a room clockwork orange style with a shit ton of LSD and the Beatles cartoon? Did John sneak into your room at night and start playing a menacing arrangement of the Beach Boys at a subliminal frequency? Did you get spooked by independence and taxes and run back to the loving embrace of the emotional polycule? It frankly makes the LSD peer pressure thing come across as vaguely sinister/j.
The Beatles don't get enough credit for being the weird microcosm of in-group/out-group pack mentality behaviour that those little freaks were. Seriously, it should be studied.
Make it stop. Ouch.
“Even the little peripheral things become interesting. And I love hearing that, because it’s my story. All these little things, like you say, things that you thought had gone away. There’s one thing, I don’t know whether they used it somewhere, but I was on a very early Beatles session when we were downstairs and the producer was upstairs. I’d forgotten to bring my pick to the session. We used to call it a “plec,” like a plectrum — just a little thing between me and John. And I said, “Oh God, I forgot my plec.” He said, “Where’d you leave it?” I said, “Back in the hotel. It’s in my suitcase or something.” And he’d go, “Oh, soft head.””
— Paul McCartney, Rolling Stone (2021)