To Maintain Proper Focus While Writing, I Like To Make My Characters Smokin Hot.

I don't think people without sensory sensitivities understand that what I'm asking of them is no more than I ask of myself.

I practice ways to avoid setting off both my own sensitivities and the sensitivities of others. I've taught myself to chew and swallow as quietly as possible, to scoop ice cream and stir tea without clinking the metal spoon against the side of the ceramic cup, to not smack my lips, to never clear my throat unless there is no other option and then to only do it once or twice. I repress my stim of touching my nose and upper lip when in the presence of one of my siblings because for some reason it bothers them (they don't have sensory sensitivities so I'm not sure why they dislike it, but I'll respect their preference).

I don't choose to have these. I would get rid of them if I could, but no amount of exposure and trying to stay calm has vanquished them. My sensitivities come and go as they please, and some have been with me for as long as I remember.

Yet somehow when I ask others to not set off my sensitivities, I'm told that I am overly sensitive, lazy, and just trying to annoy them.

If you’re ever feeling down, read this paradigm for “banana” in Icelandic. read it aloud. you will feel better

a tip for when you're looking for something

I, like many autistics (and, from what I've seen, like my friends the ADHDers), absolutely suck at finding things. Set it down on my desk, and poof, it's gone. If I'm looking for something I haven't seen in days? No luck.

But recently, my dad taught me a trick--don't look for the thing. Ask if what you see is what you want to find.

Looking for the pink sticky notes in your drawer? Don't just aimlessly go "where the fuck are my pink sticky notes?"; instead, examine each thing and say "what's that? Tape. What's that? A pen. What's that? A candy wrapper. What's that? OH IT'S MY PINK STICKY NOTES!"

Same concept for finding a certain book on your bookshelf. "Where's Lord of The Rings?" isn't very helpful; going "That's the Hunger Games, that's Cinder, and that's LOTR" is.

Same concept for food in the fridge. "That's milk, that's eggs, that's the cheese I was looking for".

Same concept for basically anything you're looking for. I don't know 100% why it works, but I'd have to guess that by eliminating the general "sweep around" type of searching and forcing yourself to actually look, your brain can't do the weird little "let everything fade into the clutter" thing that a lot of ND brains (and some NT brains!) do.

I hope this can help someone! :D

People can be so quiet about their pain, that you forget they are hurting. That is why it is so important to always be kind.

— Nikita Gill

Nerdanel: What are these?!

Fëanor: Dwarf costumes.

Nerdanel: Why? Have you lost your mind?!

Fëanor: How many dwarves in Snow-White?

Nerdanel: Seven.

Fëanor: How many sons do we have?

Nerdanel: ...seven.

Fëanor: Et voilà.

My BIGGEST pet peeve when it comes to Tolkien is how people will sometimes characterize Melkor’s rebellion as being about him wanting to do his own thing and rebelling against Illuvatar’s oppressive sheet music.

THERE WAS NO SHEET MUSIC!  Illuvatar wasn’t forcing anything.  The Ainulindale was improv.  Illuvatar just gave them the theme, the idea, the feeling, the starting point.  The Ainur were drawing inspiration from the thought of Illuvatar, sure, and so long as they were in harmony the music played precisely as Illuvatar intended because Illuvatar had created them and knew how they worked together.  But the music of the Ainur before Melkor’s dissonance was quintessentially creative, as well as corroborative.  It was spontaneous, perfect harmony of free individuals perfectly in tune with each other, whose improvisations were constantly building upon each other.

Melkor’s rebellion was not about asserting his freedom of expression, because his expression was already free.  Instead it was explicitly about making his own voice louder and more important than anyone else’s, and subjugating the creativity of others to instead convince or force them to follow him exactly in repetitive unison.  And so, when Melkor’s goal became drown everyone else out, instead of make beautiful music together, his music became less creative, less innovative, and less his.

So it kind of annoys me when people talk about Melkor like he’s all for freedom of expression when he’s pretty much the opposite of that.

people who live in areas where there are native lizards should never take that for granted. you can just go outside and see a little guy hanging out. what’s better than that?

Have you ever wished there was a comprehensive, easy access resource of Every Tolkien Character Ever? Look no further! Now presenting:

The Tolkien Legendarium Characters Masterdoc!

compiled by @arofili, @ambrorussa aka @welcometolotr, @jaz-the-bard, and @fingons-rad-harp, this spreadsheet contains - to the best of our ability - ALL 1100+ characters that Tolkien incorporated into (or considered for) his Legendarium! this resource is open to the public for perusal and use in your fan projects of all kinds, though its creators are fanfiction writers and we organized the doc with our craft in mind.

we have organized this database by character race/species and Age. each character has attached information on their name(s), cultural/familial affiliation(s), life dates (when known), associated places, textual source, Ages/timeframe of activity, gender, relative canonicity, and brief pertinent information - as well as a link to their page on Tolkien Gateway (our main source) where you can continue your research on any character you choose.

characters of ALL levels of canonicity are represented in this sheet. that includes the wacky, wild stuff from the Book of Lost Tales, as well as Frodo himself! our designations of “how canon” a character is are inherently subjective, and you are free to disagree with our rankings; with this categorization we hoped to give people an idea of what to expect upon exploring the characters yourselves. please consult our Key for information on how we made these decisions. this document is a jumping-off point for your own research!

if there’s something you’d like to sort for that we didn’t provide, you are free to make a copy and reorganize the spreadsheet however you would like. (however, we do ask that you only redistribute the original sheet.)

this sheet includes characters from every text written by Tolkien that we could find information about on Tolkien Gateway. we are only human, and are thus likely to have made some mistakes or missed some characters - if you think that’s the case, please let us know so we can update the document!

if you think there is a character missing, or you would like something added/redacted/altered, contact the sheet owner @arofili on tumblr or annaquenta#6263 on discord and we will consider your request.

in addition to Tolkien’s own characters, we have included some characters who only appeared in Peter Jackson’s film trilogy adaptations. we are open to including characters from other adaptations, but we weren’t familiar enough with those to add them to the document. if you desperately want to see an adaptation-only character in the document, let us know!

we hope this resource is helpful for Tolkien fans of all kinds in learning more about his characters both weird and wonderful! happy headcanoning!

LINK TO THE DOCUMENT: tinyurl.com/TolkMasterDoc

it’s sad how many FAKE FANS out there havent read the silmarillion 2 

Things that are really fucking me up today

Just how close in age Elrond and Elwing are, by the Elf standards. It must be so strange when they finally meet, to look at each other and realize the difference between them is only a little over thirty years.

Like, in comparison Finwe was a thousand years older than Finfarin, and Elrond was already roughly 4000 years old when he had Arwen.

So idk it just must have been so strange for them. A mere thirty years is such a wildly negligible amount of time. They’re basically peers when they first meet.