Fact: Lúthien Mostly Uses Her Magic Through Music, As A Possible Nod To The Ainulindale; The Power Of

Hiya ! For the art thing (if I'm not too late !) how about Sokka in 6 and 8? ^_^

not gona lie, this pained me a tiny bit to clour it because these colour are compleatly out of my comfort zone. liek so bright so nearly neon? but it was fun! look at this sleep cozy boy!

uhm... i had only 4 slots open so i am sorry for the one i couldn't do. maybe an other time! --- art - blog: @chiptrillino-art

[ID: Sokka from Avatar the Last Airbender, drawn from the chest up, curled up in a blanket. he is facing the viewer smiling with his eyes closed seeming sleepy. his arms are fisting the edge of a blanket he is wearing like a hood, resting on a table. on the left side on the border of the image above is a text saying "please don't repost" on the right side is a small yellow emoticon showing an expression and 6 circles filled with shades of yellow, orange and purple that are the reference for the drawing challenge. on the left side border of the image centre is the artist's signature "chiptrillino . 2022" End ID.]

reblog and describe your favorite tolkien character in the tags

Ran into my seventeen year old brother in the kitchen at 1am last night and when I asked him what he was doing he just shrugged, said “these are my roaming hours,” and walked off strumming vaguely on his guitar

Cartographic Practices in Arda: Hobbits

[overthinking fantasy cartography series: Elves, Orcs, Dwarves, Hobbits, and Men]

o   We know Sam isn’t much for geography - “maps conveyed nothing to Sam’s mind” - but Frodo studied Elrond’s maps in Rivendell, as did Merry, and both made sense of them; so if hobbits do use maps, they may use similar techniques or representation practices to the Elves, and their maps would be mutually intelligible

o   Hobbits do not seem to travel much beyond the Shire, nor need to know much outside its borders. Merry and Pippin, however, who do travel quite a lot back to the south in the Fourth Age, could expand hobbit cartography and place the Shire within a broader political and geographic context. Whether this knowledge is spread among the hobbits more generally, hard to say

The sparse and stylized map given in The Hobbit might be a fair in-world depiction of the limits of hobbits’ grasp of geography, gained through rare instances like Bilbo’s travels

If Merry and Pippin do contribute to updated maps (Merry more likely than Pippin, I imagine), they might well incorporate mapping practices, place names, and territorial divisions according to the realms they serve (so, situating the Shire as an autonomous region within the reunited Arnor-Gondor realm, and adopting Men’s cartographic practices)

Such maps would be more useful to outsiders adding the Shire into their spatial conception of Middle-earth; I doubt they would be much used in the Shire itself

o   Hobbit cartography would relate to land use primarily, I think, mostly agriculture; towns and land tenure would also be noted, since their class structure seems based on land ownership (even though the mechanisms of land acquisition or means of wealth accumulation are murky - they aren’t feudal lords; they aren’t collecting tribute from workers, but plainly there *are* workers and landed gentry, so ??? how did that develop??)

Though, if property arrangements are fairly stable and inherited, and everyone knows which hobbits belong where, is it even necessary to make formal maps of this? Might not customary boundaries just be common knowledge and maybe marked on the ground itself, but hobbits wouldn’t need maps for it?

If they did make physical maps, there would probably be notations for social establishments – taverns, inns, etc. Beyond the borders of the shire, Bree might be the last place actually marked. Again, though, these are the kinds of spatial relations I think would be negotiated in real time through spatial practice, but not recorded cartographically

I suppose given the Sackville-Baggins’s coveting of Bag End, property disputes may be a thing, and being able to assert recorded land claims might be useful - so records of property ownership might be cartographically relevant

o   Beyond such record-keeping, though, I think hobbits wouldn’t really need or make maps unless engaging with outsiders – they know their territory, they understand the rules of ~property ownership~ (historically inexplicable as it is to me) and whatever implicit spatial boundaries or sites of importance exist across the Shire. There might be casually-made “maps” for basic wayfinding if one had to travel to a distant village, but I doubt anyone’s making the type of formal or standardized maps for territorial governance that might be used by a more established state and military - which the Shire lacks, of course (and good for them)

But I can’t talk about climactic sentences in Tolkien’s works without mentioning what is, in my opinion, one of the best things that has ever been written in the English language.

And in that very moment, away behind in some courtyard of the City, a cock crowed. Shrill and clear he crowed, recking nothing of wizardry or war, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns. In dark Mindolluin’s sides they dimly echoed. Great horns of the North wildly blowing. Rohan had come at last.

This is unparalleled. This gives me chills every time I read it. It may be my favorite quote in all of Tolkien’s works, except that choosing a favorite quote would be an impossible decision to make. It’s so inspiring. It’s so moving. It’s so heroic. And obviously, it’s a moment of pure eucatastrophe. Rohan had come at last.

And the moment that Pippin hears the horns of Rohan:

When the dark shadow at the Gate withdrew Gandalf still sat motionless. But Pippin rose to his feet, as if a great weight had been lifted from him; and he stood listening to the horns, and it seemed to him that they would break his heart with joy. And never in after years could he hear a horn blown in the distance without tears starting in his eyes.

I LOVE LORD OF THE RINGS SO MUCH

breaking news: local british magician collapses from exhaustion after carrying the entire fantasy genre’s gaslight gatekeep girlboss representation since 2004. “mr norrell is such a #icon,” our sources report. 

At a certain point, it’s just Feanor and Eol remaining unrepentant in Mandos.

Feanor nods along as Eol goes off about: the Valar; people usurping what is his; a disloyal wife who betrayed him by trying to separate him from his son; how, if he did any wrong, it was because his hand was forced by people stealing from him, and that is what caused his family’s deaths!

Immediately after this, Feanor goes to Namo and is like. “Okay. I see it now. I was a prick, my bad.”

Namo is so shocked that his watch on the doors of night falters and that’s why Feanor’s return heralds the end of the world. Not with a bang, but with Feanor apologizing.

@helimir brought up such a great point in her tags on this post

The topic of the glory of failure in Tolkien's work is a very interesting one.

In fact, most endeavors end up in failure.

Whether it's Frodo failing to complete his mission, Smeagol failing to free himself of the ring & Gollum, Boromir failing to save the hobbits (or Gondor), the Noldor failing to defeat Melkor, Fëanor & the Fëanorians failing to take their revenge and (for most of them) their Silmarils, Maedhros failing to escape his doom, Fingolfin failing to defeat Melkor, the whole Nirnaeth, etc...

They all fail. But the failure is so epic. So spectacular, there is such a grandeur, such valor & prowess, such tragic beauty, such tales, dare I say, such grace to their failure that could never be found in victory.

They're all still hailed as heroes. (Or at worst, tragic fallen heroes or anti-heroes.)

Whether it's Frodo managing to keep his soul if not his peace & happiness & old life for the mercy & pity & kindness he once showed, whether it's Smeagol unintentionally destroying what destroyed him & saving Frodo's soul, Boromir regaining his honor, Fingolfin leaving a lasting scar on Melkor, Maedhros' true nature finally showing itself after so long in his last moment & expressing such deep shame & regret by killing himself when the Silmarils judged him evil, Maglor's good nature shining through even in his worst moments when he decided to raise the half-elven twins & passed down the best of himself still remained to him to them & them growing up to become such great people, & eventually his good nature showing shame & regret by condemning himself to be forever separated from people & singing songs of regret...as @helimir beautifully expressed, if it's not outright a redemption arc, it at least feels like it. Their struggles mattered, but even more than that, their struggles were what mattered.

Even in things like Nirnaeth that were nothing but catastrophes, they're such beautiful, epic, spectacular catastrophes.

Really, how many endeavors truly result in success?

They made an effort, & therefore, they left an impact. & for that, they went down in history. If not as heroes then at least as tragic figures.

They dreamed, they hoped, they willed, they fought, they tried, they were here.

& that mattered.

Whenever I read LotR and reach the battle between Eowyn and the Witch-king, I get the impression that the reason why the prophecy loophole works isn’t that the Witch-king is unkillable except for some illogical weakness nobody had thought about yet for misogynistic reasons, but that the Witch-king himself derives so much of his power from the fear he instills in others and from his own belief that he is unkillable. Eowyn doesn’t fear him, because she doesn’t fear death. When she twists his words right back at him, she’s not trying to exploit a prophecy loophole, she’s just making a play on the double meaning of the word «man» with fairly standard battlefield bravado.

But, crucially, it gets the Witch-king wondering if there might be an actual loophole in the prophecy. He starts doubting his own invincibility. There’s no logical reason why a woman might be able to kill him if a man cannot, but prophecies are tricky things. What if …

And this is what undoes him, in the end. This last minute doubt. The Witch-king, deep down, believes that Eowyn can kill him, thus making it possible for her to do so.

[ID: a four panel comic featuring Katara and Aang.

First panel: Katara looks offscreen, presumably at Zuko, and asks, “Is it just me or is Zuko kind of... attractive?” Aang, who is standing farther back, whips around and gasps.

Second panel: Aang, looking as though he is about to go into full lecture/gossip mode, says, “I’m so glad you brought this up.”

Third panel: “Because I’ve been waiting to talk about this,” he continues,

Fourth panel: “for a HOT minute.” Yes, that is a pun. He produces a list on a piece of paper taller than him that is entitled “Every Attractive Thing Zuko’s Ever Done.” Its entries include “be born, save me, save me in mask, look at me, join our group, ask me to stop using fire nation slang, laugh at my joke.” There are at least 7,898 items on the list, but it is obvious that there are many more.

The caption states, “The list is miles long.”

End ID.]

The list is miles long