I’ll Just Let The Piece Speak For Itself.

90% of arguments about media could just be solved by saying “different people like different things in their stories” and leaving it at that

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thinking again about TvTropes and how it’s genuinely such an amazing resource for learning the mechanics of storytelling, honestly more so than a lot of formally taught literature classes

reasons for this:

basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.

like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.

here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.

TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.

Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”

all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that

I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.

But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.

In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.

On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”

like, storytelling is inextricable from context. it’s inextricable from how big the writers’ budget was, and how accepting of homophobia the audience was, and what was acceptable to be shown on film at the time. Tropes beget other tropes, one trope is exchanged for another, they are all linked. A Dead Horse Trope becomes an Undead Horse Trope, and sometimes it was a Dead Unicorn Trope all along. What was this work responding to? And all works are responding to something, whether they know it or not

Cartographic Practices of Arda: Men

[overthinking fantasy cartography series: Elves, Orcs, Dwarves, Hobbits, and Men]

o   Men might seem like the most straightforward group to analyze, but they’re not. Why should we assume that humans in Arda use the same cartographic practices that we do? For that matter, who is “we”? Cartography is not a set of objective and universally or historically standard techniques; it is not an exact science; the modern maps treated as real or correct maps are not the one true way to represent space. Tolkien’s Edain may be based on Western Europeans, but they’re still fantasy, and there’s no reason that their cartography should look like Western Europe’s

Further, Western European cartography wasn’t standardized in terms of techniques or even units of measure until early states began to want visual representations of their territory that would make them more easily taxed and managed, especially as enclosure policies took off, market forces became increasingly dominant, and controlling a standardized populace became an important goal of government

o    Western cartography is also deeply intertwined with maps as a colonial and imperialist tool, which impacted the development of mapping practices, the lands those maps reflected, and the ways in which space was imagined. I think that governing, planning military operations, maybe taxing the populace, and carrying out various expansionist programs would be the activities in Middle-earth driving cartographic development among Men, similar to Europe, but it’s not inevitable at all that the maps they make for such things would look the same. Maybe they could make maps of layered symbols rather than mimicking on-the-ground spatial relations, or paintings whose details correspond to geographic referents, or physical models of space a la Polynesian stick charts (although I do think there’s an artifacts-have-politics argument to be made about which cartographic practices are most conducive to certain uses and conceptions of space, but I digress)

o   But presuming Men do make maps in the same vein as those found in the books (though I should say I don’t take those as being real in-world maps, per se), what would they map? And how would they map it?

Starting with the Edain and the kingdoms they founded, since their influence is so centered in LOTR, I think their cartography would develop as a formal practice in Númenor, and prior to that, they might use the maps of Elven realms of which they were vassals, or might create their own spatial navigation techniques, not necessarily cartographic

Likely, considerable influence of Elvish cartography on Númenórean maps would carry over to Gondor and Arnor. While Elves might only need maps as reference for memorization, or for military strategy planning, I think Men’s reproduction of and reliance on maps would increase greatly, especially during the colonial age of Númenor and the realms they established. Cartography could become a more established discipline; populations could be managed more effectively, at least under the more competent rulers; similar to early-state-formation Europe, you could see cartography as an increasingly important tool of state 

(this is a long one, so the rest is under the cut)

Keep reading

✩ WEEKLY FIC ROUND-UP ✩

All the fics I’ve read and really enjoyed in the past week-ish. Reminder: This list features any and all ratings and themes.

DC (Batman)

buy the ticket, take the ride by Anonymous

Tim had always figured that if he ever woke up in Vegas sans-memory, it would be when he was older than fourteen. But there were some things he couldn’t control, and apparently whatever had happened last night that he didn’t remember was one of them.

Instead of All the Colors That I Saw by SilverSkiesAtMidnight

Dick comes around to stand fully in front of him, keeping a steadying hand on Tim’s arm. “Just because you know you’re safe intellectually doesn’t mean you always feel safe,” he says softly. “It’s okay if you don’t feel safe.”

“But it’s not okay!” Tim bursts out. “Because if I don’t feel safe, then how is Jason supposed to feel safe? He shouldn’t have to feel uncomfortable just because my brain is screwed up!”

There’s a faint sound by the door, barely more than an intake of breath, and his eyes snap to the no-longer empty doorway.

Day 28 - IT’S NOT JUST IN YOUR HEAD “Good. You’re finally awake.” | nightmares | panic

Star Wars

Present by WhatisWithin

Luke sometimes forgot how scary Daddy was to other people.

It was a weird problem to have. And a stupid one too. He should remember that kind of stuff. Everyone was scared of Daddy.

(After being rescued by his father from the streets of Mos Espa, ten year old Luke adjusts to life on a Star Destroyer.)

Clone Wars

walk by faith/tell no one what you've seen by Killbothtwins

Part 1 of the massive machinery of hope

After the end of the war with the Empire, Obi-Wan wakes up in his twelve-year old body. Now all he needs to do is convince everyone he's psychic, trick his Master into taking him on before he's sent to Bandomeer, redeem a few bad guys, and try not to have a nervous breakdown. Pretty easy. It's not like the Sith are lurking on the horizon, waiting to devour the Jedi Order.

Sticker Burrs by RileeTheRiddler

Obi-Wan gets thrown back into his baby body at the exact moment his birth mother tries to drown him in a rushing river.

Instead of a Jedi, a Mandalorian fishes him out.

General Jocasta by BairnSidhe

Picture, if you will, a shiny new High General Obi-Wan who has just been given control of the GAR on the logic he's the only Jedi with war experience. Except he's never actually organized an army before, and he needs help.

Enter Co-High General Jocasta Nu, who runs the GAR like she would the Archive. Everything organized and cataloged, her precious Collection now expanded to include the entire GAR.

And well, she's a librarian....

The Sith never stood a chance.

Of Tookas and Interdimensional Wormholes by FictionalDragonMother

This is a silly fic about fluffy kitties and their war-torn counterparts who expose a great evil and somehow manage to save the Galaxy along the way. Okay, actual description time:

When the Force decides that things are starting to go down the wrong path, the mystical presence decides to shake things up. And what's the best way to flip the script? Bring in cats. Lots of cats. Cats on the Resolute, cats on the Marauder, cats running around the Jedi Temple and sitting in the seats of Jedi Council members. Is that a completely hairless cat on Chancellor Palpatine's lap? Gross. The rest of them are pretty cute though.

If you’re ever feeling down, read this paradigm for “banana” in Icelandic. read it aloud. you will feel better

You never know how long your words will stay in someone's mind even long after you've forgotten you spoke them.

— Unknown

Ko-if link is on my page

As is my commission info

Sauron’s First age elf ratings:

Feanor: husband stealer -5/10

Maedhros: squishy, screams loudly 7/10

Fingon: stole favourite prisoner 2/10

Celegorm/Curufin: commited grave sin of letting Lúthien leave to fuck shit up 0/10

Lúthien: FUCK NO. SCARY AS HELL -1000/10

Thingol: has scary wife 1/10

Finrod: tasty 9/10

Fingolfin: hurt husband -2/10

Turgon: unreasonably paranoid 3/10

Maeglin: whiny 6/10

Gil-Galad : who is he?? 1/10

Galadriel: too close to Melian -1/10

Elrond/Elros: mini Lúthien x2 -20/10

Eärendil: killed favourite dragon -30/10

The difference between Beren and Luthien and Aragorn and Arwen is that the former follows the conventions of fairy tale and the latter follows the conventions of courtly love. In this essay I will