pairing: sam x reader
wc: 1.1k
tags: CHEEEEESY cheesy cheesy puppy love, mutual pining, sam is PATHETICALLY down bad, pre-relationship, abigail and sebastian mentioned, friends to lovers
synopsis: if it were up to sam, he'd spend every second of everyday at your side.
a/n: in all of my other sam fics, its reader embarrassingly in love with him...he gets a taste of his own medicine here lol!
With vanilla ice cream melting and dripping down your fingertips, coarse sand underneath you and the salty ocean waves lapping at your feet; you are a child again, sitting with your grandpa at the docks, watching as he reeled in a ‘big one’. Filling his bucket with loads and loads of fish.
Those days are far gone now, but the memory remains, as clear as the day you remember it. The feeling is nostalgic, sleepy in the way your senses are dulled by syrupy thick contentment. Beaches at sunset have that effect on you, you suppose.
“This is fun,” Sam says, tone lacking its boisterous loudness, you almost don’t hear it over the sound of crashing waves. “I had a lot of fun today, farmer.”
Your eyes flicker to him, his green gaze dead-set on the peachy golden sky, the taste of sea salt mingling with sweet ice cream heavy in your tongue. The sea breeze is cold, whipping against your face and running through your hair.
“I did too,” you agree. “Y’know, I don’t get a lot of off time with the farm and stuff. This is a nice change of pace.”
He smiles, that sunshine smile you’ve come to associate with Sam. “I caught you at just the right time then, huh?”
You shrug, your own smile mirroring his. “Auspicious.” He did.
The sun is setting, the day is coming to a close yet Sam wishes it wouldn’t, silently pleading with any higher being to somehow stretch time. He is barely a religious person, but the weight of his want is enough to transcend his own beliefs. Every second with you barely feels like enough; like sand slipping through his fingers.
One thing’s for certain, Sam isn’t going to just let it end here.
“We should hang out like this again,” Sam says, a little hurriedly, captured all in one breath. Shy and tentative, like a bashful child with a school crush. “Uh, I mean, do you? Wanna? Hang out with me?”
You can barely suppress a delighted chuckle from slipping past your lips, your chest warming with fond affection. “I’d be more than happy to. Yoba knows I need a break or two or I’ll actually explode,” you huff while Sam hums in agreement. “We can even invite Abigail and Sebastian… so can demo that new song for me, I see you all working very hard when I visit sometimes.”
He should be happy to hear that; that you’d be more than happy to spend your precious off time with him out of all people. You and him, him and you, Sam and the farmer. Your name connected to his with ‘and’, it makes him giddy, causes his cheeks pinken and pinken.
Just the two of you, though. Sure, he loves his friends, Abby and Seb have been with him since day one. But it feels out of place—
(Sam, Sebastian, Abigail and the farmer doesn’t have that ring to it…)
“Yeah, I—I dunno, it’s just…”
The unfiltered truth is stupid, at least to him. Vincent is far too young for some of the things Sam longs to say. There’s a reason Abby and Seb hang out under his nose, he won’t blame them, they have their own secrets he isn’t privy to—too serious, too dull for him.
(And now with you, he thinks you might just be the one he can share his own secrets with. Because even he has his own serious, dull thoughts. Thoughts that he doesn’t want brushed away with a snarky remark or a sarcastic laugh.)
“I kinda like that it’s just the two of us?”
His voice sounds unsteady, squeaky. Trailing off at the end, lost in the sound of water crashing at your feet. Phrasing his statement into a question that you could deny, that you could easily brush off—because if you did, he would too.
(It would be a bummer if you did though, but Sam is cool with that, chill with any decision you make. Really, he totally is.)
You grin, bumping your shoulder against his, your ice cream is dripping down, down, down your knuckles. Once your skin meets his, you don’t pull away, you press closer and closer to his side. Leaning your head against his sunburnt shoulder—but he barely registers the sting—and your arm against his own. It’s a pleasant weight, having you against him—grounding and tethering him to you.
“I do too. Like it, I mean. I think I get to see so many other sides to you, Sam. Without the others and all that.”
Sam feels his breath hitch, his cheeks flush even pinker even with the sunburns. “Woah, phew, I mean—awesome… When, when do you think we can meet next?”
You tilt your head, running calculations through your mind. You’re very busy on that farm, he knows; but Sam can’t help but keep his hopes up, you’re fun company. Maybe the best he’s had yet.
“I know I won’t have enough time until my melons are ready for harvesting—and don’t you dare try making a joke about that,” you smile, wide and cheeky. Right as Sam readies an innuendo at the tip of his tongue; it makes his blood pump faster and his breathing stutters at the thought of you knowing him so well.
“So how about this?” you propose slowly. “We spend one day every month doing all the stuff we wanna do, together. just you and me—fun right? I’ll even sleep a little earlier the night before.”
Sam bites into his ice cream—chocolate and your treat, at your insistence—though he isn’t quite sure if the immediate smile on his lips is due to its sweetness, or yours.
He leans closer into you, resting his head on top of yours, strands of your hair tickling his lips. Lowering his voice into a whisper so only you can hear.
(The secret is that you make Sam want. Want, want, want like he’ll never get sick of it. He hoards these stolen moments with you so greedily yet wants more.)
“…two days, two days each month.”
He feels your body shake with the strength of your laughter, warmth swirls all throughout his body, tingling wherever your body brushes against his own. Sam finds that he likes the feeling, the buzz of it—it’s addicting.
“Yeah, alright then,” you reply, mirth dripping from each and every word. “two days. We have a deal. Better?”
“Yeah,” he turns back to face the water, the ocean spray misting his face. “Yeah, a lot better. That does sound fun.”
Anything sounds fun when it involves you.
Going on hiatus for a while because of school stuff! Sorry guys😔
Have this sam art ^^
Sam who gets sent by his mom to go and pick up some produce from the farm while she brings Vincent for a check-up but ends up getting distracted by the farmer themselves
One of the most effective self-editing techniques is to distance yourself from your writing before diving into the editing process. After completing your draft, give yourself some time away from the text – a few hours, a day, or even longer if possible. This break provides a fresh perspective, allowing you to approach your work with a more critical eye.
Engage your auditory senses by reading your work aloud. This not only helps identify grammatical errors and awkward phrasing but also allows you to assess the overall flow and rhythm of your writing. Awkward sentences are more apparent when heard.
To avoid feeling overwhelmed during the self-editing process, concentrate on specific elements in each round. Start by checking for grammatical errors and punctuation, then move on to sentence structure, coherence, and finally, style. This systematic approach ensures a thorough examination of your writing.
After you are finished with your first draft, flip to the beginning and start anew. As you write and edit more of your story, you may add different aspects to a character that might need to be mentioned in a section you already edited. You might add a part of the plot that should be alluded to earlier in your book.
Re-reading your first draft might reveal plot holes that will be addressed via revisions. It may expose logical inconsistencies that must be buttressed with enhanced detail. If you, as the author, know a lot of details about a character’s backstory, make sure your reader does as well.
Audiences want engaging plots, but they also want detailed characters who undergo change during the events of a story. Use a second draft to make sure that your main character and key supporting characters follow consistent character arcs that take them on a journey over the course of the story. If your story is told through first person point of view (POV), this will be even more important as it will also affect the story’s narration.
Find ways to space out your story points so that every section of your novel is equally compelling and nothing feels shoehorned in.
When some first time writers think of the editing process, they mainly think of corrections to grammar, spelling, syntax, and punctuation. These elements are certainly important but such edits tend to come toward the end of the process. Obviously no book will go out for hard copy publication without proofreading for typos and grammatical errors, but in the early rounds of revising, direct most of your energy toward story and character. If you consider yourself a good writer who simply isn’t strong on elements like spelling, grammar, and punctuation, consider hiring an outside proofreader to help you with this part of the writing process.
The best novels and short stories contain ample variety, no matter how long or short the entire manuscript may be. Look for ways to inject variety into your sentence structure, your narrative events, your dialogue, and your descriptive language. You never want a reader to feel like s/he’s already read a carbon copy of a certain scene from a few chapters back.
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If your writing incorporates facts, figures, or data, double-check the accuracy of your information. Providing accurate and up-to-date information enhances your credibility as a writer. Cross-referencing your sources during the self-editing process ensures the reliability of your content.
Keep your target audience in mind during the self-editing process. Ensure that your language, tone, and examples are tailored to resonate with your intended readership. This step is crucial for creating a connection with your audience and enhancing the overall impact of your writing.
Take advantage of the various editing tools available to writers. Spell and grammar checkers, and style guides can serve as valuable companions during the self-editing journey. However, remember that these tools are aids, not substitutes, for your critical evaluation.
Engage with others to gain fresh perspectives on your writing. Peer reviews or feedback from mentors can offer valuable insights that you might have overlooked. Embrace constructive criticism and use it to refine your work further.
Effective self-editing requires a degree of ruthlessness. Don’t be afraid to cut or rewrite sections that do not contribute to the overall strength of your piece. Trim excess words, tighten sentences, and ensure that every element serves a purpose.
Sources: 1 2 3 4
💫 sketch spread of our favorite smiley, Sam :D
(i am so normal about him i promise)
i love doing these tiny character sketches, which one is your fav? mine is the joja cola cow
thoughts filled with sam today, i wanna write for him again so bad
haley and sam are childhood friends who used to get mistaken for siblings
i wish all my beloved followers and mutuals a very “you find a fic that has the exact premise and characterization you’ve always wanted to see but never had the energy to write yourself and it’s really good and just as long as you want to read”