AZ FACTORY SS24 COUTURE
basically, i think the general rule of thumb is: if someone REALLY wants the blood that’s inside of your body, and they’re like… a vampire, or a dracula, or some sort of mansquito, then that’s probably okay. a dracula and a mansquito are made for removing things like blood and swords from inside your body. that’s basically fine.
if something wants to get at your blood, and they’re, say, some kind of murdersaurus, or maybe a really big frog, that’s where the problems start to arise. a really frog is not made for removing blood, and your blood knows this, which is why it is so vehement about wanting to stay IN your body instead of coming out.
unfortunately this will not deter a really big frog, because a really big frog is full of things like prizes, and value, and quite a lot of hatred, and it would REALLY rather like to replace any and all of those things with your blood, and basically by any means possible.
i’ll never make a fandom post w/e but Morpheus’s son being Orpheus and Mortus’s son being Ortus has to be deliberate right
Fetish - by David Lynch and Christian Louboutin
with the exception of metal, everything humans wear used to be alive. Even synthetics used to be alive, millions of years ago
loving the current generation of spam account names
Jade Blue & Shane, San Francisco, 1997, Charles Gatewood, Badlands (1999)
My hot take is that I feel like “ghibli films are pro Japanese imperialism” is a lazy jab that grabs at a few soft spots in the oeuvre to make the cheapest most rhetorically damaging shot it can, and that an honest analysis would generally struggle to say even the most problematic of the movies like The Wind Rises come out of the wash with a positive opinion of imperial Japan. My hotter take is that if you rigorously pull at the threads where the nominally anti-war films thematically collapse, you’ll find the issue isn’t a support of Japanese Imperialism but a lack of a rigorous critique of industrial civilization.
Michaela Stark by Raga Munecas
- 2024