Okay I'm High As Fuck Right Now And Have Been Rewinding Paul Saying "What's The Matter John, Love, Blue

John Lennon be like “I know you guys need money from our shows but I’m gonna cancel them for like two weeks anyways and run away with my boy bestie through Paris where we’re gonna share a single sized bed, get matching haircuts, and I’m gonna “let him have all the banana milkshakes he wants” if you catch my drift, haha. see ya!”

okay i'm high as fuck right now and have been rewinding Paul saying "What's the matter John, love, Blue Meanies?" at the end of Yellow Submarine over and over. also right after the way they make direct eye contact and paul instantly breaks after seeing johns face...

I did a little concert for somebody in Hollywood. Paul McCartney was there. I've never met him before, but I'm a fucking fan of The Beatles. I'm in the back smoking, and they're like, "Sir Paul would like to meet you." I'm like, "For real? Hold on," and I put that blunt out. Cuh walk in the room like, "Don't put that down."

Snoop Dogg on meeting Paul McCartney

they're so annoying....... like ur in the middle of an interview.....

We hear ad nauseam about Paul and George’s “fight” during Let It Be/Get Back but nowhere near enough about their beautiful tender exchanges like this one:

G: They sell boots that high, but not that tight, and not particularly leather, maybe softer. Groovy ones like, you know those Afghan coats, they’re embroidered, I’ve got boots like that, but the slippers, the slippers feel at home. And it is great, you just tuck your pants in.

P: You want boots of those? Yeah, I’ve got boots of them.

G: You know where you get them?

P: Yeah, you get them off me (gentle laughter).

I’ll give you them, I’ll never wear them.

G: Do you want to hear the song I wrote last night?

It’s just a very short one, called I Me Mine.

P: Yes

craziest beatle interview ive ever read (playboy)

suggestive warning (uncropped version below)

watching old beatles interviews is so funny because paul will be talking and here comes john tickling his back or smacking his head or touching his thigh or fingering him like relax brother no one's taking him from you

“I was pretty lucky on the LSD front, in that it didn’t screw things up too badly. There was a scary element to it, of course. The really scary element was that when you wanted it to stop, it wouldn’t. You’d say, ‘Okay, that’s enough, party’s over,’ and it would say, ‘No it isn’t.’ So you would have to go to bed seeing things.

Around that time, when I closed my eyes, instead of there being blackness there was a little blue hole. It was as if something needed patching. I always had the feeling that if I could go up to it and look through, there would be an answer. Now, I could go on about how the wordplay in Bing Crosby’s song ‘Please’ – ‘Oh, Please / Lend your little ear to my pleas’ – might be informing the wordplay in ‘And it really doesn’t matter if I’m wrong I’m right / Where I belong’. The fact is that the most important influence here was not even the metaphysical idea of a hole, which I mentioned earlier, but this absolutely physical phenomenon – something that first appeared after I took acid. I still see it occasionally, and I know exactly what it is. I know exactly what size it is.”

— Paul McCartney on “Fixing a Hole”, The Lyrics

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