PULLING YOU IN FOR A KISS WITH A SCARF

PULLING YOU IN FOR A KISS WITH A SCARF

The night is warm. Annabeth’s cheeks heat with the flush of wine—by now they likely match the red of her Christmas sweater, a thick turtleneck that tickles her jaw. Charles stokes the flames at the fireplace for the first time in the new house, filling the room with the smell of oak and cedar and replacing the smell of dinner lingering in the air. An earnest Rachel chirps over Charles’ shoulder about how to interpret and “read” the flame, which he indulges with the silent amusement only he possesses. Katie and Travis are in a playful argument that will culminate in a kiss any minute, Grover is passing out hot cocoa (with extra marshmallows for Annabeth), and the others are screeching an off-key rendition of “All I Want For Christmas Is You”, which is particularly remarkable when you consider Clarisse singing along with her spiked cider raised high.

Most importantly, warmth emanates from under her where Percy sits with his arm around her waist and a soft smile on his face. He looks so serene, taken out of the moment the way one does in a flash of sudden clarity that they are currently creating a memory they will long to come back to, looking through the lens of nostalgia for a moment they are still in. Somehow Annabeth is in that moment with him, watching their friends through grainy film and hearing them as though the audio plays in the next room over. Everything is muted, glossy, and so so warm.

Percy comes back to himself and presses his lips to Annabeth’s cheek, smiling against the heat of her skin. His hand lifts from her hip to point at the reckless carolers supporting each other with firm embraces and shaky harmonies. “They’re idiots,” he says, but he says it with that smile and it sounds an awful lot like I love them.

“Yeah,” she sighs. “They really are.”

Later in the night once the idiots have been rounded up and herded out the door, Annabeth pauses in the foyer to watch them stumble gleefully, fighting over who gets shotgun in Juniper’s car (Grover) and who gets stuck in the middle seat (Connor). Snow falls softly and settles on Rachel’s curls as she tugs Clarisse’s beanie over her buzz cut and past her eyes, cackling alongside Castor and Pollux and the rest of the gang. Laughter and clinking glass echo from the kitchen where Silena and Beckendorf stayed behind.

The city is cold but the world is warm and full of people Annabeth loves, and therefore it is full of meaning. She turns to Percy, her coat rustling with the movement, and tries to hang on to this warmth, to the man who brought so much of it into her life.

She says, “Thank you,” and it sounds like I love you. It sounds like I love you and it means I love you but there is wine in her system and she’s two seconds away from crying after drinking on an ordinary day with less emotions. If he asks her, she’ll blame the wine and the holidays.

But Percy doesn’t ask her. He finishes pulling on his scarf and coat and looks at her, just looks at her, patient and understanding and in love, the way he has looked at her for the past ten years of their life. Annabeth marvels at her ability to bask in the familiarity of this love. She knows the details of him better than anything; he is the one portrait she can sketch from memory, a monument to permanence in her heart, and still her gaze catches on his freckles even in the winter months when there is no sun to change them. Just in case she misses one.

So she knows he will respond, “Of course,” in that soft tone of his, and she’s ready when his arms wrap around her bundled body. This man, her life partner who drives her crazy in the most maddening and romantic of ways, has given her more than she could ever hope to repay, and he loves her anyway. When her mind plays tricks and plants seeds of doubt, he reassures her. He shows up. Every single time, he shows up.

Their friends are long since corralled by their designated drivers, leaving Percy and Annabeth in the headlights. She pulls him in by the scarf, and they don’t say anything, but it sounds like I love you. Thank you for bringing me in from the cold. Thank you for bringing me home.

More Posts from Njkhis and Others

3 years ago
image

so this is love

percabeth | cinderella au | 12k

“I hope to see you again, Miss…”

It could be a title, but the look he gives her indicates it’s an invitation to give her name. Annabeth plays dumb, knowing he’ll see through it.

Her chest rises with her breath. “And I you, Percy.”

He grins at the promise and the sound of his name, his eyes darting to her mouth as he turns his horse. Even as he rides away, he casts a glance at Annabeth over his shoulder. Laughter rings in the air as clear as the summer sky. It’s a charming sound, Annabeth thinks. She can’t wait to hear it again.

read on AO3


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5 years ago

Hi, just want to let you know Indonesia is currently fighting against bills that are overwhemingly anti-abortion, pro-corruption leeway, pro-deforestation for palm oil industry, papua-colonializing etc. And just like Hong Kong, the police are abusing the college-age protesters.

Hi, Just Want To Let You Know Indonesia Is Currently Fighting Against Bills That Are Overwhemingly Anti-abortion,
Hi, Just Want To Let You Know Indonesia Is Currently Fighting Against Bills That Are Overwhemingly Anti-abortion,

Not to mention, there is huge forest fire in Sumatra which is most likely similar to Amazon case, where it is deliberately lit for corporate's interest.

Hi, Just Want To Let You Know Indonesia Is Currently Fighting Against Bills That Are Overwhemingly Anti-abortion,

Please show your support by reblogging and sharing the news.

Thank you.

5 years ago

mob au: research 

Jason hates to admit it, but the city library is, hands down, the most beautiful building in the whole city. It’s three stories of white marble and reflective glass surrounded by lush green gardens that have the local botanical society swooning year round, create an oasis in the heart of the downtown district that cannot be beaten. Olive trees line the long walk way up to a series of grand walnut doors hand carved with depictions of wildlife that look so real they might jump right off the wood, giving anyone who approaches the air of a grand entrance.

Leaning against one of the building’s imposing Doric columns, Jason looks out at all the people enjoying the lawn, having picnics and playing with their dogs and he can’t help but remember Luke’s words about Annabeth not being the villain he thinks she is. Watching the people of his city that he has taken an oath to protect, the thought that maybe he’s right begins to creep in, but before it can settle, his shoulder is being bumped, pulling him from his thoughts. He frowns and looks up to find his partner, Reyna, donning her signature brown leather jacket over a royal purple blouse.

“Took you long enough,” Jason teases.

“Some of us actually have a life, Grace,” she says with another nudge.

Jason rolls his eyes. “Yeah, yeah, yeah, let’s do this.”

He leads the way into the library, stopping abruptly to read a golden plaque that marks the main entrance:

This library could not have been possible without the generous support of local businesswoman, Athena Pallas. The passion Ms. Pallas has for Greek architecture and the pursuit of knowledge were the foundations of this project and this city will forever be in her debt.

Reyna scoffs, “Businesswoman is quite the generous title.”

“No kidding,” Jason adds.

The detectives enter the library and neither of them can help but be awed by the interior’s beauty. The slight gleam of the gold leaf crown molding catches their eyes, their eyeline following down the wall to the bookcases with delicate owl carvings and the olive leaf patterned carpeting.

“At least she had taste,” Jason says in a low voice.

Reyna shrugs. “I prefer a Roman aesthetic myself, but this isn’t too bad if you like the Greek thing.”

continue on ao3


Tags
7 months ago

hey if you're trans in the us i love you. hey if you're queer in the us i love you. hey if you're a person of color in the us i love you. hey if you're a woman in the us i love you. hey if you're disabled in the us i love you. i love you i love you i love you

4 years ago

A lot of people are genuinely terrified about what will happen if Donald Trump wins reelection and it's really weird how some of y'all are acting like everyone begging you to vote for Biden is some privileged, rich, out of touch, neo-liberal when a lot of them are just vulnerable people who don't want to like...die in a brutal civil war or watch all their remaining rights get stripped away by an increasingly authoritarian Republican Party.

I do not know how to express to you how much worse it can get.

4 years ago

percabeth + in the storm?? if u want to ofc💞💞💞

It’s an innocent thing, dancing in the rain. At a certain point you resign yourself to being soaked to the bone, and you take this moment to turn your face to the grey sky, to dance in the face of a force of nature. 

Percy and Annabeth are caught in such a storm on their way to Annabeth’s dorm. Initially they attempt to wait it out at Sally’s, but between Annabeth’s strict curfew and Percy’s water powers, the usual excuses to stay in for the night don’t hold up for long. 

He walks her back with their fingers laced and wrists crossed as always, but it serves more of a purpose now. Raindrops skirt around the couple, or maybe they hit an invisible barrier above them to keep out of the way. It doesn’t matter. What matters is the way the storm clouds reflect in Annabeth’s eyes. 

She’s several minutes into a rant about columns and arches that Percy lost track of after ten seconds, but he tries to keep up, to find something to quote back to her when she ends up repeating herself. Her face will soften, she’ll bite her bottom lip the way she does when she’s flustered, and Percy’s brain turning to mush from the mental gymnastics necessary to keep up with her will be worth it. 

Ideally, he could do that now. But she’s just so radiant even in a gloomy city; the sun has abandoned New York for the time being, but Annabeth is bright enough to light it all up. 

Unable to stop himself, Percy tugs on her hand and pulls her to him, interrupting her rant with a kiss. Terrible manners, but judging by the content hum in the back of Annabeth’s throat, she’ll forgive him. 

Annabeth pulls Percy closer, pressing up on her toes and wrapping her arms around his neck. She always does this after she gets passionate about something, even when Percy has the self-control to watch her without interrupting. When he asked, she said it was the way he looked at her. That was the extent of her explanation, but Percy has seen the way people look at beautiful things: all softness, slack jaw, and twinkling eyes. It’s hard to imagine himself looking at her with anything less. 

Rain is the last thing on Percy’s mind when he’s got Annabeth so close—he swears that girl does things to his brain. All at once, his shield fails and cold rain seeps into their clothes. 

Annabeth yelps and jumps back, then turns to Percy with a glare that is somehow both endeared and murderous. Like any sane person, he bolts. 

She takes off after him as he sprints in the direction of her dorm. Water pelts Percy’s face, rejuvenating him until his stride overtakes Annabeth’s, much to her fury. He’s able to plant himself in the concrete and catch her, using her momentum to throw her over his shoulder in victory. 

She nearly takes his eye out with a flailing shoe, so he settles for putting her down long enough to tug her close again and to splash in the puddles for some ridiculous dance. This time she’s all endearment; joy splits her face in a grin as water falls into her eyes, her gaze fixed on Percy. 

They dance in the rain like fools for the whole block to see. People holed up in their apartments might scoff at the idiots in love on the sidewalk below, but they don’t know the joy of dancing in the rain. Carefree moments don’t come so easily to Percy and Annabeth, two people who care so deeply. They have to take these moments as they come. 

It’s an innocent thing, falling in love. At a certain point you resign yourself to being soaked to the bone, and you take this moment to turn your face to the grey sky, to dance in the face of a force of nature. 


Tags
4 years ago

anon drop mandalorian au link!

Anon Drop Mandalorian Au Link!

hero


Tags
6 years ago

some iconic dialogue that sounds like its from the great canon of literature but are actually from memes

I will face God and walk backwards into Hell

“I’ll do whatever you want” “then perish”

I have been through hell and come out singing

feel free to add more!

7 months ago

All the takes are correct and yet they also miss the point. Yes, it was insane for the Democrats to think they could win by running a soulless candidate, without a shred of progressive policy vision, pursuing endorsements from neocon war-hawks everybody hates, while arming and funding a genocide, and belittling and crushing those who have enough morality to protest it. It is enraging that the Democrats are so smug and blind to this. But these are all just symptoms. The deeper reality is that liberalism has failed, liberalism is dead, and people urgently need to wake up to this fact and respond accordingly. It is a defunct ideology that cannot offer any meaningful solutions to our social and ecological crises and it must be abandoned. Democrats have proven over and over again that they cannot accept even basic steps like public healthcare, affordable housing, and a public job guarantee - things that would dramatically improve the material, social and political conditions of the working classes. And they cannot accept a public finance strategy that would steer production away from fossil fuels and toward green transition to give us a shot at a liveable future. Why? Because these things run against the objectives of capital accumulation. And for liberals capital is sacrosanct. They will do whatever it takes to ensure elite accumulation, it is their only consistent commitment. At home, they suppress and demonize progressive and socialist tendencies. Abroad, they engage in endless wars and violence to suppress input prices in the global South and prevent any possibility of sovereign economic development. The Democrats have done all this purposefully and knowingly, for my whole life, not as some kind of "mistake" but in full consciousness that it is in the interests of capital. And because liberalism cannot address our crises, and because it crushes socialist alternatives, it inevitably paves the way for right-wing populism. They know this pattern, and yet they risk it every time - this election being only the most recent example. They did it in 2016, when they actively crushed the Sanders campaign and sent Trump to the White House. They do it because ultimately they (and I mean the liberal ruling class here) don't really mind if fascists take power, so long as the latter too ensure the conditions for capital accumulation. They 100% prefer this to the possibility of a socialist alternative. So, progressives have to face reality. The dream of "converting" the Democratic party is dead. This is now a fact and it must be accepted. The only option is to build a mass-based movement that can reclaim the working classes and mobilize a political vehicle that can integrate disparate progressive struggles into a unified and formidable political force and achieve substantive transformation. This will take real work, actual organizing, but it must be done and that process must begin now.

Jason Hickel

4 years ago

might fuck around and post this bitch tonight who knows

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