very randomly coming back to tumblr to see if my art gets to more people :’)
“i’m sad and idk how to feel better”
“i don’t know what to draw”
“i always mess up”
“BUT I SUCK”
*rolls up a Human Noble*
Bioware: Look at your awesome family!
Me: :D
Bioware: Here's your cool dad! Your even more awesome mom! Look at your brother here respecting and supporting and yet still brotherly teasing his independent woman of a sister! Look at your precious widdle nephie-poo!
Me: ^_^
Bioware: Yes, what a sweet and loving family!
Bioware: It would be a shame
Bioware: if something
Bioware: HAPPENED
Bioware: to them all.
Me:
Bioware: *whispers* the Howes send their regards.
Me: D:
I needed to express for my love for this film somehow and this was it.
unsolicited disney
Inspired by Alfred Tennyson’s The Lady of Shallot, in her final moment when she finally sees Camelot. I heavily referenced Pre-raphaelite paintings and old fairytale illustrations.
Me: tries not to be your typical Italian angry at the guy that runs Tasty
Also me: CHE CAZZO FAI MA COSA CUOCI LA PASTA NEL SUGO MA PORCA PUTTANA LO SCHIFO
Things that the film handled with restraint:
Rape: As countless people have said – Half of the movie’s main cast consists of sex slaves. And there’s not a single rape scene.
Gore: The film looks exactly the type to be ultra-violent a la Quentin Tarantino. But it’s not. The one gory moment is one that you can see coming from miles away and lasts only for a second. And even then, it’s not terrible. Considering this, the movie probably could have had a PG-13 rating with minor alteration.
Sexualization: Five women wearing nothing but gauze sounds like a recipe for anything but what we got; no lingering, awkward, bodily shots. There was even a scene with a completely naked young woman with the camera focused directly on her. Guess what. The camera treated her exactly as if she were wearing flannel pajamas.
Degradation of women: Bad people get upset. We get that. Sometimes they like to swear at our heroines. And yet no one felt the need to say “bitch,” “cunt,” or “whore.” How a film managed to present about the least female-friendly society you can imagine but treated its female characters with more respect than 99% of action movies is beyond me.
Things that the film did not handle with restraint:
FLAMETHROWER GUITAR.
Gender equality: No one once says “Women are ___,” or “Men are ___.” It almost seems like outside of Immortan Joe’s freakishly utilitarian society, men and women get along just fine. Huh. Weird.
Death: Good and bad people die alike on the Fury Road; very quickly. It’s your typical action movie body count. But in a move that’s both odd and brilliant, the film spends a good amount of it’s scarce dialogue detailing what death means to the characters. For some, it’s a suicidal call to honor. For others, it’s a necessary risk to bring about more life. People die in droves. And it’s sad. Death matters.
Criticism: This is about the most critical movie of gender inequality, capitalism, and fascism I’ve ever seen without anyone ever mentioning gender inequality, capitalism or fascism.
COMPASSION: I can’t state this enough. This is a post-apocalyptic genre movie where people kill each other over sex slaves, border disputes, and cars and its message is hope and compassion. The biggest, most heroic moment of the movie is an act of healing, not an act of violence. WHOA.
Some Disney comics I made for a mini zine years back but didn’t post all of them online anywheres! Here you go.
[X]
I love my mount and all but I feel like she could alert a whole cave of bears with that strange elephant noise she makes.
extra: