She Got Me Begging Like That One Part Of The One By Kevin Sherwood.

She got me begging like that one part of The One by Kevin Sherwood.

More Posts from Nerdy-the-artist and Others

3 years ago

“Are you ok?”

“Yargh, 𝓝𝓸.”


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5 months ago

Just a sound design concept for Raven Beak’s Hyper Beam I whipped up in CapCut.

I felt the sound of his primary weapon didn’t fit the sheer power its visuals evoked. To that end, I used the buildup noise of the BFG 10,000 from Doom Eternal plus the firing sound of the Focus Rifle from Halo Reach, pitched down to evoke a massive beam. I love the trail off of the Focus Rifle, and it fits the Hyper Beam so damn good.


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1 week ago
“Better To Put An Idea To The Page And Draw It Badly Than Never Set It Free.”

“Better to put an idea to the page and draw it badly than never set it free.”

The comic begins with a shot of our protagonists from behind.

Raven Beak is a tall, armored Chozo with an ornate headdress and a red cape with embroidered stoles. His pauldrons are flared and his eyes are red. Grey Voice is an old, grey Chozo with an appearance similar to that of a hawk or an eagle. He has yellow eyes and wears brown robes.

Raven Beak speaks first: "Thank you for joining me, old friend. There is a gift that I would like to impart upon you."
Raven Beak kneels, producing a long, rectangular black box with an ornate clasp which he presents to his comrade. Grey Voice looks on, intrigued.
This panel is a top-down shot. The box is open, revealing red velvet lining and a corkscrew-shaped blade with a navy blue hilt.
Grey Voice is astonished. We are granted a view from below, the lid of the box obscuring the bottom half of the screen as Grey Voice's face peeks over the lid. His beak is slightly agape, his yellow eyes studying the weapon in front of him.
Our view is now behind Raven Beak, the back of whose head takes up the lower right side of the panel. Grey Voice is situated on the left side of the panel, holding the now closed box in both hands.

Grey Voice speaks: "Raven Beak, I cannot accept this. It is too precious to your people."

Raven Beak responds frankly: "It is for our daughter. She is of my people."
The "camera" is still behind Raven Beak, but our view shows the scene from the exterior of a hallway, as though the viewer is watching the engagement from outside the room in which it takes place. The characters are backlit, as though the scene's lighting comes exclusively from the open doorway. Raven Beak is much taller than Grey Voice, so the latter must look up to address him:
"I appreciate the gesture, but she is much too young to wield this."

Raven Beak replies: "It is impossible to be 'too young' for a blade, Grey Voice. Kra hul, she is destined to be a warrior."
We now view the pair from the side. Grey Voice offers the box back to his compatriot, looking a little weary. Raven Beak continues to refute the shorter Chozo:
"You could not refuse this gift, even if I approved."

Grey Voice starts up with a rebuttal, but is soon cut off:
"Come now, don't be-"
"Such an act would upset the ancestors."
All color drains from the panel. Grey Voice is conveyed in simplistic shapes against a dark grey background. He is completely white. Dead silence fills the air.
Still achromatic, the only thing that changes in this scene is the building sweat dripping down Grey Voice's forehead and the fact that he breaks the silence:
"What."

Raven Beak promptly responds: "They would reconstitute your biological matter in pursuit of vengeance for your disrespect."
Color returns to the comic. Grey Voice and Raven Beak are now depicted very tiny on the bottom left-hand side of the panel, arguing in earnest. The background gradates from yellow to grey.

Grey Voice begins the interaction by stating: "You're giving our daughter a cursed relic."
Raven Beak elaborates: "Not cursed: sacred."
"What's the difference?"
""Curse" implies the retaliatory mutilation is malicious."
Grey Voice is exasperated. "As if it isn't in this case?!"
We are looking at Grey Voice from behind Raven Beak: all we can see of the latter is his red cape cascading from his shoulders. Grey Voice is talking now.
"Though I should not discount the possibility that you are merely yanking my plumes, I beg clarity on the matter... are you telling me that I'm risking my life talking to you because some long-dead warrior is sentimental???"

Raven Beak chimes in: "Don't be rude, now."
We are granted a front-facing view of Raven Beak. The top half of his helmeted face is obscured by the upper boundary of the panel, his face shrouded in shadow. His glowing red eyes break through the darkness. He begins his lecture:

"That is my great-great-great-great-great grandfather you are insulting, brother in blood. Please choose your next words wisely: I am duty-bound to defend their honor by way of a duel if you disdain their legacy... and I would not like to leave our daughter short a father."
The panel takes a very light-hearted tone in terms of coloration, with a desaturated salmon pink background. Raven Beak holds his hand up, eyes closed in a friendly gesture, as though to defuse the situation. He	 is filled completely in grey as opposed to being rendered in full color agaisnt the monocolor background.

Grey Voice inquires from offscreen: "Are you threatening me?"

Raven Beak responds rather casually: "No, I am politely asking you to consider the spirits' wishes. A "threat" would entail me drawing my weapon, pointing it in your direction..."
"...and commanding you to accept this gift before I snuff the flame of your eternal being, drawing upon the embers to light the torch that I will personally use to champion your essence straight across the innumerable stars and back to the yolk of the world-egg."

The colors used in this panel are noticeably darker and more saturated. Raven Beak is leaning forward, his glowering face taking up the entire left side of the panel as the black speech bubble takes the right. His visible eye is glowing fiercely. The text on his speech bubble is white, with the word "personally" rendered in red for emphasis.
The background returns to a fluffy pastel hue: this time, a lovely mint green. We are viewing Raven Beak from behind, as he takes up the bottom right corner. Grey Voice is located center-left, depicted smaller to convey distance. He looks to be in disbelief.

"I can't believe you're doing this to me..."

"What?" Raven Beak replies.
"Threatening me!" Grey Voice shouts. His neck stretches cartoonishly out from his shoulders, his face closing in towards Raven Beak as the commander shrinks back into the right side corner.
The camera is behind Grey Voice now. The background is dark, and we are staring up at Raven Beak's intense form, colored dark grey to communicate extreme tension. It looks like our militant elderly protagonist is about to explode.

"Was my firing arm not affixed to my side during that engagement??"

Grey Voice yells back, "You are impossible. Just give me the damn blade!"
The tone shifts immediately when Grey Voice accepts Raven Beak's gift. The gradient background descends from orange to dull purple as Raven Beak gingerly takes Grey Voice's wrinkled hand in his own, clutching his compatriot's digits within his armored grasp and taking care not to nick him with his pointed talon caps.

A close-up of Grey Voice's face is shown in the top right: an astonished yellow eye and raised, wrinkled brow convey his surprise.
The gradient background descends from wine red to a muted, glowing yellow. Raven Beak's helmeted visage is situated on the left-hand side and lit gently from below. He waxes as he begins transfer of the boxed blade to his cherished friend.

"Many and one, blood of my heart..."
Raven Beak continues his heartfelt speech as we view the pair from the distance, the scene bathed in black and white. Our protagonists appear as dark shadows in the distance atop a grey and white gradient background, the sunrise of their alliance giving hope for the future.

"Across the river of war and toil has this relic come to rest on easy shores... to join us in the hearth of our souls' labor, passed eons from old hands to new, falling roost in our-"
"Yes, yes, my thanks extend across the endless sea of night. Now go back to your ship."

Grey Voice interrupts Raven Beak's bleeding heart and whips around, clutching the box close to his breast as his aging face flushes red. Grey Voice lies on the right side of the screen, walking away from a comically simplified expression of Raven Beak in the top left.

Raven Beak is an individual of science. He's also a sentimental warrior poet who is not immune to superstition. How will his daughter learn to gut her enemies if he doesn't pass down the family heirloom? Also grandma will be disappointed if the sword doesn't go to Raven Beak's first-hatched.

Started late 2023.

Extras:

A sketch writ upon a medium grey background. Raven Beak grips Grey Voice's shoulders with his armored talons, exaggerated sweat bullets visible on the forehead of his helm. Grey Voice is visibly rattled. Raven Beak says, "Grey Voice, I can feel nonna's baleful gaze fixed upon the back of my skull as we speak. Take the fucking blade." The last sentence is italicized for emphasis.

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9 months ago

I’m so glad Seregoss got brought up here. Reminder that he made a cover of Sylux’s theme right away when the Prime 4 trailer came out. Metroid’s fan soundtracks are absolutely amazing. I’ve gotten so many writing ideas from his music.

I’m planning on narrating my Metroid fan stories, similar to @tsproart has done with his own original story, Journey’s Ahead. Because of the vast array of incredible existing tracks, both in game and from fans, I want to edit in some title cards featuring the song name, artist and source. I’ll do this in the video itself, as opposed to the description, as I’m not animating this or anything. All of those amazing people deserve to see their name in some of the scenes I’m proud of, so they can be proud in turn.

Alright, I need to throw some more shit on here because once again, Metroid has an iron god damn grip on my brain.

If there is something I truly wish nintendo would accept for once in their lives, its bringing in some fan talent to work on metroid - much like how sega has brought on fan talent for sonic.

Because jesus fucking christ, there are some music artists out there that make some genuinely good covers and original tracks.

Take for example, Seregoss - This absolute mad lad makes some high energy remixes of metroid alongside his own tracks for some original projects, and they slap SHIT!

Like this S.E.R.R.I.S remix he's made. holy FUCK IT FUCKS HARD.

Or one of my absolute favorites, SynaMax

He does more than just make original tracks, he has straight up gone into the rabbit hole of finding the source of EVERY SINGLE SYNTH INSTRUMENT EVER USED IN THE PRIME TRILOGY.

NOT ONLY THAT, he has made MANY tracks with this library, and even released the information on the sources to the wide web as well as most of the samples that can be used! Now the downside of course is that he hasn't published ALL of these found samples yet, and I really hope he does, cause god dammit

Metroid Prime has such a unique soundscape that no other franchise has ever managed to captured, even with later metroid games as well, and I NEED MORE PEOPLE TO MAKE MUSIC WITH THIS SHIT.

He nails the vibe, so much so that I wish Retro picked him up to make music for Prime 4 cause god damn, it fits REALLY well.

For those aspiring musical artists out there, sincerely take a gander at the sample library of the Prime Trilogy, this shit needs to spread further out on the internet cause it is CRIMINAL that a lot of these samples had nearly become lost media in their own right.

That also leads me into the second portion of this blog, god fucking dammit I just love the Trilogy's music. I could go on, and on, and ON about my favorite tracks in the entire series - from the Chozo Ruins and Overworld of Prime 1, to fucking EVERYTHING in Prime 2 (Yes, Prime 2 is my favorite despite the keyhunting bullshit, and the music is peak to me), and Prime 3's mix of orchestral instruments alongside those classic synths we've come to know and love.

The highest peak of the trilogy if you ask me is Sanctuary Fortress.

No matter what, I always remember the first time reaching that area and hearing that techno-like, harsh yet almost spiritual vibe of the Fortress, and GOD - seeing that skybox on the outline, it always made me wish you could go down there to explore the Luminoth city that was abandoned so long ago, yet remains lit and functional to this day.

Prime 2 if you ask me has the better soundtrack in the trilogy just due to the sheer amount of original tracks, but also torvus bog and the flooded temple area too, its just too god damn good.

God, I really hope Prime 4 keeps to the tradition of god tier music, and reincorporates some of the instrumentals that the trilogy is known for.


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3 weeks ago

Concept: Kriken is exiled from his home for the usual coming of age planet conquering ritual. He decides to enter the Galactic Federation, ambitious enough to steal a Federation world for the empire. However, he ends up actually appreciating the Galactic Federation and defecting to their side, giving seminars about the dangers of the Kriken’s xenophobic philosophy.


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1 month ago

People on Reddit absolutely FLAMING Sylux for this one😭


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1 week ago

Reblogging cuz it was posted as mature content for some inexplicable reason. It’s fixed now though

So… scope creep, huh?

For those of you who may not know, I do have a rewrite of the Metroid Zero Mission manga, as well as most of the games in the series, in the works. However, the manga rewrite in particular deals with some very heavy and intense topics, topics that need time and care to get right. So uh… yeah, I don’t think that’s coming out before Metroid Prime 4: Beyond, save for some massive delay.

However, there is a story in the works that will meet your eyes, and ears, far sooner. This story is based on a premise and the music works of the YouTuber Seregauss. This is the story of his latest album, Metroid Prime: The Great Hunt.

Metroid Prime: The Great Hunt
YouTube
an album for a concept metroid prime hunters sequel

Taking place after the events of Metroid Dread, this story follows up on some of the loose plot threads left by Dread, Fusion, and Other M, and operates as a sequel to Metroid Prime Hunters.

Far from the homeworlds of the lost Alimbic Civilization, the secret technologies of the Alimbics, left buried for millennia, have been reactivated, spurring on a new hunt for long lost power. Samus Aran, now wrestling with her Metroid powers and distrust in the Galactic Federation and Chozo, must put an end to the anomalous rifts running rampant throughout the Collidus Star System. In her journey, Samus will face deadly wildlife, familiar faces, and sinister new foes, all while uncovering secrets new and old.

This is a story I am very hyped to be working on. Seregauss has a lot of my favorite Metroid covers, and The Great Hunt might be some of his best work yet. In addition, I am privy to some inside information as to artwork and designs which will be implemented into this story. I will be posting some of my own artwork soon, including some artwork of a redesign of the Space Pirate Bounty Hunter, Weavel. Stay tuned, and happy hunting!

So… Scope Creep, Huh?

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6 months ago

Merch idea: Remote controlled morph ball that works like those remote controlled BB-8 toys from way back when.


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5 months ago

Ok, I need your guys’ opinions on something.

So, Metroid Zero Mission’s manga has several Chozo characters. We all know Grey Voice and Old Bird, but a character that gets very little spotlight is Platinum Chest.

Ok, I Need Your Guys’ Opinions On Something.
Ok, I Need Your Guys’ Opinions On Something.

He is quite the old looking Chozo and suffers particularly from the Manga’s art style giving them sagging features that start to no longer resemble a bird. I am basing each of the Chozo’s appearances off of specific birds, a parrot for Grey Voice, a finch for Old Bird, a raven for uh… uh…

Now I’ll put it up to you guys. Which bird should Platinum Chest be based off of?


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