Person B: “If you could choose to spend the rest of your life in any place, where would it be?”
Person A: “I’d choose to spend it right here with you in this bed. You’re warm and safe and the feeling I get when you’re around is something I’ve never experienced before.”
Person B: *Is now flustered and red* “I- I meant a city.. but y- yeah. Yeah, that works.”
Keep in mind that a character might have a realization that turns out to be false.
If she met someone like the person she used to be, she’d feel nothing but envy.
If he met someone like the person he used to be, he’d feel nothing but scorn.
The person she believed was honorable was anything but.
His marriage or other relationship isn’t worth saving.
Ending his relationship was the biggest mistake of his life.
She made the exact same mistake her mother made.
He’s lived up to his father’s legacy.
Just because the rest of his family lived a certain way doesn’t mean he can’t expect better.
Although he makes a lot of excuses, his real problem is that he’s lazy.
She’s no longer faking it.
The end of the relationship wasn’t his fault at all.
The end of the relationship was all her fault.
What he thought was a bad break turned out to be a blessing.
What she thought was a dream come true turned out to be a nightmare.
She’s the friend that people call only when everyone else is busy.
There’s no way for him to help someone who’s ruining her life, because she isn’t inclined to change.
It doesn’t matter how competent he is at work; to succeed, he has to learn better social skills.
It’s okay to ask for help.
Living up to other people’s expectations isn’t working out at all, and it’s time for her to do what makes her happy.
His son, daughter, or parent is a bad person.
She no longer believes in the religion in which she was raised.
He’s embraced a new faith or has found his faith again.
The adults in her life are making it up as they go along, just like she is.
Being an adult doesn’t mean she has to abandon the things she loved as a kid.
To a large degree, he can choose to be happy.
She’s an addict.
He’s not as smart or talented as everyone told him he was when he was a kid.
Although people put her down all the time when she was a kid, she’s actually quite smart or very talented.
Although she thinks of herself as a sarcastic person with a heart of gold, she’s actually a real jerk.
He’s way too hard on his spouse or child.
She no longer has friends.
He’s actually made a real friend.
She’s fallen in love.
Although he has some athletic talent, he’ll never be a professional sports player.
Her wild daydream isn’t so wild… it’s possible that she could actually attain it.
He’s become obsessed with a topic or activity.
There’s nothing in her life that she’s really passionate about. She’s just drifting along.
Her child is now an adult.
What happened to him wasn’t his fault.
He loathes his chosen career.
He is never going to love her.
She is never going to get over him.
She’s missed out on a lot of things by giving up on herself too easily.
He’s missed out on a lot of things by being afraid to take action in the first place.
It’s time for him to quit and cut his losses.
She needs to make her family a priority.
He’s forgiven him.
She’s forgiven herself.
He needs to stop taking life so seriously.
Despite the heartbreak or loss she suffered, the best part of her life might still be ahead of her.
adenoidal (adj) : some of the sound seems to come through their nose.
appealing (adj): voice shows that you want help, approval, or agreement.
breathy (adj): with loud breathing noises.
booming (adj): very loud and attention-getting.
brittle (adj): if you speak in a brittle voice, you sound as if you are about to cry.
croaky (adj): they speak in a low, rough voice that sounds as if they have a sore throat.
grating (adj): a grating voice, laugh, or sound is unpleasant and annoying.
gravelly (adj): a gravelly voice sounds low and rough.
high-pitched (adj): true to its name, a high-pitched voice or sound is very high.
honeyed (adj): honeyed words or a honeyed voice sound very nice, but you cannot trust the person who is speaking.
matter-of-fact (adj): usually used if the person speaking knows what they are talking about (or absolutely think they know what they are talking about).
penetrating (adj): a penetrating voice is so high or loud that it makes you slightly uncomfortable.
raucous (adj): a raucous voice or noise is loud and sounds rough.
rough (adj): a rough voice is not soft and is unpleasant to listen to.
shrill (adj): a shrill voice is very loud, high, and unpleasant.
silvery (adj): this voice is clear, light, and pleasant.
stentorian (adj): a stentorian voice sounds very loud and severe.
strangled (adj): a strangled sound is one that someone stops before they finish making it.
strident (adj): this voice is loud and unpleasant.
thick (adj): if your voice is thick with an emotion, it sounds less clear than usual because of the emotion.
tight (adj): shows that you are nervous or annoyed.
toneless (adj): does not express any emotion.
wheezy (adj): a wheezy noise sounds as if it is made by someone who has difficulty breathing.
Person A: “Did none of you, think this was a bad idea?!”
Person B: “Oh no, we all did. We just decided to do it anyway.”
Nothing fancy… Just some angst & hurt/comfort prompts! Send me prompts if you want!
“I– I think I need to sit down.”
“I just want to be alone right now”
“I want to go home.”
“When you look at me it’s like you don’t even see me.”
“You need to stop this. I can’t watch you burn yourself out anymore.”
“Hey, it’s me. You’re safe.”
“Stop that. Hold still.”
“You’re looking a little pale.”
“You did everything you could.”
“I’m not going anywhere.”
“You have to help [him/her/them]. Please.”
“It reminded me of you.”
“Hush, it’s alright. None of it was real.”
“Can you just leave me alone? Can I have that at least?”
“I’m fine… just a little dizzy.”
“I think I messed up this time.”
“It was only a dream.”
“Is that what you honestly believe? After everything?”
“You were supposed to be there.”
“It’s not that bad.” “You’re [bleeding out/burning up]!”
“Why are you always so reckless, huh? Do you ever think about what would happen if something happened to you?”
“Please tell me what I can do. There has to be something I can do.”
“Something isn’t right.”
“You can lean on me.”
“You’ll only make it worse.”
“I never wanted this. I never wanted any of this.”
“You don’t need to stay.” “I don’t need to stay. But I want to.”
“Just go to sleep. I’ll protect you.”
“You’re a really bad liar.”
“What if there’s no happy ending for us?”
Tag list: @vanilla-chip-101 @sumerianempire @peachgummycandy
A: I want kisses! Where's kisses ?!
B: I'm here,baby.
A: No, you're not Kisses! You're boyfriend!!
Questions to help develop your otp. Pt2
How would they prefer to spend time when out and about?
What signal do they give when they need some space ?
In which setting do they best play off each other ?
What is a moment when each character is vulnerable?
How does each character react to the other being vulnerable?
How do they communicate reciprocated feelings?
What do they disagree on and how did they deal with differing opinions ?
What sort of things do they get into fights over ?
How do they reconcile after arguments ?
How do they each show affection?
At what time do they usually/ mostly have their conversations ?
How honest are they with each other?
How open are they about their current feelings ?
How do they compromise?
In what ways are they in tune with the other's feelings?
How do they show sympathy?
In what ways do they pressure the other or consciously avoid applying pressure?
What topics are the most painful to each other ?
What topics always leads to a fight ?
Is one character too sensitive about something?
What do they want to be resolved the most ?
How do they hold each other accountable?
How do they react in times when they can't cheer the other up ?
What are their plans for the future ?
What plans have they built together ?
If any, what's the biggest threat to their relationship? Are they aware it exists ?
Do they want to have children? If so, how many? Do they agree about this? What gender do they most want ?
Have they discussed the future? Why or why not ?
Where would their dream be located?
Where do they think they'll be in the future together?
How does each want their dream home to be like?
How do they behave or act when they're upset or angry with each other ?
How would each character want to better themselves for the other ?
What would each character appreciate the other doing for them ?
What little things remind them of each other ?
How do they think the other is unique ?
What negative traits do they see in the other and how do they deal with it ?
What might they like to change about the other?
What would each be willing to change in him/ herself for the other and what wouldn't they change?
How did each character come to trust the other ?
What are their shared background experiences ?
What are the differences in their backgrounds ?
What was one moment when one side was weak and the other had to be strong for both ?
When are they jealous for the other ?
When have they let the other down ?
When have they betrayed each other ?
What are the most difficult situations they've faced together so far? How did they overcome them ?
What are their best memories together? What are their worst ?
What's one moment one character felt proud of the other?
What were their first impressions?
When did they realize they were attracted to the other and how did they deal with it?
When was the first temptation to kiss?
When they actually kiss ?
At what point did they realize they might be in love ?
At what point in the story do they most depend on the other?
What are their mannerisms when walking side by side ?
How do they sit when they talk?
How do they respond to physical closeness?
How do they each act ( physically)when confronted with conflicts?
What secrets does each character have? and what secrets would they hate for anyone to discover?
SENSUAL BITING & LICKING PROMPTS as always, feel free to switch around sender and receiver as needed.
1) for sender to lick receiver’s lips before kissing them.
2) for sender to bite receiver’s lip before kissing them.
3) for sender to lick receiver’s throat.
4) for sender to bite receiver’s throat.
5) for sender to lick up from receiver’s throat to their chin and then their lips.
6) for sender to lick right where receiver’s earlobe meets their jaw.
7) for sender to bite receiver’s earlobe.
8) for sender to put receiver’s fingers in their mouth, licking and sucking suggestively.
9) for sender to bite receiver’s inner wrist.
10) for sender to bite the side of receiver’s neck then lick the mark left behind.
11) for sender to bite the inside of receiver’s thigh and then lick the mark left behind.
12) for sender to lick the inside of receiver’s thigh to tease them.
13) for sender to bite and lick at receiver’s jaw.
14) for sender to teasingly lick receiver’s cheek.
15) for sender to lick receiver’s cheek in a possessive and lustful way.
16) for sender to lick and suck receiver’s nipples.
17) for sender to bite receiver’s nipple.
18) for sender to bite and then lick receiver’s nipples.
19) for sender to bite receiver’s chest/breasts and then lick the marks left behind.
20) for sender to bite receiver’s stomach and then lick the mark left behind.
21) for sender to leave several bite marks on receiver’s belly.
22) for sender to lick at receiver’s navel.
23) for sender to bite at receiver’s navel and then lick it.
24) for sender to bite along receiver’s hips.
25) for sender to lick from receiver’s hip to their navel.
26) for sender to lick between receiver’s breasts/pecs.
27) for sender to lick along one of receiver’s collarbones.
28) for sender to bite and lick at the edge of receiver’s ear.
29) for sender to bite at receiver’s ass and then lick the marks left behind.
30) for sender to lick along receiver’s spine.
villain-adjacent tropes i like
Tragic Villain – completely aware of their evil but takes little to no pleasure from it and could very well resent the evil they are committing
Noble Demon – a character who will proudly declare themselves evil, but still finds themselves doing good once in a while
Reluctant Monster — The Reluctant Monster usually has no idea that they’re a monster at all. They are often a member of a species that traditionally does nasty things to people, but that is not in their own personal nature
Broken Ace – A character who is handsome, popular, and mature, but it’s a front he’s viciously maintaining to mask the fact that his self-loathing has reached the level of dangerous unbalance
Affably Evil – A villain who is actually amiable and nice in spite of their intentions
Dark Is Not Evil – A character who looks sinister but is actually good.
Defeat as Backstory: A character suffered a defeat sometime before the main events of the story.
Sympathetic Murder Backstory: A character once killed someone, but for sympathetic reasons—still, they carry guilt over it.
Start of Darkness: A prequel about how the villain came to be who they are.
Being Tortured Makes You Evil: Tortured into evilness. A character who undergoes prolonged torture gives up on their ideals and morality and joins Team Evil.
Face of an Angel, Mind of a Demon: A character is adorable on the outside, but evil on the inside.
Face–Monster Turn: Being forced to turn evil by factors beyond one’s own free will.
Forced into Evil: A character does evil deeds because someone or something else is giving them no other choice.
Tragic Monster: A character is transformed into a dangerous monster and is miserable because of it.
Used to Be a Sweet Kid: A villain or jerk was a lot nicer when they were younger, but something happened that caused them to grow up to be the bad person they are today.
Villainous Breakdown: The villain reacts to defeat by having a psychotic meltdown.
Never Be Hurt Again: fairly common stock motivation, in which characters who have been abused, betrayed, mistreated or otherwise persecuted in the past are acting to make sure that this sort of thing never happens to them again
Driven to Villainy: A broken shell of a human being, warped by events around them, and forced into villainy by forces outside their control.
Fallen Hero: used to be a hero
Jerk-to-Nice-Guy Plot: A plot where a character starts off as a Jerkass, but events change him into a Nice Guy.
Misery Builds Character: Having a character go through absolute hell as a way to strengthen them.
Once Done, Never Forgotten: A character has done something in the past that no one will forget — or let them forget.
Forgiven, but Not Forgotten: just because people forgive doesn’t necessarily mean they will move on. They may hear that they are trying to change their ways, but is still not good enough to make them completely happy again.
Reformed, but Rejected: desire of the character to leave his evil ways in the past is completely genuine — but the hero still refuses to be “fooled.” All he wants is a chance at a normal honest life. It’s getting people to give him that chance that presents a problem.
Reformed, but Not Tamed: Now genuinely on the side of good, but they retain characteristics or methods that they used when they were evil.
all found on tvtropes.com
Good kitten... god I love how you taste.
I can touch you in more than one way, my love.
Sit on my face.
Wait, what are the ropes for?
I'm gonna make you feel good~
Beg for it.
I can't hear you~. Louder, baby.
What if I want to explore you ?
You taste so sweet,baby...
Y-you make me feel so good...
I'll make sure you can't think of anything but the pleasure of being with me.
I just love to hear your cute moans.
Mmh... You're such a tease.
I brought you a new toy ~
I want to touch you. Will you let me?
I would love to see you touch yourself.
Did I stutter? I said take it off.
Gosh, you're so innocent it makes me want to do things to you.
W-wait, I don't wanna be tied up. I wanna touch you too ...
Come here kitten so I can love you.
That was naughty of you. Do it again.
It's not just a toy. Lay down and let me show you something.
You're so gorgeous... So perfect, my love.
I just can't get enough of you.
I-I want to kiss you, touch you, Feel you...
I don't care if someone sees us. I want you now.
When we get home, I'm gonna f***k like my life depends on it.
Good girl/ good boy.
Put it inside.
This strangely feels so good...
You know, I can make you come untouched.
List of “God, I’m so in love with you but I’m also a coward, so hiding my feelings it is” prompts
“Your flirt game is so bad, no wonder you’re still single.” “My flirt game isn’t bad, and the person I like is a fucking idiot. That’s why I’m still single.” “…Okay, but why are you looking at me like that?”
“Why don’t you go marry them if you like them that much?” “…[Name], are you… Are you jealous?” “Am not.”
“You keep sabotaging my dates, and for why?” “Because… Because I know when someone’s an asshole and I don’t want you dating an asshole?”
“My God,” Character A whispers, brushing a strand of hair from Character B’s face; hears the distinct hitch of breath. “You’re so dense,” Character A says. “I’m not… I’m not dense,” Character B breathes out, leaning into Character A’s touch.
“You’re as dense as a cabbage, [name].”
“I would never like you that way.” “Oh, well, neither would I!”
“You’re always getting your heart broken.” “I wouldn’t be getting my heart broken if someone knew how to read the signs.”
“Why do you keep calling me an idiot in front of other people?” “Because you are an idiot.”
“Stop putting your arm around my waist. It’s so…” “…So?” “It’s weird, and I hate it. Because it’s doing things to me that I don’t like.”
“I’d never date you even if we were the last two people in this world. It goes against our friendship code,” Character A says, and Character B tries to hide the twinge of hurt crossing their face. “Yeah, well, I wouldn’t want to date you anyway, even if it were an option.”