Latest Posts by nastysynth - Page 3

Things you can say in response to literally anything, when you have nothing else to say:

As the prophecy foretold.

But at what cost?

So let it be written; so let it be done.

So…it has come to this.

That’s just what he/she/they would’ve said.

Is this why fate brought us together?

And thus, I die.

…just like in my dream…

Be that as it may, still may it be as it may be.

There is no escape from destiny.

Wise words by wise men write wise deeds in wise pen.

In this economy?

…and then the wolves came.

types of people as tarot cards — major arcana

the fool. young at heart, considered ‘innocent’ by others, a dreamer, naive, great potential, loyal friend, adventurous, believes in magic, believes in the good of other people.

the lovers. emotional, turbulent, easily tempted, falls in love easily, spiritual, constantly caught in the struggle between good and evil, hates being alone.

justice. strives for fairness and equality, enjoys balance, always looking to learn something new, can be aggressive and severe, great memory, great debater.

death. always looking for a fresh start, self-destructive, interested in politics, hates feeling stuck, radical beliefs, loves solving problems, reads dystopian novels. 

the tower. chaotic, argumentative, loud and outspoken, self-centered, incredibly ambitious, risk-taker, will do anything to get what they want, impulsive.

the sun. an open book, control freak, finding the beauty in ordinary things, happy-go-lucky, belongs to several friend groups, not afraid to cry in public.

the world. loves to travel, hates change, unabashedly unique, loves to dance, has great luck, seems to always get what they want, gets attached too easily.

Dame Archer kicks McDougal’s Scots ass there in the rain at the Washington Midsummer Renaissance Faire - August 11, 2018 - Photo by Douglas Herring

I have two questions! First: have you ever thought of doing a tarot card suit for your characters? I think it'd work really well for them! And two: help me how do I draw legs

@gravitality

Hi!! I’ve absolutely been thinking about that, yeah, in fact I recently talked about that to my boyfriend just recently. It’ll likely happen after october! And to answer your second question! I made a thing on legs that i hope you’ll find useful!!

So. I’ve already explained basics on legs here, but I don’t think it hurts to go through some extra details to help you understand legs some more.

The very basic thing is to imagine legs as teardrops. Again, this has already been covered in said tutorial above, but I figured it’s still good to mention even the most basic thing that I know of. I still highly recommend you check it out to get in more detail and to see some other examples and practices that you do. But basically, think of legs in the shapes of teardrops, when it comes to shape. If you need a simple stick-figure to connect the legs in the first place, make sure that they bend at the knees a bit so that the legs don’t come off as stiff and unnatural. 

As you can see, this method works perfectly for realistic legs as it does for stylistic ones. Remember to use these as a guideline, never to be the exact base of the legs you will be drawing. If you draw traditionally, remember not to draw these guides too hard, or they will be hard to erase/do freestyle!

But how do you actually draw out the legs without drawing them perfectly straight, as shown to the left? The trick is to add volume to them, and how you do that can be winged to your own liking. The idea is to think in curves. As no leg is perfectly straight. You may make these curves minimal if you don’t want them to be curvy, but keep in mind, still, that not even your own bones are perfectly straight, so it is highly recommended that you make them bend, at least a little. 

It all depends on how you draw them as well. Say you put your legs together, as shown in this picture, what happens to the fat and muscle? Naturally, they press together, much like how thighs squish on the surface when you sit down (I’m sure most people know what I’m talking about). Make sure this shows in your art! This is very important to keep in mind, because it makes it all look more natural and believable. Try to cross your legs or stand up and sit down again for real-life examples!

The same applies for stretching your legs, more or less, except they appear to become more ‘hollow’ and slimmer. They become less soft to the touch, too, and might show. Try stretching your legs and feel where the muscles tense and where it feels ‘hollow’. This is very helpful with your art.

Many leg tutorials talk about legs without mentioning the behind. It requires a tutorial on it’s own, in all honesty, but this is the most simplest way to draw it connecting to the legs. Remember that it comes in many different shapes, and this is just a super basic guide! Two circles overlapping, while following the line and flow of the legs. Remember the muscle/fat as mentioned above!

Okay, so we got the basics of leg shapes figured out? What if you want o draw them in a certain pose, or with a certain silhouette, but perhaps do not have the reference for it? Or you want to blend your style into it? The key is to not shy away from doodling the form. Make mess, draw lightly and don’t care about the anatomy. That way you’ll get everything down without it appearing stiff. You can clean up the sketch later, always, and if you can, use a reference after you have drawn your pose, to correct your drawing.

Remember that the hips do a lot to the pose of the legs! Make sure they are in flow with your legs, so that it can look more natural. Remembers that hips ‘rotate’ with the spine.

I’ve talked about this method before when it comes to posing, and the same applies for the legs. One way to make legs appear ‘steady’ is to picture them standing in a line, and one of those legs need not to stray from the lines too much, making it steady. If you want a dynamic pose despite the steady pose, you can always have the other leg stray from the line, since it only matters that one leg is steady. This method can create good, casual poses without making them appear boring. (also notice how the teardrop shapes are used here, despite the highly stylized legs)

Do you want a highly dynamic pose, or them to appear unsteady, then skip the line entirely and make both legs aim away from it completely. As you can see, the legs appear more moving, in action, as if they’re fighting, falling, or dancing. As you can imagine, this is not a pose that one could stay steady on, suggesting that it’s taken mid-movement. More about posing and this ‘line’ method is talked about in this tutorial.

Hope this helped you, if you have any questions let me know, and if you’d like to check out all my tutorials they can be found here!

WHY IS DRAWING HANDS SO FUCKING HARD

I’ve been using your Arcana tutorials as a reference for a self-insert character. But I’m having trouble coloring the tulle bathrobe, the see-through cloth as well as it’s general texture. Any advice?

What luck. I literally just finished redrawing Isha’s bath sprite.

Note: I use Clip Studio Paint but this method works with any program that has layers and layer styles.

First off, some things I noticed when deconstructing how to draw them.

My Process:

Note about the bottom half: Despite being more opaque, there’s a slight gradient and transparency to it. This can be achieved by airbrushing a very light eraser on the edges of the base colour layer

As for the texture, you can use a worn paper texture on top of this colouring set to “overlay”

Here’s the first half of slides from my comic class on Lettering! 

Rest of the slides: https://gingersnappish.tumblr.com/post/616487287636803584/the-rest-of-the-comic-lettering-slides-first

More of an Arcana style guide to go with my colouring guide.

I tried to cover key aspects that make the style distinct so I hope this can be useful :D

A guide on my process for colouring like in the Arcana which I developed through studying the style.

Now, this is just for sprites or for neutral lighting. In the case of most memories/CGs, you have more interesting colours to use, but the process is identical. There are just extra steps.

Using my favourite memories for each character as examples (hopefully, you can tell which ones) you can see this process. All of this happens on layers above the base drawing.

Usually, you set a colour-filled layer to the setting “multiply” over the entire drawing, then using a “screen”, “add”, or “hard light” layer, you add the lighting. Depending on the intensity of the lighting, the outline will be coloured to be lighter.

The shading colour rarely changes, aside from slight hue changes.

Misc advice/tips/tricks below. I may update it depending on if I get further questions.

Czytaj dalej

Symbols and Signs: Animals

Animals are among the first symbols any human race has used. From birth we know that certain animals represent traits that are human, such as courage, wisdom and strength. I would look into Viking, Egyptian, Christian, Native American Legends and Greek/Roman mythos for animal motifs.

Tigers: a symbol of strength, power, energy, passion, ferocity, sensuality, beauty, speed, and wrath.

Panthers: symbolize strength, , adventure, loyalty, triumph, and a spiritual mind or personality.

Lions: courage, power, royalty, dignity, authority, justice, wisdom, and ferocity.

Koi Fish: fortune and luck, perseverance in adversity, and strength of purpose. (Japanese)

Dolphins: gracefulness, playfulness, gentle, harmony, intelligence, friendship, community, and generosity.

Crabs: trust, emotion, protection, regeneration, and transformation.

Shark: calculation, perceptiveness, and instinct.

Dove: peace, hope, love, freedom, promise, maternity, and messenger. (Christian)

Eagle: patriotism, spiritual protection, guardianship, opportunity, freedom, skill, authority, vision, power, and leadership. (Native American)

Peacocks: Glory, royalty, power, beauty, awakening, refinement, and incorruptibility.

Hummingbirds: joy, energy, vitality, healing, peace, infinity, agility, playfulness, loyalty, and affection.

Snake: duality, the search for balance, rebirth, patience, awareness, wisdom, ambition, evil, healing, intellect, protection, royalty, and awareness. (Christian, Greek, Egyptian)

Frog: f fertility, luck, purity, rebirth, renewal, healing, metamorphosis, and opportunity.

Turtles and tortoises: steadiness, protection, patience and stability

Butterflies: beauty, metamorphosis, transformation, fragility, grace, resurrection, transition, and change.

Spiders : fate, death, rebirth, and signifying a crafty or resourceful personality.

Dragonflies: prosperity, peace, good luck, purity, and harmony.

Scorpions: death, transition, sex, control, solitary, passion, protection, and defensiveness.

Horses: power, grace, beauty, strength, freedom, and nobility.

Foxes: cunning, playful, quick thinking or strategic personality, wisdom

Ant: group mind, patience, action

Antelope: action, agility and sacrifice

Armadillo: safety, boundaries, medicine shield

Bat: rebirth, secrets, blood and initiation

Beaver: builder, protector

Boar: Fire, savageness, power, the sun

Buffalo: sacredness, life, abundance, prophecy (Native American)

Cat: Royalty, cunning, evil, independence (Egyptian)

Bear: Strength, Motherhood, power

Coyote: laughter, humor, foolishness

Crow: Death, greed, murder, wealth

Deer: gentleness, trust, innocence and purity

Dog: Loyalty, nobility, true friendship

Hawk: Speed, persistence and quick wits

Lizard: Self-reliance, longevity, age, wisdom, evil

Mouse: Timidness

Otter: Laughter, curiosity, mischievous

Owl : wisdom, deception, death (Greek/Roman)

Rabbit: Virtue, serenity, low curiosity, quiet talent, fertility, (Chinese)

Ram: self worth, stubbornness (Chinese)

Raven: Magic, the messenger, mystery, dreams, death (Norse)

Sheep: trusting and naivety

Wolf: knowledge , leadership, savagery, teamwork, fear, Motherhood (Native American, Norse, Roman)

A couple people have asked about muzzles and how I draw them, so I whipped up this super quick little guide. These are in my own personal art style of course, so play with the shapes and find out what works best for you!

disclaimer: I'm notorious for going off-model with my own guidelines due to my art style [especially in equines/bovines] and i'm vERY SORRY aAA;

I do hope this helps!! 😭💕

How to kill someone, a guide by Red.

FLOWER SYMBOLISM IN TOKYO GHOUL

 From this gif post (taken with permission)

First off, we have

 White carnation: innocence, remembrance

This could both represent the Keneki we see at the beginning of the series, and the inner reminiscing of the past by the current Kaneki.

Don’t forget, don’t forget

Remember who I am

The flower was stained in blood, resulting in a

Striped Carnation: refusal (I’m sorry I can’t be with you, but I wish I could)

This could be viewed as his necessary rejection of his past self, regardless of how strongly he has been clinging on to it so far. This reminds me of these two separate lines from the OP

The me that has stood in this shaken, distorted world-

Was pierced by the memory of the time I laughed so innocently

It starts as just a droplet of doubt, but Kaneki has to accept the reality, no matter how unpleasant it is

and finally,

Red Spider Lily/ Higanbana: the flower of death

Higanbana is a very famous flower in Japan so the meaning is clear here. This flower is associated with loss, longing, abandonment and lost memories. It is believed that if one meets a person one will never see again, this flower will grow along one’s path. I find that there are elements of yearning and regret a midst the finality and interpret this as Kaneki being forced to abandon it all- the death to his former self.

I have changed; I can’t return anymore

Symbols and Signs: Flowers

Sometimes by using flowers we can convey messages about a character and their motives. Meanings behind plants can differ by country or region and some can be completely different. Using flower symbols is a subtle and poetic way to say things. Like instead of saying Trump is wanker, you can describe him as holding Aconite, Begonias, tansy and hollyhock. (See below for meanings)

Positive Flowers

Aloe Vera: Healing, protection, affection

Amaryllis: Pride

Anemone: Forsaken

Angelica: Inspiration

Apple blossom: Preference

Arborvitae: Unchanging friendship

Aster: Symbol of Love, Daintiness

Basil: Good wishes

Bay: Glory

Bluebell: Humility, kindness

Red carnation: admiration

White carnation: Innocence, pure love,

Pink carnation: Rememberamce

Yellow carnation: rejection

Chamomile: Patience

Cumin: Fidelity

Daffodil: Regard

Daisy: Innocence, hope

Forget-me-not: memories

Gardenia: Secret love between loves

Holly: Hopefulness

Honeysuckle: love

Hyacinth: play, rashness

Blue: Constancy of love

White: Loveliness

Ivy: Friendship

Lavender: virtue and loyalty

Lily: Beauty, freedom, death, purity, Motherhood

Oak: Strength

Roses:

red: love

pink: Happiness

White: purity, innocent, worthiness

Rosemary: Remembrance

Valerian: Readiness and calmness

Rue: Grace

Sunflower: Adoration

Thyme: Courage and strength

Violet: Loyalty, devotion, faithfulness, modesty

Yarrow: Everlasting love

Negative Flowers

Aconite (Monkshood): means ‘hatred’ and ‘be cautious’. Also poisonous.

Butterfly weed: ‘Leave me’.

Orange lilies: symbolize hatred, pride, and disdain.

Petunia: symbolizes resentment and anger.

Begonia: Beware

Cyclamen: good-bye

Hollyhock: Ambition and pride

Purple Hyacinth: Sorrow, forgiveness, regret

Yellow Hyacinth: Jealousy

Yellow Rose: jealousy, decrease of love, mourning

Dark Red Rose: Mourning a lover

Tansy: anger and hostility

Willow: Sadness

Yew: Death

Hiya how do you draw arms crossed over?

tusky business

Tusks!

no trouble at all! Here are some visual notes on how i approach orc teeth. 

1: get familiar with the structure. 

The better you can visualise the structure of teeth and where the tusks “plug in”, the easier step 2 will be. 

2: simplify. 

You only need to draw what will be visible. Don’t worry about drawing the anatomy right every time. If you get familiar with the structure underneath, it will be easier to spot when something’s off in your sketch. 

Works for upper tusks and lower! Visualise –> Simplify

Process of one of my drawings of Ardyn!

Just random and for like cartoons not real life

leggie tutorial!!!

so playing andromeda and drawing kaleans got me thinkin’ on another minor complaint i have about ME and it’s this:

dang they can’t figure out how to make digitigrade legs work on a humanoid character and they end up adding extra joints to the legs to try to make it make sense

like i watched the animation cycle of that angara working out at the resistance camp and when he started doing crunches and his legs made an M shape i was just like smdh

i mean i think they handle it better with the angara since they have those weird little hand-feet (angara are so cute i cannot stand it) but the worst offender is probably the salarians

anyway i love the concept of humanoids with digitigrade legs so here’s some notes about it. it’s not beautifully formatted or anything but maybe it’s helpful!

basically the main thing to get out of your mind is that you’re not going for “backwards knees.” i am sure backwards knees could work and would be an interesting design, but it’s gonna change how this character moves and sits, it’s gonna affect the character’s center-of-gravity, it’s gonna be a much bigger overhaul of the anatomy than creating a digitigrade leg requires.

when you’re thinking of a digitigrade leg as having backwards knees, it’s probably because the joint you’re thinking of as the knee is actually the ankle

both plantigrade and digitigrade legs will have four major points of articulation: the hip the knee the ankle the toes and a digitigrade leg isn’t a plantigrade leg backwards, but on its tiptoes:

that’s basically all you gotta do! then you exaggerate the effects by changing the proportions of the leg, starting with making the knee-ankle length shorter, and the ankle-toe length longer.

the benefit of drawing digitigrade characters like this is that they can sit in chairs without looking ridiculous!

and finally, if your character doesn’t have paws or hooves or talons, they probably want to wear shoes! hell, even if they do they still might wear shoes. the ground is nasty! think this through and let it be another cool design opportunity. a good place to start if you’re stuck is looking at wedge heels, then drawing them without the heel!

aaaand here’s some aliens

now get outta here and draw some weird-ass legs aight

When doing full body sketches do you use shapes for different body parts? (I.e triangles for the torso, circles for the face, etc.) If so, could you show us how one could use said shapes to get their anatomy right? Thanks!

lucky you, my latest figure drawings have just been posted so i feel like i can use them for my explanation here!!

above all: THINK IN THREE DIMENSIONS, NOT JUST FLAT SHAPES. THE CONTURE/ANGLE IS VERY IMPORTANT!! THE RIB CAGE WITH SHOW THE ANGLE UR BODY IS AT THE MOST!! 

i did this tutorial ages ago in DA and i wanted to share this with you guys on tumblr <3

my DA click here 

1 - 2 

Face tutorial for Anon!

I wasn’t sure whether you meant heads or facial expressions, so here’s a very basic head tutorial! Of course not all faces are the same so proportions and the size of ears/eyes/noses etc. can vary! Feel free to explore and play with them to create unique and interesting characters! I hope this is somewhat helpful, and let me know if you’d like a tutorial on expressions as well!

some puppies studies ( ͡° ͜ʖ ͡°) 🐶 | Instagram

(Edited) + more studies lkdafña

Sorry, if you've answered this before, but do you have any tips on drawing mouths and lips?

Hello anon! :D I’m not the best at making tutorials and giving tips but I’ll do my best to answer your question! ^^

I sure do love drawing lips! It might be in fact my favourite part of the face to draw. 

Let’s see what makes them so irresistible ;)

tip 1: let them shine! that tiny shiny spot does wonders for the lips - it makes them fuller, softer and more three dimensional. It also makes the lips look slightly wet. Sexy!

tip 2: Build the depth with some darker spots. Quirking corners are great for that, and if you make the darkest spot in the middle of the mouth it seems like it’s about to part. And maybe whisper something seductive ;)

tip 3: The very middle of upper lip is my favourite area, it gives the mouth its distinct character. It’s also a great spot to play with shadows, one lighter stroke, one darker stroke and you have a very dramatic shading going on! 

tip 4: When drawing lineart it’s good to keep the line varying in width and pressure. Equally thin, flat line might look good in anime, but even there it’s rarely the case. Making the line thicker in the shadowy part of the mouth adds depth to your drawing. 

General remarks:

I almost never outline the upper lip, it tends to look weird. Just a thin “U” shape in the middle is usually enough.

Upper lip is usually in the shadow, at least half of it. Lower lip tends to catch the light, especially with pouty plump lips. The more shadow you add under it, the fuller the lips look. 

When drawing male characters I usually play around with skin tones instead of pink and red (see the third row of examples). But it’s not a rule. Some boys rock them rosy lips. ;)

Never paint the teeth white, never. Gray, yellowish and pinkish tones are great. 

And the final tip: use reference! Look for pictures of people with beautiful lips, with thin lips and full lips, try to see which line goes where and how it changes the shape and expression. I hardly ever draw without a reference.

Good luck! 👄

I jotted down for a friend of mine some tips and notes on how I approach drawing hair, and things I keep in mind while doing so, and thought I’d share. There are loads of other ways to do it, and the learning never stops, so I hope this helps!

How do you draw noses?

I’m not sure what specific part you’re wondering about, so here’s a run-through of my process from sketching to painting!

1) The first thing I do is simplify the nose into a few basic shapes to get a prism-like block, like so:

2) I can now easily draw the prism shape in three-dimensional space depending on the angle and rotation of the head.

3) Using the guidelines/planes I can draw a proper nose in any angle! There aren’t many tricks or shortcuts for this step, unfortunately (other than practicing lots). I recommend using references, they’re always helpful :)

4) Really important to note: all noses vary greatly, especially from different ethnicities! A high-bridge “aristocratic” sort of nose or a ski-slope button nose might be accurate for some people, but definitely not everyone. Compare differences in size, width, a hooked or button nose tip, high or low nose bridge, and so on:

5) Then I paint! I have a skin tone tutorial here, if it helps. Take note of the lighting, skin tone, etc. Here are some things I keep in mind:

For pale skin tones, the nose sometimes has a redder colouration than the rest of the face because of increased blood flow.

The nose also usually has highlights (due to oil). These are located on the tip of the nose, the nostril groove, and where the base of the nose meets the flat area of skin around it!

Hope this helps! In the end, all stylistic choices are completely up to you. Art’s subjective, so feel free to draw any noses you want :)

heres a skintone pallete!!! feel free to rb/use it!!!

left to right = light to dark top to bottom = warm to cool

How I draw skin Part 2: DON”T DRAW NATIVE PEOPLE WITH RED SKIN!!!! A tutorial

For the first tutorial on how I draw skin, see the post here.

But seriously, I’ve seen too many drawings of Native characters with literal red/pink skin to count so just in case some of you are having troubles with drawing Native people, I’ve provided a guide for you. Please take my swatches if it helps!! and no more red skinned people, please <0<

Disclaimer: this tutorial is mainly about the artistic depictions of Indigenous Peoples in North America, where the slur and redskin caricature originated, but it would still be racist to draw other non-North/Central/South American Indigenous groups like this so…..don’t.